Whats the theory behind "Black"?
Dogman3
Posts: 330
Mike solos over Dsus-C-Em, but he's using some sort of scale throughout in the Key of E I believe, but I'm unsure of what sort of scale it is. Help?
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I believe Mike's solo is just played within the pentatonic scale of the modulated key.
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And with a little music theory, you know that 3#'s = A.Major (or it's relative F#Minor) AND 1# = E.Minor (or it's relative G.Major).
You can pretty much modulate a key down by removing sharps (or flats) without it sounding to abrasive - but it's modulating the
key up that might not sit well with some listeners (adding a sharp or two when there wasn't one sometimes sounds disagreeable).
Corroborating this as you see, some people didn't even know that the key had changed at all
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12--15----
12---14
12---14
12---14
12---14
-12---15
With some minor notes in their, all based around the riff:
---12--13--15---13---12--13--12
Which means you can throw in some minor notes like:
--12-14-15
12-13-15
11-12-14----
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You've got 12 places to try since there are 12 total notes in music (including all the sharps/flats). Just
work your way up the fretboard playing either Major/Minor MODE until you find a place that works well.
It may take you a few times around to actually find the place that works the best - then of coarse you
can just blues/pentatonic it out - Here you go: http://i174.photobucket.com/albums/w83/ianvomsaal/Scales--Modes-Diagrams-Fingerings.jpg
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