elec drum kits
present_tense
Posts: 121
Roland TD3K
Hey. Ive got a torque drum kit, but the accoustics in our basement are shit since we stipped our walls. I was thinking of renting some recording gear in a few weeks to record a raw record of my stuff. Anywho, im gonna be renting an electronic drum kit and just pluggin it right into the digital recorder.. Any advice or opinions on these things sound? ill most likely be going with a Roland TD3K... Any comment at all would be great, thanks.
Hey. Ive got a torque drum kit, but the accoustics in our basement are shit since we stipped our walls. I was thinking of renting some recording gear in a few weeks to record a raw record of my stuff. Anywho, im gonna be renting an electronic drum kit and just pluggin it right into the digital recorder.. Any advice or opinions on these things sound? ill most likely be going with a Roland TD3K... Any comment at all would be great, thanks.
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I certainly had alot of fun with these things playing through all the different patches but I thought the actual drum sounds were pretty unnatural and very synth sounding. Now I only played around on these things for about an hour so after some messing around I'm sure you could get some good stuff out of them.
Again I'm not sure of the model I played so it might of been a cheap one.
~P@M~
BTW I didn't mean to hi-jack your thread.
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1. Record them dry and flat: that means, do not print reverb or any crazy eq "effects"...save it for the mix. You will be happier in the long run if you can put those drum sounds in a room to fit the song, rather than being stuck with some shitty room sound effect on the drums.
2. Cymbals are everything! Hi hats and crashes sound really bad on those kits. If you can use live breakables, you will be a lot happier with the outcome.
3. You can print audio, or MIDI. Unless you are hot shit with MIDI, print audio. There will be too much temptation to beat doctor or otherwise "quantize" the MIDI tracks...thereby instantly sucking the life out of the performance. Real drums move a bit...human beings swing or work in the pocket...even the best MIDI can't do this yet...but it can sure lock your shit up to the beat with life draining accuracy.
4. experiment with presets. A lot fo thought went in to designing the good kits...if you are just renting the Roland unit, don't burn up too much time designing your own kit unless you really know the unit. There are presets that will do really well...better than a lot of what you would be able to do at home with an acoustic kit.
5. Don't compress until the mix. These samples are already optimised to provide the best sound per hit...save all dynamics and such for the mix.
Hope this helps.
old music: http://www.myspace.com/slowloader
If you only knew how many songs on the radio today have their drums replaced with samples, your head would spin. Use real cymbals and hats, mic them up like you normally would, and the rest should be relatively easy. Samples just can't replace the transient response of cymblas yet...maybe in another 5 years or so...they're getting very close.
You could always play the track with the roland kit, and then buy software that you can use to replace your sounds. Check this out....slays the roland sounds...
http://www.fxpansion.com/product-bfd-main.php
old music: http://www.myspace.com/slowloader
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