is this pedal order correct?

reaching hands

where do i put a fender blender in this loop?

guitar-wah-BF2 Flanger-Maxon OD9-Fender Blender-DD6 Delay-amp or do i have this right?

just curious

Guitarhero27

reaching hands wrote:

where do i put a fender blender in this loop?

guitar-wah-BF2 Flanger-Maxon OD9-Fender Blender-DD6 Delay-amp or do i have this right?

just curious

it really depends how it sounds to your ear....but if that was my pedal board i'd go..

guitar...wah....maxon od9....fender blender....bf2 flanger....dd6 delay....amp

-seth

xtremehardy388

Guitarhero27 wrote:

it really depends how it sounds to your ear....but if that was my pedal board i'd go..

guitar...wah....maxon od9....fender blender....bf2 flanger....dd6 delay....amp

-seth

That's how I'd do it except switch the places of the OD and Flender

Guitarhero27

I always keep an overdrive of some sort right after my wah, in the chain, but on the board it looks as if it's before the wah...

so right when i'm about to kick in the wah...i throw the od on, and then the wah this way when i'm cocking the wah back and forth i'm sure to cut through the mix

-seth

Pearl Jam and toast

Don't switch the OD and Fender Blender. I think you had it right the first time.

When put after my fender blender, my tubescreamer kills the tone of the flender and kind of squishes the sound - and I imagine most any OD will do that to some extent.

I drive the sound with the tubescreamer, then fuzz the driven sound with the flender, then boost the volume and crunch the sound up with the greedtone last (because the flender's output level is kind of low despite it's nastiness).

It's all up to taste though. You'll get different sounds with every order.

xtremehardy388

Pearl Jam and toast wrote:

Don't switch the OD and Fender Blender. I think you had it right the first time.

When put after my fender blender, my tubescreamer kills the tone of the flender and kind of squishes the sound - and I imagine most any OD will do that to some extent.

I drive the sound with the tubescreamer, then fuzz the driver sound with the flender, then boost the volume and drunch the sound up with the greedtone last (because the flender's output level is kind of low despite it's nastiness).

It's all up to taste though. You'll get different sounds with every order.

If you decide to switch it, that's only if you're using it as a booster (which is what I do).

reaching hands

thanks guys, i'm gonna switch my flanger to sit after the blender.

i was surprised how low the blender is when the boost is off.

pearl jam and toast........have you any ideal settings for the blender?, im still playing with mine but i guess thats the nature of the beast

xtremehardy388

reaching hands wrote:

thanks guys, i'm gonna switch my flanger to sit after the blender.

i was surprised how low the blender is when the boost is off.

pearl jam and toast........have you any ideal settings for the blender?, im still playing with mine but i guess thats the nature of the beast

I have everything (except the volume) cranked. Also, I sometimes have the tone at 7, sustain at 10, blend at 8, and volume usually sits at whatever is tolerable.

Pearl Jam and toast

Good settings off the top of my head..

1. Turn everything up.

2. High Volume, low sustain, blend at wherever you want it. (good to have one of those 'boosters' here).

3. High Sustain, low volume..

You get the idea. Judge the amount of distortion and nastiness you want and set the blend, then adjust the volume vs. the sustain to get the right.. volume and sustain.. for your purposes, then adjust tone to your liking.

It's also cool to crank the blend (esp. well with the spinal tap setting) and roll back the tone knob(s) on your guitar. The octave effect really comes through. (Use delay or reverb!!).

reaching hands

so....bearing in mind mike has an original blender (im guessing) what settings does he use for NAIS?

xtremehardy388

reaching hands wrote:

so....bearing in mind mike has an original blender (im guessing) what settings does he use for NAIS?

+1...

Binaraul was recorded very oddly though so it's very tough to figure out.

reaching hands

obviously he has it drenched in reverb, delay and wah on top and alot of panning

finding it hard trying to get a 'pure' amp sound coming through like mike does but maybe i'm still searching for the right setting

xtremehardy388

There is ONE note of that song that sounds AMAZING. It's RIGHT after the first chorus and before the solo. I know the note but even with the flender, it's close to impossible to find it. I'm gonna try it with my wah, delay, and reverb.

reaching hands

the best way i describe it is 'thunder' its damn awesome. i remember the first time i heard NAIS and thought 'what the hell is that effect?'

i just love it. i'm gonna try later on too!

MichaelMcKevin

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