Many DADGAD players here?
FinsburyParkCarrots
Posts: 12,223
This isn't a thread about different tunings in general, because there have been many of those. This is strictly a thread about DADGAD chords, sequences, scales, ideas, and other tips.
Okay, let's start: who uses DADGAD tuning as part of a live setlist? Would we be talking covers, originals, or both?
Okay, let's start: who uses DADGAD tuning as part of a live setlist? Would we be talking covers, originals, or both?
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(I've been playing in DADGAD for 17 years, but so many people I know approach the tuning so differently, outside of the main chord shapes and scales. It's amazing how a tuning you think might be limited harmonically to a few chords opens up, with time.)
JEFF HARDY AND JEFF AMENT USED TO LOOK THE SAME
"Pearl Jam always eases my mind and fires me up at the same time.”-Jeff Hardy
I actually had the singer/guitarist for the band teach it to me!
I don't like very many of the open tunings - I find it kind of cheesy to strum all of the strings and already have an open chord.
Though I did write a tune a few years back in DADFAD (D-Minor), but I did it mostly because it's more of an uncommon tuning,
and there aren't many common chord shapes like what's used in DADGAD (you actually have to work out your fingerings).
I guess my thoughts are, if you're gonna use an open tuning at least be different - but that's just my thoughts.
- Ian
<b><font color="red">CONTACT ME HERE</font>: www.myspace.com/ianvomsaal</b>
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Top man.
http://www.youtube.com/watch?v=3PpMg2IypX8
Instructive, for passionate musicians.
Useful for chords, anyway.
Very interesting discussion here, about DADGAD and its potential. The remarks about Page and the "abuse" of DADGAD are interesting, whether you agree with them or not. (There will always be a lot of anti-Zep British folk guitarists, anyway.)