Intonation
Novawind
Posts: 836
So I was playing around with my Epi LP and chromatic tuner, so I said what the hell, I tuned it standard open strings and then hit every fret on every string with the tuner to see how closely it lined up. It kinda fluctuated after about the fifth fret on all the strings, and I think only a handful up the neck actually were "in tune" where they were supposed to be according to the chromatic tuner (IE having the low E read E3 on the 12th fret as opposed to E2 open).
Just wondering, is the intonation off just cause it's an Epi? Are Gibsons a lot more accurate or is this just natural of all guitars everywhere?
Just wondering, is the intonation off just cause it's an Epi? Are Gibsons a lot more accurate or is this just natural of all guitars everywhere?
If idle hands are the devil's workshop, he must not be very productive.
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Comments
Go back to the tuner, make sure your strings are fresh. Tune a string open, then go to the 12th fret and check the tuning there. If it is the same, your intonation is OK, if not, adjust the string length with the saddles until it is the same open and at the 12th fret. The 12th fret harmonic will also match.
Then just repeat on all strings.
If you have big frets and you fret too hard or a high action, that will also put your intonation out.
It's a bitch to admit that my Les Paul has more fret issues than any of the others including the Korean ESP Viper ltd. Asian does not mean that it is shit.
1) tune the guitar.
2) play the open string, and then the same string on the 12th fret (which is the octave).
3) if the note played on the 12th fret is sharper or flater than the open sting, that string needs to be intonated.
4) if it's sharp, the saddle needs to move back a little (away from your pickups) --->
5) if it's flat, the saddle needs to move in a little closer (towards your pickups) <---
6) just slacken the string a bit before you try to move the saddle.
7) now rotate the saddle screw a little (clockwise or counterclockwise) depending which way the saddle needs to move (sharp or flat).
8) now tune the string back up and see where you stand (you might need to do that a few time per string to get it spot on).
9) just repeat the process until you get the tuner to read the same when each string is played open and at the 12th fret.
Cheers . . .
- Ian
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I have tried to understand tempered tuning, but I think you need to have perfect pitch to really get it. Otherewise it's like trying to explain colour to someone who only sees in black and white.
I don't have perfect pitch (totally cloth-eared actually), so I can't hear the tones, so I never really get it.