How Could Pearl Jam Be Better Live
surferdude
Posts: 2,057
I don't want to get flamed for this but I think there are things that Pearl Jam could do better in concert without losing their identity.
1. Backing vocals - they are horribly inconsistent.
2. Take ownership of your biggest songs - that Alive is not a crowd participation highpoint every night is a crime. They have enough great slower songs to showcase on a rotating basis; Black, Present Tense, Immortality, All or None. Zeppelin managed to keep fresh doing Whole Lotta Love, Black Dog, Stairway every night.
3. Pacing - Sometimes they suffer from mid-tempoitis. I know they constantly change their set list but some set lists have nothing they are building towards.
What do you think?
1. Backing vocals - they are horribly inconsistent.
2. Take ownership of your biggest songs - that Alive is not a crowd participation highpoint every night is a crime. They have enough great slower songs to showcase on a rotating basis; Black, Present Tense, Immortality, All or None. Zeppelin managed to keep fresh doing Whole Lotta Love, Black Dog, Stairway every night.
3. Pacing - Sometimes they suffer from mid-tempoitis. I know they constantly change their set list but some set lists have nothing they are building towards.
What do you think?
“One good thing about music,
when it hits you, you feel to pain.
So brutalize me with music.”
~ Bob Marley
when it hits you, you feel to pain.
So brutalize me with music.”
~ Bob Marley
Post edited by Unknown User on
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Comments
Agree
Disagree. Keep it fresh and different every night.
Mostly Disagree. Some shows do have their awkward moments but that is also part of the charm with always changing setlists. Love to be surprised and I am sure it helps them stay fresh also.
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On Point 3. I think they can juggle their set list every night with a purpose in mind. A great concert should have emtional highlights that the band builds towards. Some shows lack this focus, like a movie with great actors and a bad director.
when it hits you, you feel to pain.
So brutalize me with music.”
~ Bob Marley
2 organ chords on Animal takes away from the sound not adding to it. It's like a bad emo band. Every emo band it seems has a keyboard player whether or not he has a place. Generally its some guy that is along for the ride that plays 2 or 3 chords and makes wierd noises off of his synth when he gets the feeling too.
Boom is awesome, he sounds great on slower and blusey songs where the B3 not only fits but really adds to the music, but they should allow him to take breaks. There's no place for the B3 in Animal. Let the Guitars handle that one.
#2 I love Mike, everyone here knows that, but encourage more back and forth between him and Stone. Stone is completely different and his riffs are awesome, I want to hear more. I never liked DTE much until last tour when Stone went off in the solos. Mike is bright clear brilliant and fantastic, Stones sound is dark fat mysterious and fucking cool. Bounce it back and forth. Geez I'd love to hear them do TOD's Reach Down and tear it up.
Let Ed play acoustic more often. That Martin is fantastic, for a song that calls for acoustic, let Ed do it. Stones Taylor is on the bright side for that matter so is that damn Hamer Duotone, leave them in the case. Play the frets off that Trussart Rusty Tele the "Charlie Brown" strat and the LP's also keep the Savage Blitz 50 in the sonic loop.
Get Matt's drums to sound better. You can see he's kicking ass on the kit, but you can't really hear it.
Get Stone to wake the fuck up, get that old time energy back in him. And get his guitar tone back in shape.
Hmm...no big gripes, really. They kick a lot of ass live.
Oh yeah...retire Yellow Ledbetter for a while. And cut back on the covers.
Hey, sleater kinney rules!
And I don't think PJ could do much to improve their already stellar live performance except for yes.. #3; like the show i went to they came out and ROCKED the place: go, animal, save you, once, evenflow, do the evolution, ect.. but chilled out with a couple songs like present tense and then took a 15 minute break.. came out did an acoustic set... then another break.. came back with a couple more slow songs (so it was over an hour of slow paced action right after being rocked to the core) until we finally got jolted back into it with a "war; what is it good for?" concert participation at the end of Daughter and finished off strong.
Not too much of a complaint tho.. overall great show, i'll not soon forget. It should also be noted I was sick this night too.
Eat your pork and beans
I eat more chicken
Than any man ever seen
It does have words, they're just hard to understand, but I know them. I kinda like when they change the words, but not really. They just can't reproduce that great eerie feel of the album version.
But please enlighten me if you will.
I do agree they lose the eerieness of the song during live performances; if they played it acoustically (ie: MTV Unplugged) i think they'd get that back... not that i find it necessary.
Unsealed
On a porch, a letter sat
Then you said, "I wanna leave it again"
Once I saw him
On a beach of weathered sand
And on the sand, I wanna leave it again
Yeah
On a weekend
I wanna wish it all away
And I call out I say that I want what I said and I call out again
And the reason
Oughta leave her calm I know
I said, "I didn't know whether I was the boxer or the bag"
Ah yeah aha can't you seem them?
Out on the porch, yeah
But they don't wave
I see them
Round the front way, yeah
And I know and I know
I don't wanna stay
Make me cry (Mike guitar solo)
Oooh I see, I don't know uh something else
I wanna drum it all away
I said "I didn't, I didn't know whether I was the boxer or the bag"
Ah yeah aha ha can't you see them
Out on the porch, yeah
But they don't wave
I see them
Round the front way, yeah
And I know and I know
I don't wanna stay-ee-aa-y at all
I don't wanna stay-ay-ay-ay-ay
I don't wanna stay-eeeaayeah
I don't wanna stay
I... don't wanna... yeah
(Mike guitar outro)
wtf? Organs on Animal? They actually did that? Yikes!
Why should that be noted? Not that I mind noting it, but why?
Mikes guitar has its own words to yellow ledbetter... which in my opinion makes over 2/3's of the magic of the song.
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www.myspace.com/zane26 (band)
i think we all want an organ cut back.. but who knows if boom is even touring this year?
i actually want to hear much less Alive and jeremy and much more rare things like Present Tense and NAIS, etc.. they seem to be so far evolved from the older hits.
http://www.wishlistfoundation.org
Oh my, they dropped the leash.
Morgan Freeman/Clint Eastwood 08' for President!
"Make our day"
As for guitars, it'd be cool to hear a difference with the distortion.
1998: Melbourne 1, 2, 3
2003: Sydney 1, 2, 3, Melbourne 1, 2, 3
2006: Sydney 1, 2, Melbourne 1, 2, 3, Sydney 3, Newcastle, Adelaide 1, 2, Perth
2009: LA 1, 2, Melbourne, Sydney
2014: Gold Coast, Melbourne, Sydney
That's funny, to me a setlist is incomplete without Yellow Ledbetter, whenever i'm looking for a boot if it doesn't have YL as a closer i don't want it....
=P
http://www.wishlistfoundation.org/
God how I'd love to hear more of Low light, In Hiding, Who You Are, Smile (but chorus needs lifting).. but hey, we're not the bosses.
1998: Melbourne 1, 2, 3
2003: Sydney 1, 2, 3, Melbourne 1, 2, 3
2006: Sydney 1, 2, Melbourne 1, 2, 3, Sydney 3, Newcastle, Adelaide 1, 2, Perth
2009: LA 1, 2, Melbourne, Sydney
2014: Gold Coast, Melbourne, Sydney
About the muddiness. I saw two show sin 05, one was crystal clear (calgary), one was muddy(edmonton). alot had to do with the structure of the building, naturally, as a hockey fan i have been in both as well and have see what they are like with houselights, and the area which soundwaves could hit is much different in both. The reason for muddiness is definately venue, not the gear. Rexall Place in edmonton is known to have terribel acoustics, the RHCP have even said one of thier worst sounding shows was edmonton. Im in school now for sound production...i have learned alot about this, it makes sense now that one show was muddy, and the other wasn't. to get into complete detail woudl take pages, but mark my word, its teh venue, not the band that is muddy. And about matts drums...he chooses the sound remember, its the drums and cymbals that aren't bright, his cymbals dont ring, they chime, (mainly z customs on the 05 tour) so its why you dont get that clear ring, also his toms are deep, his bass is deep, and he plays quick, hard to get a crispness out, whereas dave A. was primarily a "top end" drum player, prefering heavier use of snare, hi-hats and cymbals, its all a science you can see, its awesome
HM
2005.09.05
"how many people did die from that?...did P.Diddy kill them?" - Eddie Vedder 2006.02.19
1.) Boom. I love Boom, but like it's already be talked about, he has his place, and sometimes he doesn't. I don't like the Hammond in the fast rockers, but in the slow bluesy songs, he's a must. I like the slower stuff better with Boom than without. For example: Man of the hour. I probably wouldn't like this song much without Boom.
2.) Mike's leads: It seems like he's gotten tired of playing the same old stuff and is just playing for the sake of playing rather than adding to the songs. With emotion and concentration comes greatness. I'd like to see the reintroduction of his leads. Think back to '98. The stuff he was playing was great, but in '05, his playing seemed uninspired.
3.) Tones: I like Stone's tone. I think Mike could use a little bit higher of a gain structure for some stuff. Even a boost would be nice. I like Ed's 2000 tones the best. '03 was pretty good to, and I don't care much for '05.
MORE COWBELL!!!
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2 Words:
CLOG DANCERS!
I never really got to thinking about you
But I guess what would really make the show better to me, is if they called me up on stage to jam with 'em. Yeah- it might ruin it for everybody else- but come on...
Let's get a petition going; let Kris get up on stage and jam
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