Recording Vocals Any Help Appreciated!!!
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Guys has anyone got any good tips for me?? i can plug my semi into my laptop direct and get bang on reproduction, but im having trouble when it comes to vocals as my mic (no problem with quality) just picks up endless inteference, really bad quality, have tried a few things to know avail!! any tips??!!
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Also keep in mind the mic will make a big difference. You may want to get a really good condenser mic in the future and a pop filter.
The pop filter and the interface should get rid of most of you noise problems. Also a better mic will help. The software will make a diffence also.
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I DON'T suggest using basic mics like an SM57 or SM58 (get yourself a condenser or cardioid condenser mic, it'll sound better).
And for best results, never try to plug into that little 1/8" jack on your computer for sound input. I'd recommend just getting a basic Pro-Tools rig (since that's the industry standard, and even if you use a basic version of Pro-Tools you can take that recording to any real recording studio and they can just plug it in).
Generally you also have to watch out for what kind of room you record in. A really dead or really hard room tends to yield a fairly bad recording (I wouldn't suggest a closet for vocals or amp since it's too small and dead - a bathroom would be better for vocals than a closet).
If you don't want to take the cheap bathroom route (sometimes toilets run and make noise), yet you don't have the $$ to build a sound booth, I'd tell you to just record vocals in a fairly empty room with only a few pieces of furniture to help absorb some of the sound from bouncing around (a small rug can help too). I usually record my amp in a separate room so I can turn it up (studio's do that, even for live room recordings).
Anyhow, get a decent mic & preamp, that'll help your vocals out.
Cheers . . .
- Ian C.T. vom Saal
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Some simple tips:
- Don't crowd the mic. Proximity effect sucks. But at the same time don't be afraid to get close to it... Mess around with it until you get the right set up is what I'm saying .
- I believe you'll want a nice, wide ranged condensor microphone... an SM57 works wonderfully. Relatively cheap too.
- If you have the ability (and if you need this) go into samplitude or something and roll off the high end to get rid of sibilance (hissing sounds produced by words like ssssssssnake and ssssssphinxter... get it?). It will make a world of difference (IF you need it... usually the less you have to do the better).
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The better you perform your track during recording, the easier it is to work with after. Pitch Editor is designed for near perfect vocals, not terrible. De-sibilancers are meandt for slight "sss" not peopel with a lisp, and good microphones are meandt for peopel who sound good in a room, not to make people sound good in a room. When it comes down to it, the closer you can sing to exactly what you want, the easier it is. so allways make sure you are 100% prepared for vocal tracks, because it is one of the hardest things to fix.
2005.09.05
"how many people did die from that?...did P.Diddy kill them?" - Eddie Vedder 2006.02.19
Good Vocals - I second that.
With all the microphone and spec stuff I mentioned earlier, I forgot to mention a good voice (yeah that helps) You can run through a vocalist to help bad pitch, but then they tend to sound a bit synthesized - you can hear it overused like Ozzy's daughter Kelly, that Ashley Simpson Chick, Britney Spears, you know what I mean.
Cheers . . .
- Ian C.T. vom Saal
♫♫ http://www.myspace.com/ianvomsaal
<b><font color="red">CONTACT ME HERE</font>: www.myspace.com/ianvomsaal</b>
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the trick they do is layering, and basically hope that the takes are close, but not perfect so the "perfect" note is hit in one of the performances. Its like gambling, if you place a beat on all 4 options...yoru going to win.
2005.09.05
"how many people did die from that?...did P.Diddy kill them?" - Eddie Vedder 2006.02.19
ps yeah ur right i cant sing,
only joking
not really tho! -)
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