Crazy Octave Fuzz
DiRtyFranK38
Posts: 3,131
So in reading another thread it reminded me, i want some sort of a pedal to give me a sound very similar to the solo in 'i got shit'. i love that wild, uncontrolable octave fuzz. The flender would be perfect, but it is just too much money, and honestly there's not even room on my board for something that size. i also know about the big muff and have played one, along with the boss fz-5 (i think) or whatever there new fuzz pedal is, and they were both good, but not exactly what i'm looking for. big muff was great for just a smashing pumpkins or mudhoney type of fuzz, and i didn't like the boss too much. SO besides these three pedals is there some sort of octave fuzz that gives that insane sound not unlike that of the 'i got shit' solo. basically, a neil young fuzz. also, around 80 dollars or under would be beautiful. thanks..
p.s. how is the mxr blue box or danelectro french toast octave fuzz for this kind of thing?
p.s. how is the mxr blue box or danelectro french toast octave fuzz for this kind of thing?
2006: Hartford
2008: MSG 1, Hartford, Mansfield 2, Ed Solo NYC 1
2009: London (O2), Philly 1, 2, 3, & 4
2010: Hartford, Boston, MSG 1 & 2
2011: Ed Solo Hartford
2012: Philly (MIA Fest)
2013: Worcester 2, Brooklyn 1 & 2, Hartford
2008: MSG 1, Hartford, Mansfield 2, Ed Solo NYC 1
2009: London (O2), Philly 1, 2, 3, & 4
2010: Hartford, Boston, MSG 1 & 2
2011: Ed Solo Hartford
2012: Philly (MIA Fest)
2013: Worcester 2, Brooklyn 1 & 2, Hartford
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To be honest, the DS-1 or SD-1 with the OC-2 (all by BOSS) combined are good. The OC-2 will get garbled up with the distortion which might be what you're looking for.
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
here is a demo of it from you tube. http://www.youtube.com/watch?v=5l90gB78Ncs&feature=related
https://www.facebook.com/aghostwritersapology/
i bought mine from he US, believe me Uk ones are twice the price of the US ones.
i would probably have gone for a Boss Super Octave and a Boss Fuzz if i hadn't have fallen in love with a flender...the boss pedals are probably more versatile but i use it in moderation along with two other overdrives
leeds 26/08/06....electric
paris 11/09/06.....crushed...but estatic
wembley 18/06/07.....oh yes
'listen...you can hear the sustain...you just hold that note and you can go get a bite whilst its still going'
the legend , nigel tufnell
bingo.
you don't want octave up, you want octave down feed into a heavy fuzz or distortion. preferably an octave that doesn't track well. the OC-2 is perfect for that. or the new OC-3.
neil uses an old 70s mutron octave divider.
i use an OC-2 to do it.
I'm about to buy an Octron with a gift certificate I got from my fiancee for Christmas.
http://www.foxroxelectronics.com
a blue box might work ok for the octave but it's fuzz is much more synthy and gated and really not organic enough for copping NY sounds.
an OC-2 into a crazy horse would probably be the ticket. outside of just turning up a tweed deluxe.
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
2008: MSG 1, Hartford, Mansfield 2, Ed Solo NYC 1
2009: London (O2), Philly 1, 2, 3, & 4
2010: Hartford, Boston, MSG 1 & 2
2011: Ed Solo Hartford
2012: Philly (MIA Fest)
2013: Worcester 2, Brooklyn 1 & 2, Hartford
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
thanks. oc-2 works out better too, it's cheaper! and i do have the ds-1 so that will be fine. also, i made a mistake in the previous post. the digitech bass synth wah sucks out the tone and greatly DECREASES my volume. it's mainly made for bass, that is probobly why.
as a side note, the bd-2, never played one. i always was interested in the blues driver though. see, i have a ts9dx, ds1, sd2, and digitech grunge. i'm pretty set for my od/distortortions. but does the bd-2 reaaally give a necassary sound that i'm not already covering?
and one more thing, has anyone tried the axion moc-1 octave pedal? it's alot cheaper but has all great reviews, and is very similar to the oc-2 in settings.
2008: MSG 1, Hartford, Mansfield 2, Ed Solo NYC 1
2009: London (O2), Philly 1, 2, 3, & 4
2010: Hartford, Boston, MSG 1 & 2
2011: Ed Solo Hartford
2012: Philly (MIA Fest)
2013: Worcester 2, Brooklyn 1 & 2, Hartford
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
hmm well i'm actually very fond of the digitech grunge. despite the reviews it gets, for a heavy low end soundgarden-ish sound it is beautiful. even less feedback then the ds1 too! and the digitech whammy is sweet for obviously morello stuff and some other toying around, but yea, not too happy with the bass synth wah, and other digitech pedals i've tried. luckily i found a friend willing to by the BSW for 60 bucks. he's going to use it for his bass. with that money i'll then pic up the octave.
and the sd2 is acctually a discontinued boss pedal that i love. the dual overdrive. it has three different modes, plus tone, drive, and level options. the first mode is crunch lead, which i use in conjunction with the tube screamer for a really nice "stone sounding crunch". not too much dist, but packs a nice punch. think "rival". one other mode is for like a stronger od, much like a distortion which is pretty good, but i use my ds1 instead. the third mode is really neat. it has the crunch tone, but if you step on the pedal again it goes into that higher gain setting, and when pressed again, back to the crunchy od. great for quick transitions for songs where you have to play both guitar parts. mainly though, i use the sd2 + ts9dx for crunchy od, the ds1 + ts9dx for my typical distortion, and the grunge for bassier heavier stuff.
ooh, and also, what did it take to get your pedals modded? i don't feel feel like dishing out a lot of cash to have them done, but i cannot do them on my own. i have someone who may be able to do some for me cheap, but not too certain yet. just curious what you did.
2008: MSG 1, Hartford, Mansfield 2, Ed Solo NYC 1
2009: London (O2), Philly 1, 2, 3, & 4
2010: Hartford, Boston, MSG 1 & 2
2011: Ed Solo Hartford
2012: Philly (MIA Fest)
2013: Worcester 2, Brooklyn 1 & 2, Hartford
This page has links to any info (in interviews and gear lists) you need to find out how he gets his tone:
http://www.thrasherswheat.org/sound.htm
Neil's my primary inspiration when it comes to tone (and playing to an extent) and my LOW budget solution to get the crazy stuff goin' is to push a small tube amp pretty hard (I have an AC-15) and then kick in with a Big Muff (with the tone at about 1 1/2-2) and some delay. Make sure there's plenty of low-end and you'll feel what you're looking for.
I think most octave pedals paired with pedal distortion have too much separation between the low-octave and the original signal to give you that heavy-grungy sound.
http://guyatone.com/Tz2Popup.php
I have one of these. I even use it with my twelve string acoustic, when I really want to fuck people's heads up.