Learning to Play Lead
SKasak44
Posts: 67
Does anyone have any suggestions on how to learn to play lead? Whether in the form of advice, books, DVD/VHS, or websites, I'm looking for the best way to learn to play lead because it pretty confusing.
I have some books on scales and modes but I cant even figure out on what they mean by the "roots" and stuff like that because it just gives the tab but doesnt explain why it is that way.
Can anyone help?
I have some books on scales and modes but I cant even figure out on what they mean by the "roots" and stuff like that because it just gives the tab but doesnt explain why it is that way.
Can anyone help?
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nice, i'll have to check that out myself!
Thanks!
Typo Man: "Thanks kidz, but remembir, stay in skool!"
Typo Man: "Thanks kidz, but remembir, stay in skool!"
SO they are really cool eh? What does ur guy teach you? Like how did they start the lessons? By asking you what you can play?
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But now we're getting to the good stuff. Scales, fingering practices (different scale runs like 1 3 2 4 3 5 4 6 5 7 6 8 instead of just 1 2 3 4 5 6 7 8). I'm figuring out what chords work when they do, and what chords work well with different roots. I'm also figuring out when to apply major scales to a solo and when to use minor scales. I know some of that is basic stuff, but before I had a foundation all I knew was stuff I learned on my own as well as from friends and online sites.
I can't tell you how great it feels to learn something, like how intervals work all along the neck, and then just 'get it'...and finally understand some of the stuff I had been trying to learn on my own or have friends show me. It's unreal.
Typo Man: "Thanks kidz, but remembir, stay in skool!"
way to be weird.
No, that will just get you to sound like The Strokes or Jet. God knows we don't need more of that crap around.
Typo Man: "Thanks kidz, but remembir, stay in skool!"
I strongly disagree. While it is true that great guitarists "have a feel for the music" or just "play what they want to," it is also true that they are strongly grounded in music theory. Becoming a great guitarist also involves building a strong foundation in music theory.
In order to learn that, you must either buy method and theory books and teach yourself by way of the book, or take lessons. Those who "play what they feel like playing" and make it sound good know the scales backwards and forwards, now the chords and their inversions and variations. Music has a framework within which the artist works. If you do not know that framework, you can never hope to be a great guitar player.
So, either read and learn from a book, learn from other musicians, or take lessons. It does not have to last indefinately, but you must build that strong foundation.
He's completly right, Guitarists need freedom to express themselves, but without the basic framework and knowledge of how to express themselves, sooner or later they become very stuck and short for ideas.
Try the Karl Aranjo books
Typo Man: "Thanks kidz, but remembir, stay in skool!"
lead is from the soul man. learn the penatonic scale up and down the neck and go for it.
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If all you know is the pentatonic scale, you won't be able to fully express yourself unless you just want to keep playing the blues your whole life.
There's nothing wrong with theory and knowing all sorts of scales and chords...as long as you don't just start playing runs of scales all the time. You have to integrate the knowledge with your creativity. When you get to the point where new scales and chords become second nature, then you're getting somewhere.
Typo Man: "Thanks kidz, but remembir, stay in skool!"
Well said. There is nothing wrong with the pentatonic scale. It is a great starting point. However, if you know only one or two scales, you will get stuck in a rut. You must play currently with what you know. However, you must be in constant pursuit of new knowledge...you must stretch yourself in order to grow, and that means studying some theory and looking through books, and playing with musicians who are more knowledgeable than yourself. If you just play from the soul and do not attempt to learn new things, you will quickly find yourself in a rut, unable to escape. If you stretch your knowledge, and learn new scales, chords, and chord variations, and then incorporate that knowledge into your playing as soon as you are comfortable with it, you will find yourself playing with more soul than you ever would have imagined.
Knowledge and soul go hand in hand. They cannot be divorced without losing something in your music. With soul, you can hear what you want to play in your head, and feel it in your body. With knowledge, you can take that tune, melody, or harmony that is within you and make it a reality. It takes knowledge and soul. As knowledge grows, so does the soul.
I miss you already, I miss you all day