Joanna Newsom

_Crazy_Mary_

What's her music like? Anybody know? I've waited on her a couple times (having no idea who she was or that she is 'anybody' for that matter) and it would be nice if I knew something about her music. She is a good tipper, though.

intodeep

_Crazy_Mary_ wrote:

What's her music like? Anybody know? I've waited on her a couple times (having no idea who she was or that she is 'anybody' for that matter) and it would be nice if I knew something about her music. She is a good tipper, though.

that is very cool. Her music is very interesting. I've only heard a little bit of it but her last album Ys was universally received as one of the best records of 2006. It has a folky feel but she plays the harp so keep that in mind.

Here is a nice long review of her album Ys from http://www.allmusic.com

The Milk-Eyed Mender was a striking debut that set Joanna Newsom apart from her indie folk contemporaries. Its simplicity and depth, and the way it sounded timeless and fresh, made her a singular figure in that scene. On her second album, Ys (pronounced "ease"), she continues to move in a very different direction than her peers, and even a different one than what her audience might expect. The Milk-Eyed Mender's 12 gentle vignettes sounded like they were basking in sunlight; Ys is epic, restless, and demanding, made up of five dazzling, shape-shifting songs that range from seven to 16 minutes long. Newsom embarks on this adventure of an album with help from talents as diverse as engineer Steve Albini, arranger Van Dyke Parks, and producer Jim O'Rourke (who, come to think of it, is the perfect meeting point between Albini and Parks). Ys' boldly intricate sound plays like an embellished, illuminated, expanded version of Newsom's previous work. Parks' lavish, but never intrusive, orchestral arrangements sometimes make the album feel — in the best possible way — like a Broadway musical based on The Milk-Eyed Mender, particularly on the album closer, "Cosmia." Crucially, though, Ys isn't any less "real" than Newsom's other music just because it's more polished. The nature and craft imagery in her lyrics, the transporting sense of wonder and the one-of-a-kind voice of The Milk-Eyed Mender are here too, just in a much more refined and ambitious form: Ys is a gilt-edged, bone china teacup to Mender's earthenware mug.

Along with the beautifully filigreed arrangements and melodies, which mingle strings, jew's-harps, and spaghetti Western horns with Appalachian, Celtic, and even Asian influences, the album shows Newsom's development as a singer. She has more nuance and control, particularly over the keening edge of her voice, which is recorded so clearly that when it cracks, it tears the air like a tangible exclamation point. Ys' daring, plentiful wordplay makes it even more of a rarity: an extremely musically accomplished album with lyrics to match. On "Only Skin" alone, Newsom goes from rhyming "fishin' poles" with "swimmin' holes" to "heartbroken, inchoate." These songs are so full of words and plot twists that sometimes it feels more like you're reading them instead of listening to them, and indeed, actually reading the lyrics in the book-like liner notes reveals that Ys has a library's worth of children's stories, myths, romances, and of course, fairy tales woven into its words. As the album unfolds, it seems like Newsom can't get more ambitious (and more importantly, pull it off), but with each song, she does. Two of the best moments: the darkly whimsical fable "Monkey & Bear," a forest romp that boasts some of the album's best storytelling and some of Parks' liveliest arrangements, and "Sawdust & Diamonds," which is surreally sensual and coltish, with surprisingly direct lyrics: "From the top of the flight/Of the wide, white stairs/For the rest of my life/Do you wait for me there?" Ys isn't exactly a reinvention of Newsom's music, but it's so impressive that it's like a reintroduction to what makes her talent so special. Its breathtaking scope makes it a sometimes bewildering embarrassment of riches, or as one of "The Monkey and the Bear"'s lyrics puts it, "a table ceaselessly being set." Yes, Ys is a demanding listen, but it's also a rewarding and inspiring one. Letting it unfold and absorbing more each time you hear it is a delight.

transplant

intodeep wrote:

Ys is a demanding listen, but it's also a rewarding and inspiring one. Letting it unfold and absorbing more each time you hear it is a delight.

so true.

her music is simply beautiful but just arranged different than most. her voice is a tad shocking at first, good, however I can see how some may be put off by it.

blacknapkins

Let the raving begin.

Joanna Newsom is amazing. Flat out. Her songs crawl inside you and her voice is other-worldly. She's whimsical and wonderful.

(Yeah, we kinda love her here in this house.)

http://www.youtube.com/watch?v=uZEO7RLbOqA

off_the_record

_Crazy_Mary_ wrote:

What's her music like?

fucking awesome is how i would describe her

Jeremy1012

I've tried and tried but her voice is just horrible to me.

(and this is a person who once described Jeff Mangum's voice as 'what heaven sounds like during a thunderstorm', so I can enjoy weird voices )

glasshouse

Ys is nothing short of a masterpiece. best album of 2006. incredible stuff.