Tom Waits' 'Closing Time' doesn't get enough love

I know people love Tom Waits around here but this album is often avoided in our discussions. But it's a near perfect album... so why?
'We're learning songs for baby Jesus' birthday. His mum and dad were Merry and Joseph. He had a bed made of clay and the three kings bought him Gold, Frankenstein and Merv as presents.'
- the great Sir Leo Harrison
- the great Sir Leo Harrison
Post edited by Unknown User on
0
Comments
I think most people associate Waits more with his boneyard-percussion, raw albums - ie. post-Swordfishtrombones. But even when you go back to his barfly stuff, Closing Time seems slightly out of place, more of a straight singer-songwriter album, not to mention his voice being so smooth. So even though it's a great album, most people pretty much start at Small Change when they talk about Waits.
Those two, along with Hearttack and Vine, round out my three favorite early Waits records.
The man is a life force.
Yes, as is Ol' 55 and Martha... well, all of em.
- the great Sir Leo Harrison