ordered this delay pedal tonight..
low_light
Posts: 251
what do you guys think of this pedal? i was going to go with the good ole Danelectro analog delay because honestly it has a lot more noodling ability for the delay but i like the stereo ability of this pedal and the fact it has a rich reverb addition in certain modes.. helps with some solos in a couple of songs we are working on. (IE: like the end solo in this song that is still unfinished and rough http://low_light_music.tripod.com/sitebuildercontent/sitebuilderfiles/condescend-unfinished.mp3 i used a delay and drown it in reverb for the hook riff and end solo.)
anyway what do you all think of this boss digital delay. vs maybe an analog delay? heres the link of the pedal:
http://www.musiciansfriend.com/srs7/sid=031020103202012086136149425498/g=home/search/d=tp?q=boss+dd-6
-low
anyway what do you all think of this boss digital delay. vs maybe an analog delay? heres the link of the pedal:
http://www.musiciansfriend.com/srs7/sid=031020103202012086136149425498/g=home/search/d=tp?q=boss+dd-6
-low
www.myspace.com/eotoband
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Here's a great (funny but true) explaination from the AnalogMan web site:
"Analog delay:
Imagine a line of laid back, hippy monkeys, each with a guitar just like yours. They're sitting on little stools in a cunning arrangement such that each monkey can only hear the monkey sat before him. The first monkey hears what you played, turns to the next monkey and plays it back to him. He then turns, and plays to the next monkey. At each stage, little mistakes are introduced due to the hippy monkeys' inherent laid-back-ness. At the end, the last monkey plays, and his guitar is connected to the output.
The monkeys are in a big big circle, and the first monkey, as well as hearing what you're playing, can also hear the last monkey - but not very well. There's a baffle between them, which cuts down how much he can hear. The first monkey plays both what you're playing and what he can hear of what the last monkey is playing, and this is passed on as before.
Now imagine the monkeys are tiny, as before, with tiny guitars and tiny stools and a tiny baffle. They're in a box. A knob labelled “feedback” controls the baffle. Then, kapoosh! The monkeys disappear and are replaced by a Bucket Brigade chip, and off we go.
Digital delay:
Exactly the same as analog delay, but there are many more monkeys, and they're all actuaries and very precise. Some people miss the laid-back-ness of the hippy monkeys, but many like knowing that little actuary monkeys are taking very good care of what they're playing. Some of the monkeys know special tricks, like making what they play come out of the output even though they're not the last monkey."
(Quoted from http://www.analogman.com/monkey.htm)
That page is hilarious, and gives some great insight into FX pedals and what they do.
Yeah I'm pretty confident that i bought a good pedal. now all i need is a good tube head and a marshall stack and ill be set.
as for the song thanks. nothings finished but the guitars and drums. but you kinda get the idea of what i wanted the delay to sound like. i actually had an old boss DD before but it crapped the bed. so now i have to spend some cash on the new one. and i havent used this version yet.
i should get it in time for wednesdays gig (crossing fingers)
out of any effect i have to say i love delay the most
-low
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2566619822&category=23790
A friend of mine has one of these:
http://www.musiciansfriend.com/srs7/sid=031020231623150131025216608059/g=guitar/search/detail/base_id/103518
He plays in an ambient-pop noise group, they're pretty trippy. All instrumental, jammed out, but with an indie background. Think Built to Spill with no vocals. That's probably one of the best delay pedals, that and the Line 6:
http://www.musiciansfriend.com/srs7/sid=031020231623150131025216608059/g=guitar/search/detail/base_id/41386
But for me, I couldn't live without my Tube Screamer.
leave both in the chain. the DD-x are great but that analog feel is useful from time to time too.
for the $100 more i'd get the line6DL4 which can do anything you want delay wise. in stereo.
but the DD-6 will be cool.
DD-6 is also stereo for the record.
A DL-4 for a hundred bucks?! Look at this cozy dutch shop (btw, it's Holland's cheapest music store)... funny detail, look its old price (with the line through it) and the new price (red, after "voor:")...
But I hope to get my hands on this 150 bucks DM-2 I have seen here... now that would be cool... that DD-6 is nice however low_light, as is the song.
dumb reason to ignore a brilliant pedal.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=2566712155&category=621
you would give me this the day I pay bills, and rent is coming up and insurance.
Thanks dude.
and they bestowed unto me the name 'lucifer'.
:eek::eek::eek:
*blushes* Sorry dude... gotta get my eyes checked...
no, you were right. i edited it after you pointed it out. i was typing too fast.
get the behind me lucifer. Thou hast a name and it is Exhausted.
Pay bills then play. Stupid bills.
Question I understand having it in stereo for panning abilities. but how does it work up on stage while playing? anyone have an example to explain how it can be used.... ? do you have to bend over and physically pan it or is there a feature to do it with your foot? i dunno. im such a novice.
-dm
boss manuals are always good. just read through it and try everything once you get the pedal.
fun
-low
for you little delay monkies.
Rotary effects like phasers etc are awesome in the PA.
seriously. find your sound. whatever it is. then add a slight touch of the built in chorus. the sound explodes with the added stereo effects. i've fallen back in love with my POD.
thanks again everyone for all your input.
-lowy
just got it tonight. ill use it at the show tonight. but here is the explanation of warp. I doubt Ill toy with this mode till practice
WARP MODE- continues increasing the feedback on top of the regular delay effects to produce an extraordinary effect. you can also repeat the warped delay sound to produce an effect similar to layering sounds on top of this.
--- When you hold the pedal down the feedback and volume continue to increase. when you release the pedal it returns to your knobs settings.
so i assume you can kind of swell the sound up and back. sounds cool.
-low