Recording Question

Milhouse VanHouten
Milhouse VanHouten Posts: 755
edited January 2005 in Musicians and Gearheads
Hi guys, I've just started to get into recording, and I was hoping you could help me out here. I've got an old Tascam Porta 02. I was contemplating purchasing a used Pod 2.0 and recording straight into the Portastudio. Is that an acceptable setup, or do I need any other gear to run straight into the Portastudio? Thanks.
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Comments

  • exhausted
    exhausted Posts: 6,638
    nope. that's all you'd need.
  • mccreadyisgod
    mccreadyisgod Bumfuq, MT Posts: 6,395
    A guitar, some cables, and maybe a stompbox or two (to taste).

    Enjoy!
    ...and if you don't like it, you can suck on an egg.
  • MissYouAllDay
    MissYouAllDay Posts: 939
    hey milhouse, what kinda jack does that thing have for a mic? Liek fancy one or just a 1/4" one. Is it easy to use?
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  • exhausted
    exhausted Posts: 6,638
    MissYouAllDay wrote:
    hey milhouse, what kinda jack does that thing have for a mic? Liek fancy one or just a 1/4" one. Is it easy to use?


    it's just 1/4" outputs. all you need are standard cables.
  • MissYouAllDay
    MissYouAllDay Posts: 939
    inputs you mean? What are those other fancy mic connectors anyway? Anyone know?
    I miss you already, I miss you always
    I miss you already, I miss you all day
  • exhausted
    exhausted Posts: 6,638
    MissYouAllDay wrote:
    inputs you mean? What are those other fancy mic connectors anyway? Anyone know?

    you mean the three pin XLR connections?
  • MissYouAllDay
    MissYouAllDay Posts: 939
    Are those the connectors usually on high end mics? If so yes. And then are they easily converted to 1/4" plugs?
    I miss you already, I miss you always
    I miss you already, I miss you all day
  • exhausted
    exhausted Posts: 6,638
    MissYouAllDay wrote:
    Are those the connectors usually on high end mics? If so yes. And then are they easily converted to 1/4" plugs?


    i think you can get adapters but there are all sorts of balanced/unbalanced/impedance issues i think. i've never had cause to look into it so i don't know.

    paging mig.
  • mccreadyisgod
    mccreadyisgod Bumfuq, MT Posts: 6,395
    exhausted wrote:
    paging mig.



    Okay...

    Mics using Extra-Long-Run signal format (XLR) use a balanced, three-pin, low-resistance (lo-Z) cable.

    Mics using a regular 1/4" phono-plug are unbalanced, two-conductor, high-resistance (hi-Z).

    Professional mics use XLR, because 1) signals can travel longer (up to 1/4 mile before noticable signal degradation); 2) signals are cleaner, and avoid buzz and static; and 3) provide a sturdier connection between mic, cable, and equipment.

    You can get adapters that will convert an XLR cable to 1/4". However, most of them convert to 1/4" TRS (tip-ring-sleeve) for balanced, line-level (as opposed to mic-level) signals, and do not convert the resistance, providing in diminished sound quality. There are some transformer-coupled versions:

    http://www.musiciansfriend.com/srs7/g=live/search/detail/base_pid/330151/

    These will work better for converting the signal, but you may be limited by the amount of gain available (1/4" hi-Z mics typically require much less gain than professional XLR mics).
    ...and if you don't like it, you can suck on an egg.
  • Pacomc79
    Pacomc79 Posts: 9,404
    mccreadyisgod wrote:
    Okay...

    Mics using Extra-Long-Run signal format (XLR) use a balanced, three-pin, low-resistance (lo-Z) cable.

    Mics using a regular 1/4" phono-plug are unbalanced, two-conductor, high-resistance (hi-Z).

    Professional mics use XLR, because 1) signals can travel longer (up to 1/4 mile before noticable signal degradation); 2) signals are cleaner, and avoid buzz and static; and 3) provide a sturdier connection between mic, cable, and equipment.

    You can get adapters that will convert an XLR cable to 1/4". However, most of them convert to 1/4" TRS (tip-ring-sleeve) for balanced, line-level (as opposed to mic-level) signals, and do not convert the resistance, providing in diminished sound quality. There are some transformer-coupled versions:

    http://www.musiciansfriend.com/srs7/g=live/search/detail/base_pid/330151/

    These will work better for converting the signal, but you may be limited by the amount of gain available (1/4" hi-Z mics typically require much less gain than professional XLR mics).


    should this recording/impedence thread also include a discussion of signal buffers for guitar? such as the popular, VHT Valve-u-lator?
    My Girlfriend said to me..."How many guitars do you need?" and I replied...."How many pairs of shoes do you need?" She got really quiet.
  • mccreadyisgod
    mccreadyisgod Bumfuq, MT Posts: 6,395
    Pacomc79 wrote:
    should this recording/impedence thread also include a discussion of signal buffers for guitar? such as the popular, VHT Valve-u-lator?


    Not necessarily...

    The THD tube buffer unit is to convert signals that have to go through lots of pedals, many of them not true-bypass, and with extended runs to between guitar and pedals, and pedals and amp. It basically gives the guitar's natural signal a bit of a kick so it can survive being pushed through so many stages of unbalanced cable and transistor boxes.
    ...and if you don't like it, you can suck on an egg.
  • MissYouAllDay
    MissYouAllDay Posts: 939
    What sucks here is that so many of the low end 4 tracks and some 8 tracks only have the 1/4" connector. It looks like I will have to save for an mbox or E-MU system.
    I miss you already, I miss you always
    I miss you already, I miss you all day
  • mccreadyisgod
    mccreadyisgod Bumfuq, MT Posts: 6,395
    MissYouAllDay wrote:
    What sucks here is that so many of the low end 4 tracks and some 8 tracks only have the 1/4" connector. It looks like I will have to save for an mbox or E-MU system.


    They're really easy to work with if you have an external mixer or preamp...

    The worst thing is, the mic pre's that are included in the recorders that have them are usually really bad.

    That's the nice thing about the USB interfaces... they have pretty good-quality stuff... the MBox is a perfect example, with two Focusrite preamps.
    ...and if you don't like it, you can suck on an egg.

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