Its doubtful. His sound is always some combination of les paul, cranked tweed deluxe amp, analog delay, octave down and spring reverb. I've not heard of him using a ts9.
Its doubtful. His sound is always some combination of les paul, cranked tweed deluxe amp, analog delay, octave down and spring reverb. I've not heard of him using a ts9.
Two important things you need to know about Neil's tone.
1) He's got a broken firebird pickup in his guitar.
2) He's got a custom made component called a Whizzer that actually adjusts his amp knobs w/o using his fingers.
I'm sure someone else can tell you more about those.
Camden I '06, Camden II '06, Bonnaroo '08, Camden I '08, Camden II '08, Philly Spectrum II/III/IV '09, MSG I '10, MSG II '10, Made In America '12, Wrigley '13, Brooklyn II '13, Philly I '13, Philly II '13, ...
Neil's setup is insane and you're never going to match it.
However, I have found that a Tweed Deluxe amp is the MAJOR contributor to that Neil Young sound. I play through a victoria deluxe. I've played tele's through it and gibsons through it and it's easier to get that Neil Young tone through that amp than anything, no other amp or pedal or guitar gives me the Neil vibe like that deluxe does. It has to be cranked too.
Incase you're unfamiliar, it's a TWEED deluxe. Not a Deluxe Reverb or a Hot Rod Deluxe or a Blues Deluxe. It's a 1950s tweed deluxe ( 5E3 )and there are clones of these amps all over the internet. You can get one for about $900 give or take.
Richter, SDG vintage, Victoria and Clark all make killer copies of that amp.
Neil's setup is insane and you're never going to match it.
However, I have found that a Tweed Deluxe amp is the MAJOR contributor to that Neil Young sound. I play through a victoria deluxe. I've played tele's through it and gibsons through it and it's easier to get that Neil Young tone through that amp than anything, no other amp or pedal or guitar gives me the Neil vibe like that deluxe does. It has to be cranked too.
Incase you're unfamiliar, it's a TWEED deluxe. Not a Deluxe Reverb or a Hot Rod Deluxe or a Blues Deluxe. It's a 1950s tweed deluxe ( 5E3 )and there are clones of these amps all over the internet. You can get one for about $900 give or take.
Richter, SDG vintage, Victoria and Clark all make killer copies of that amp.
With 6L6's in lieu of the 6V6's. Tolerances weren't as tight back then. He has stated in past interviews that he owns at least 10 Deluxe's and one one sounds the way it does. This one just happens to have the "Sweet Spot" he digs.
E. Lansing-98 Columbus-00,03,10 Detroit-00,03 (1&2),06, 14 Cleveland-03,06,10 Toledo-04, Grand Rapids-04,06 London-05, Toronto-05, Indianapolis 10, East Troy (1&2) 11, Chicago 13, Detroit 14
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if you are just getting into him jam10, here's my favorite bookmarked uncle neil site. so much cool information.
http://guitar.about.com/gi/dynamic/offsite.htm?zi=1/XJ/Ya&sdn=guitar&cdn=hobbies&tm=16&gps=47_2580_1276_629&f=20&tt=14&bt=1&bts=0&zu=http%3A//www.thrasherswheat.org/sound.htm
1) He's got a broken firebird pickup in his guitar.
2) He's got a custom made component called a Whizzer that actually adjusts his amp knobs w/o using his fingers.
I'm sure someone else can tell you more about those.
However, I have found that a Tweed Deluxe amp is the MAJOR contributor to that Neil Young sound. I play through a victoria deluxe. I've played tele's through it and gibsons through it and it's easier to get that Neil Young tone through that amp than anything, no other amp or pedal or guitar gives me the Neil vibe like that deluxe does. It has to be cranked too.
Incase you're unfamiliar, it's a TWEED deluxe. Not a Deluxe Reverb or a Hot Rod Deluxe or a Blues Deluxe. It's a 1950s tweed deluxe ( 5E3 )and there are clones of these amps all over the internet. You can get one for about $900 give or take.
Richter, SDG vintage, Victoria and Clark all make killer copies of that amp.
With 6L6's in lieu of the 6V6's. Tolerances weren't as tight back then. He has stated in past interviews that he owns at least 10 Deluxe's and one one sounds the way it does. This one just happens to have the "Sweet Spot" he digs.
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His style doesnt incite arthritic attacks later in life. What a raunchy tone.
David Gilmour is another guitarist that hasn't lost a step since the glory days, and can often times surpass his old self.