SMC: THE FOR CARNATION ~ The For Carnation
transplant
Posts: 1,088
Ok, Popmatters review:
by Erin Hucke
"Whenever I hear landscapic, guitar-based rock with few vocals, I automatically compare it to Scottish innovators, Mogwai. I consider Mogwai's Come On Die Young one of the best records of 1999, so every band falling loosely into the post-rock, instrumental ramblings category is inevitably, and somewhat unfairly, held up to the light Mogwai casts. Everyone must stand in line to be compared side by side with the Moggies to get my post-rock seal of approval. Not too many bands make the cut. The For Carnation does.
The For Carnation fashion this means of cerebral journey with lazy, repeated patterns, and controlled, premeditated guitar notes and drum beats. Ex-Slint member Brian McMahan and crew slither through this six-song/45-minute album with a little vocal help from Kim Deal, formerly of the Breeders, and Rachel Haden of That Dog.
The For Carnation meanders through faraway, hazy yellow fields. It stumbles over twigs in remote wooded areas. It crawls along dim city streets at night. The album has motion. The album has velocity. The album slinks along without climbing. It builds out, not up. It stretches across scenic countrysides you've never seen in real life before. This is eyes-closed music.
This album is space rock minus the space. It's expansive, earth-bound rock. It's organic. It's the deep grain in dark wood. It's a handful of rich soil. It's a smooth sedimentary stone. It's the beauty of imperfection.
You can't see through the opaque wanderings of The For Carnation. Hold the album up to the light and it blocks out the sun. The deep-colored lushness of the album doesn't just equal Mogwai's music on the genre plane. The For Carnation sneaks up on it, taps it on the shoulder and steals its crown before Mogwai can figure out what hit 'em."
This CD begs to be listened to on headphones, preferably in the dark while sipping a cocktail. It is trance like, jazzy, creepy, addicting. My favorite track is the last one Moonbeams. I just think this is a cool ass CD. Of course I am running a decent risk of some of you having this, if you do, let's here your thoughts on it.
Enjoy.
P.S. It is uploading now. If you go out and it is not there, let me know.
by Erin Hucke
"Whenever I hear landscapic, guitar-based rock with few vocals, I automatically compare it to Scottish innovators, Mogwai. I consider Mogwai's Come On Die Young one of the best records of 1999, so every band falling loosely into the post-rock, instrumental ramblings category is inevitably, and somewhat unfairly, held up to the light Mogwai casts. Everyone must stand in line to be compared side by side with the Moggies to get my post-rock seal of approval. Not too many bands make the cut. The For Carnation does.
The For Carnation fashion this means of cerebral journey with lazy, repeated patterns, and controlled, premeditated guitar notes and drum beats. Ex-Slint member Brian McMahan and crew slither through this six-song/45-minute album with a little vocal help from Kim Deal, formerly of the Breeders, and Rachel Haden of That Dog.
The For Carnation meanders through faraway, hazy yellow fields. It stumbles over twigs in remote wooded areas. It crawls along dim city streets at night. The album has motion. The album has velocity. The album slinks along without climbing. It builds out, not up. It stretches across scenic countrysides you've never seen in real life before. This is eyes-closed music.
This album is space rock minus the space. It's expansive, earth-bound rock. It's organic. It's the deep grain in dark wood. It's a handful of rich soil. It's a smooth sedimentary stone. It's the beauty of imperfection.
You can't see through the opaque wanderings of The For Carnation. Hold the album up to the light and it blocks out the sun. The deep-colored lushness of the album doesn't just equal Mogwai's music on the genre plane. The For Carnation sneaks up on it, taps it on the shoulder and steals its crown before Mogwai can figure out what hit 'em."
This CD begs to be listened to on headphones, preferably in the dark while sipping a cocktail. It is trance like, jazzy, creepy, addicting. My favorite track is the last one Moonbeams. I just think this is a cool ass CD. Of course I am running a decent risk of some of you having this, if you do, let's here your thoughts on it.
Enjoy.
P.S. It is uploading now. If you go out and it is not there, let me know.
Post edited by Unknown User on
0
Comments
WAR + MAGIC BEANS = PEACE
WAR + MAGIC BEANS = PEACE
~it is shining it is shining~
This is a meditative, cinematic, small record that hints at longer views than you normally get from songs, and is as perfect for listening to in the dark on headphones as anything I know. The lyrics are the weak point, but the band settles into such a thick groove for the duration that it's easy to take the low-whispered vocals more as part of the overall palette than as an unnecessary point of focus. Better than most of the records that kicked its ass at the cash register in 2000.
bump for the weekend crew.
Has anyone got this yet?
WAR + MAGIC BEANS = PEACE
www.stopglobalaids.com www.indymedia.org www.ecologyfund.com www.thehungersite.com www.amnesty.org www.pratham.org www.icbl.org www.care2.com/click2donate
~it is shining it is shining~
Edit: n/m it's on Oink. I'll just get it from there.
for the others, man that sucks. if I don't hear anything positive by the end of the work day, I'll throw the pick back up.
you might wanna re-up it. i'm really interested in hearing this!
its working now, thanks
You can't go wrong with any of their records, though?
Slightly off-topic, is there any word on any releases from the Slint reunion? I'd heard rumors of a DVD or live album...
Someday I want to open a bar. It's going to be a low key bar (not a dance bar or anything like that), and I want to bathe it in red mood lighting and include music in the jukebox or over the sound system that creates the mood I am looking for. This album fits the bill in spades.
Thanks transplant, this will be getting a lot more spins!
And I will comment on the previous mix shortly. Sorry for being late!
And AndySlash, that bar idea sounds awesome!
If you can't get high on purely music and the sounds that you hear, you're missing out on something.
And slow is good! These guys never showed up on my radar so this was a nice surprise to discover The For Carnation. I listened to it twice so far, and plan to do a headphones listening tonight (very soon). Really great vibe throughout this album.....and consistently good. I kept waiting for a build up on a few songs, but they didn't happen. Upon reflection, the songs didn't need a build up. They held a nice groove instead.
Great stuff Transplant. This is a nice addition to my collection.
WAR + MAGIC BEANS = PEACE
I also hark back to Clann Zu on occasion, mainly the song There is No Morning Copy.
Alobar, every review does make it seem like there is some massive build up on these songs but I agree with you, I don't think they are really there. They keep a consistent groove which is also fine by me.
I think it is great you guys are digging this after only a few spins. Every one after for me the music sunk into my skull a little bit more. Again, I think that is the addicting quality I find on this. If I were an artist, I think it would be difficult being in this kind of mood throughout a whole recording. It makes me wonder how long it took them to record it.
jb13letters, I haven't heard their other stuff but I surely plan to. AndySlash, yeah, that bar idea sounds wonderful.
So obviously more comments are encouraged. I'll get the ball rolling on the next pick.
I like it alot. It's cool to hear such a great record from an ex-Slint member.
www.stopglobalaids.com www.indymedia.org www.ecologyfund.com www.thehungersite.com www.amnesty.org www.pratham.org www.icbl.org www.care2.com/click2donate