you are

tkepearljamntkepearljamn Posts: 581
edited February 2007 in Musicians and Gearheads
what does stone use on you are?
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Post edited by Unknown User on

Comments

  • NovawindNovawind Posts: 836
    He plays through a drum machine to get that staccato effect.
    If idle hands are the devil's workshop, he must not be very productive.

    7/9/06 LA 1
    7/10/06 LA 2
    10/21/06 Bridge 1
  • Novawind wrote:
    He plays through a drum machine to get that staccato effect.
    And if you were wondering how to imitate it,.. maybe a nice univibe or something?
    Come on pilgrim you know he loves you..

    http://www.wishlistfoundation.org

    Oh my, they dropped the leash.



    Morgan Freeman/Clint Eastwood 08' for President!

    "Make our day"
  • exhaustedexhausted Posts: 6,638
    nothing's going to imitate it since it's rhythmic.

    the only thing that might sort of capture that kind of feel would be a delay pedal with the echo level up to match the dry guitar sound and the repeats set to only repeat once.
  • Pacomc79Pacomc79 Posts: 9,404
    The DL 4 has a rhythmic delay mode, but even then I don't know if it will work.
    My Girlfriend said to me..."How many guitars do you need?" and I replied...."How many pairs of shoes do you need?" She got really quiet.
  • I was thinking a decent imitation would be a tremelo pedal set correctly followed by a slight delay... wouldn't be the same but it would be good enough.
    Come on pilgrim you know he loves you..

    http://www.wishlistfoundation.org

    Oh my, they dropped the leash.



    Morgan Freeman/Clint Eastwood 08' for President!

    "Make our day"
  • exhaustedexhausted Posts: 6,638
    come to think of it since you mentioned tremolo, i once did something similar with a tremolo effect fed into a hard noise gate setting such that only the peaks of the waves got through.


    of course, it was an acoustic guitar, playing normally, but into my amp with a fairly intense tremolo effect and then all the gating was done in my recording software.
  • IDgotIIDgotI Posts: 262
    There's a thread on drum machines here where this came up. I *think* this (might?) be what's going on for the "You Are" sound.

    If a drum machine was used, my guess is Stone used it in conjunction with a noise gate. Meaning that he programmed a beat in the machine, and set it up so that whenever a drum "note" was present the noise gate his guitar signal was going through would 'open' and let guitar sound play for the duration of the phantom drum note. (Only guitar is going to the amp, drum input is just a noise gate trigger).


    I guess the trick would be to find a noise gate or filter with an external sound input trigger, and then just use the drum machine as the trigger.

    A MAM Warp 9 or something like that could do the trick.

    In terms of simpler "close enough" solutions I think a Zvex seek Wah might get one into the ball park with some pretty good seats by third.
  • senninsennin Posts: 2,146
    Something like this?

    http://www.rogerlinndesign.com/products/adrenalinn.shtml

    Beat-Synced Delay—Simply select a note duration and the delay follows your tempo.
  • I use the Digital delay from digitech but it's not what Stone uses. I also uses a Sansamp for his distortion on that.
    Grand Rapids '04, Detroit '06
    JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
    "Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
  • IDgotIIDgotI Posts: 262
    sennin wrote:
    Something like this?

    http://www.rogerlinndesign.com/products/adrenalinn.shtml

    Beat-Synced Delay—Simply select a note duration and the delay follows your tempo.

    Oh yeah! The Adrenalinn... You know I actually have one... (V1) and I hardly ever use it because it's this one box with like five tiny knobs... that basically happens to do EVERYTHING.

    That thing really is the ultimate Swiss Army knife for guitar players.
  • Pacomc79Pacomc79 Posts: 9,404
    sennin wrote:
    Something like this?

    http://www.rogerlinndesign.com/products/adrenalinn.shtml

    Beat-Synced Delay—Simply select a note duration and the delay follows your tempo.


    yeah that thing is very cool I always wanted to try one but I never have had a chance.

    http://www.gig-fx.com/products/Chopper/chopper.htm

    This one seems like it might be a good one too.
    My Girlfriend said to me..."How many guitars do you need?" and I replied...."How many pairs of shoes do you need?" She got really quiet.
  • IDgotIIDgotI Posts: 262
    Pacomc79 wrote:
    yeah that thing is very cool I always wanted to try one but I never have had a chance.

    http://www.gig-fx.com/products/Chopper/chopper.htm

    This one seems like it might be a good one too.

    More gratitude back to you just like the last thread. You know about some deeply amazing pedals. Thanks again for sharing the knowledge.
  • IDgotI wrote:
    More gratitude back to you just like the last thread. You know about some deeply amazing pedals. Thanks again for sharing the knowledge.
    +1. Thanks so much for helping me out with guitar pedals.
    Grand Rapids '04, Detroit '06
    JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
    "Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
  • Don't know about Stone, but Matt uses a Strat through a Marshall Plexi.
    Riverside.. LA.. California. EV?
  • senninsennin Posts: 2,146
    Don't know about Stone, but Matt uses a Strat through a Marshall Plexi.

    I thought Jeff played an 88 key Korg with humbuckers and a wammy pedal.
  • sennin wrote:
    I thought Jeff played an 88 key Korg with humbuckers and a wammy pedal.

    What?
    Riverside.. LA.. California. EV?
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