I didn’t think much of it until I saw it in person. Colours really pop. Definitely a solid poster.
To quote the 10C from Newsletter #8: "Please understand we have a lot of members and it is very hard to please everybody. If you are one of those unhappy people...please call 1-900-IDN-TCAR."
"Me knowing the truth, I can not concur."
1996: Toronto - 1998: Chicago, Montreal, Barrie - 2000: Montreal, Toronto - 2002: Seattle X2 (Key Arena) - 2003: Cleveland, Buffalo, Toronto, Montreal, Seattle (Benaroya Hall) - 2004: Reading, Toledo, Grand Rapids - 2005: Kitchener, London, Hamilton, Montreal, Ottawa, Toronto, Quebec City - 2006: Toronto X2, Albany, Hartford, Grand Rapids, Cleveland - 2007: Chicago (Vic Theatre) - 2008: NYC X2, Hartford, Mansfield X2 - 2009: Toronto, Chicago X2, Seattle X2, Philadelphia X4 - 2010: Columbus, Noblesville, Cleveland, Buffalo, Hartford - 2011: Montreal, Toronto X2, Ottawa, Hamilton - 2012: Missoula - 2013: London, Chicago, Buffalo, Hartford - 2014: Detroit, Moline - 2015: NYC (Global Citizen Festival) - 2016: Greenville, Toronto X2, Chicago 1 - 2017: Brooklyn (RRHOF Induction) - 2018: Chicago 1, Boston 1 - 2022: Fresno, Ottawa, Hamilton, Toronto, NYC, Camden - 2023: St. Paul X2, Austin X2 - 2024: Vancouver X2, Portland, Sacramento, Noblesville, Philadelphia X2, Baltimore
Someone has the Austin 2009 poster on eBay now for a little over $1000!!!!!! Were Ames selling it for $200?
To be fair it's listed as buy it now. That's what someone is trying to get for it. doesn't mean they will be able to sell it. It's pretty common for ebay and discogs to have listing prices that no sane person would actually pay
Post edited by Sea on
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on2legs
Standing in the Jersey rain… Posts: 14,550
98: St. Louis. 2000: Alpine. 2003: Chicago. 2006: Chicago Night 2, Milwaukee Night 1. 2007: Chicago (Lolla). 2009: Chicago 1 & 2. 2011: Alpine 1 & 2. 2013: Chicago & LA Night 1. 2016: Chicago 1 & 2. 2018: Chicago 1 & 2.
Someone has the Austin 2009 poster on eBay now for a little over $1000!!!!!! Were Ames selling it for $200?
To be fair it's listed as buy it now. That's what someone is trying to get for it. doesn't mean they will be able to sell it. It's pretty common for ebay and discogs to have listing prices that no sane person would actually pay
I do understand the basics of selling on eBay. I just thought this was a particularly high flip!
I picked up all 3 on tour that October. I didn't attend Fresno/San Bernardino but they sold extras of that poster at either Sacramento or Mountain View.
I picked up all 3 on tour that October. I didn't attend Fresno/San Bernardino but they sold extras of that poster at either Sacramento or Mountain View.
I picked up a S/N set of all 3 something like 20 years ago off eBay and they’ve been in my flat file ever since…I need to dig them up again.
To quote the 10C from Newsletter #8: "Please understand we have a lot of members and it is very hard to please everybody. If you are one of those unhappy people...please call 1-900-IDN-TCAR."
"Me knowing the truth, I can not concur."
1996: Toronto - 1998: Chicago, Montreal, Barrie - 2000: Montreal, Toronto - 2002: Seattle X2 (Key Arena) - 2003: Cleveland, Buffalo, Toronto, Montreal, Seattle (Benaroya Hall) - 2004: Reading, Toledo, Grand Rapids - 2005: Kitchener, London, Hamilton, Montreal, Ottawa, Toronto, Quebec City - 2006: Toronto X2, Albany, Hartford, Grand Rapids, Cleveland - 2007: Chicago (Vic Theatre) - 2008: NYC X2, Hartford, Mansfield X2 - 2009: Toronto, Chicago X2, Seattle X2, Philadelphia X4 - 2010: Columbus, Noblesville, Cleveland, Buffalo, Hartford - 2011: Montreal, Toronto X2, Ottawa, Hamilton - 2012: Missoula - 2013: London, Chicago, Buffalo, Hartford - 2014: Detroit, Moline - 2015: NYC (Global Citizen Festival) - 2016: Greenville, Toronto X2, Chicago 1 - 2017: Brooklyn (RRHOF Induction) - 2018: Chicago 1, Boston 1 - 2022: Fresno, Ottawa, Hamilton, Toronto, NYC, Camden - 2023: St. Paul X2, Austin X2 - 2024: Vancouver X2, Portland, Sacramento, Noblesville, Philadelphia X2, Baltimore
Is there a concern that by releasing additional prints that it will diminish the value of the original batch - which is what made these posters "Holy Grails" for some to begin with? I collected baseball cards growing up and the 1952 Micky Mantle was the standard - if I had that original card I would be concerned if the card company was now releasing more "original" cards years later - as it may drive down the value due to the fact that the "scarcity & condition factor" was now removed. As an example, if the 1998 Knoxville Poster was originally listed as 450 print run, but now 300 more are being sold in 2024, would that change things for people? Wouldn't it just be better to reissue the prints that so many people wanted and just note it on bottom as a reprint or a special decal on the back and reissue these posters at a more reasonable price - like $50 for reprints or whatever the demand was? Don't mean to open a can of worms here, but just wanted to see if anyone else thought this idea was reasonable? Otherwise - this act is somewhat setting a precedent. I would love it if they did that for the Benny on Vinyl and just label it as a second run so that the collectors can distinguish the products - if that is what matters to them?
Is there a concern that by releasing additional prints that it will diminish the value of the original batch - which is what made these posters "Holy Grails" for some to begin with? I collected baseball cards growing up and the 1952 Micky Mantle was the standard - if I had that original card I would be concerned if the card company was now releasing more "original" cards years later - as it may drive down the value due to the fact that the "scarcity & condition factor" was now removed. As an example, if the 1998 Knoxville Poster was originally listed as 450 print run, but now 300 more are being sold in 2024, would that change things for people? Wouldn't it just be better to reissue the prints that so many people wanted and just note it on bottom as a reprint or a special decal on the back and reissue these posters at a more reasonable price - like $50 for reprints or whatever the demand was? Don't mean to open a can of worms here, but just wanted to see if anyone else thought this idea was reasonable? Otherwise - this act is somewhat setting a precedent. I would love it if they did that for the Benny on Vinyl and just label it as a second run so that the collectors can distinguish the products - if that is what matters to them?
It's my understanding that they are selling original artist prints and there is only one or a handful of each being sold at/near/or above market value, so in my opinion the answer is no. I do think it's good for the artists to get paid instead of the flippers though.
My point was not about flippers - to me that is up to how much people are willing to spend, nor am I suggesting impacting the artist's ability to earn income - which is well deserved. I'm just focusing on the integrity of the industry. Label it as a "reprint" and sell it at a reasonable cost of what a regular issued poster goes for in todays market at $40-60 dollars per print - which becomes accessible to most and allows the integrity of preserving the value of, in this case, a poster from years past. However, when something has a run of a "limited" defined amount and than all of a sudden years later - 400 more prints are available, as in the case of 1996 Florida print - help me out fact checkers, not sure I have that correct - than I think it is different than a handful of prints that were found in storage. If it was just 5 or 10 prints found in storage - I agree let the artist reap the profits and bypass ebay. However, would the community go nuts if 1500 more Bennies were found and release by the fan club and now released at market value - say $2500 each? Although I do think they would sellout in a minute - my point is it would raise an eyebrow about the integrity of the product and marketing. I would imagine there would be an uproar and a bunch of people that owned the original Benny - which I do not, that they would feel as though they had been mislead to an extent - about the scarcity and uniqueness of that item - that is the only point I am trying to make - not talking dollars here - or trying to hurt someone's ability to earn money - just the integrity of the process.
My point was not about flippers - to me that is up to how much people are willing to spend, nor am I suggesting impacting the artist's ability to earn income - which is well deserved. I'm just focusing on the integrity of the industry. Label it as a "reprint" and sell it at a reasonable cost of what a regular issued poster goes for in todays market at $40-60 dollars per print - which becomes accessible to most and allows the integrity of preserving the value of, in this case, a poster from years past. However, when something has a run of a "limited" defined amount and than all of a sudden years later - 400 more prints are available, as in the case of 1996 Florida print - help me out fact checkers, not sure I have that correct - than I think it is different than a handful of prints that were found in storage. If it was just 5 or 10 prints found in storage - I agree let the artist reap the profits and bypass ebay. However, would the community go nuts if 1500 more Bennies were found and release by the fan club and now released at market value - say $2500 each? Although I do think they would sellout in a minute - my point is it would raise an eyebrow about the integrity of the product and marketing. I would imagine there would be an uproar and a bunch of people that owned the original Benny - which I do not, that they would feel as though they had been mislead to an extent - about the scarcity and uniqueness of that item - that is the only point I am trying to make - not talking dollars here - or trying to hurt someone's ability to earn money - just the integrity of the process.
Yes, it would be anarchy. I would happily take a reprint Donkey Kong that was marked as such for $35. For now, I have the Ames v PJ vol 2 signed with DK in the middle for $35 LOL
Yes reissues hurt the value. (These aren't reissues I know). They did those streaming prints of heavy hitters. Pretty sure the price/desirability dropped. Emek and Williams. No biggie for me cause I plan to keep mine, yet it still feels cool to a collector to have a desired poster. If the market was flooded with kongs (diff date/whatever) iprice would drop by 500. Imho
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on2legs
Standing in the Jersey rain… Posts: 14,550
My point was not about flippers - to me that is up to how much people are willing to spend, nor am I suggesting impacting the artist's ability to earn income - which is well deserved. I'm just focusing on the integrity of the industry. Label it as a "reprint" and sell it at a reasonable cost of what a regular issued poster goes for in todays market at $40-60 dollars per print - which becomes accessible to most and allows the integrity of preserving the value of, in this case, a poster from years past. However, when something has a run of a "limited" defined amount and than all of a sudden years later - 400 more prints are available, as in the case of 1996 Florida print - help me out fact checkers, not sure I have that correct - than I think it is different than a handful of prints that were found in storage. If it was just 5 or 10 prints found in storage - I agree let the artist reap the profits and bypass ebay. However, would the community go nuts if 1500 more Bennies were found and release by the fan club and now released at market value - say $2500 each? Although I do think they would sellout in a minute - my point is it would raise an eyebrow about the integrity of the product and marketing. I would imagine there would be an uproar and a bunch of people that owned the original Benny - which I do not, that they would feel as though they had been mislead to an extent - about the scarcity and uniqueness of that item - that is the only point I am trying to make - not talking dollars here - or trying to hurt someone's ability to earn money - just the integrity of the process.
What is the 400 Florida prints you're referring to?
I think I understand your concern... but as someone else posted, its only a couple of these prints per poster being sold. That won't change the market for these prints. In fact it might help it by generating interest and publicity which might cause people to seek out posters from private collectors and increase demand. To use your Mickey Mantle example though... there have been "finds" of vintage cards from time to time and that has not driven down values in the long run. The Mantle that sold last summer for $12 million was part of the 1986 find where Alan Rosen bought like 5,000 vintage cards including 12 Mantles.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
My point was not about flippers - to me that is up to how much people are willing to spend, nor am I suggesting impacting the artist's ability to earn income - which is well deserved. I'm just focusing on the integrity of the industry. Label it as a "reprint" and sell it at a reasonable cost of what a regular issued poster goes for in todays market at $40-60 dollars per print - which becomes accessible to most and allows the integrity of preserving the value of, in this case, a poster from years past. However, when something has a run of a "limited" defined amount and than all of a sudden years later - 400 more prints are available, as in the case of 1996 Florida print - help me out fact checkers, not sure I have that correct - than I think it is different than a handful of prints that were found in storage. If it was just 5 or 10 prints found in storage - I agree let the artist reap the profits and bypass ebay. However, would the community go nuts if 1500 more Bennies were found and release by the fan club and now released at market value - say $2500 each? Although I do think they would sellout in a minute - my point is it would raise an eyebrow about the integrity of the product and marketing. I would imagine there would be an uproar and a bunch of people that owned the original Benny - which I do not, that they would feel as though they had been mislead to an extent - about the scarcity and uniqueness of that item - that is the only point I am trying to make - not talking dollars here - or trying to hurt someone's ability to earn money - just the integrity of the process.
What is the 400 Florida prints you're referring to?
I think I understand your concern... but as someone else posted, its only a couple of these prints per poster being sold. That won't change the market for these prints. In fact it might help it by generating interest and publicity which might cause people to seek out posters from private collectors and increase demand. To use your Mickey Mantle example though... there have been "finds" of vintage cards from time to time and that has not driven down values in the long run. The Mantle that sold last summer for $12 million was part of the 1986 find where Alan Rosen bought like 5,000 vintage cards including 12 Mantles.
I agree about generating the interest and the points you make on the market. Just to close the loop on your question about the 1996 Florida prints - I believe, again - feel free to fact check as I am not certain - can't stress that enough, that when the item went up it showed something like 250 prints available for the sale. Which is odd if the original run of back in 1996 was around 400. The point is it seems odd that a print that was so limited at the time now has almost the same number of new prints hitting the market years later.
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on2legs
Standing in the Jersey rain… Posts: 14,550
My point was not about flippers - to me that is up to how much people are willing to spend, nor am I suggesting impacting the artist's ability to earn income - which is well deserved. I'm just focusing on the integrity of the industry. Label it as a "reprint" and sell it at a reasonable cost of what a regular issued poster goes for in todays market at $40-60 dollars per print - which becomes accessible to most and allows the integrity of preserving the value of, in this case, a poster from years past. However, when something has a run of a "limited" defined amount and than all of a sudden years later - 400 more prints are available, as in the case of 1996 Florida print - help me out fact checkers, not sure I have that correct - than I think it is different than a handful of prints that were found in storage. If it was just 5 or 10 prints found in storage - I agree let the artist reap the profits and bypass ebay. However, would the community go nuts if 1500 more Bennies were found and release by the fan club and now released at market value - say $2500 each? Although I do think they would sellout in a minute - my point is it would raise an eyebrow about the integrity of the product and marketing. I would imagine there would be an uproar and a bunch of people that owned the original Benny - which I do not, that they would feel as though they had been mislead to an extent - about the scarcity and uniqueness of that item - that is the only point I am trying to make - not talking dollars here - or trying to hurt someone's ability to earn money - just the integrity of the process.
What is the 400 Florida prints you're referring to?
I think I understand your concern... but as someone else posted, its only a couple of these prints per poster being sold. That won't change the market for these prints. In fact it might help it by generating interest and publicity which might cause people to seek out posters from private collectors and increase demand. To use your Mickey Mantle example though... there have been "finds" of vintage cards from time to time and that has not driven down values in the long run. The Mantle that sold last summer for $12 million was part of the 1986 find where Alan Rosen bought like 5,000 vintage cards including 12 Mantles.
I agree about generating the interest and the points you make on the market. Just to close the loop on your question about the 1996 Florida prints - I believe, again - feel free to fact check as I am not certain - can't stress that enough, that when the item went up it showed something like 250 prints available for the sale. Which is odd if the original run of back in 1996 was around 400. The point is it seems odd that a print that was so limited at the time now has almost the same number of new prints hitting the market years later.
I didn't see that listing but I'm guessing that was an inventory error. Mostly because the band dictates how many prints the artist gets to have to sell on their own. Usually it's a 100 but sometimes more - with Ames being the artists that get the best AP treatment from the band based on their close connection and longtime affiliation. So these prints from Ames (and other artists also do this) are from their original stash and were likely held on to in their archive for a rainy day, Best bet would be to email Ames directly and ask them.
Post edited by on2legs on
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
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on2legs
Standing in the Jersey rain… Posts: 14,550
The only situation that comes to mind where an artist dropped a huge amount of prints above and beyond their AP allotment was the 2005 South America tour poster from Brad Klausen. I believe the band pulled the poster from being sold at shows because Stone wasn't happy with the theme so Brad was a left with a bunch to sell on his own.
1996: Randall's Island 2 1998: East Rutherford | MSG 1 & 2 2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel 2005: Atlantic City 1 2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV) 2009: Philadelphia 1, 2 & 4 2010: Newark | MSG 1 & 2 2011: Toronto 1 2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore 2015: Central Park 2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD) 2017: Brooklyn (RnR HOF) 2020: MSG | Asbury Park2021: Asbury Park 2022: MSG | Camden | Nashville 2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore
The only situation that comes to mind where an artist dropped a huge amount of prints above and beyond their AP allotment was the 2005 South America tour poster from Brad Klausen. I believe the band pulled the poster from being sold at shows because Stone wasn't happy with the theme so Brad was a left with a bunch to sell on his own.
That's interesting... Is this the one you are referring to? If so, I can see how it may be a bit divisive... Do you have a link to an article or anything about it? I never heard about this before.
PJ - 09/23/98: West Palm Beach II, 08/12/00: Tampa, 04/12/03: Orlando, 04/13/03: Tampa, 06/12/08: Tampa, 06/27/08: Hartford, 09/22/09: Seattle II, 04/11/16: Tampa, 05/01 &05/02/16: MSG I & II, 09/18/21: Sea Hear Now, 10/01& 10/02/21: Ohana Encore I & II, 05/06 & 05/07/22: Los Angeles I & II, 09/11/22: MSG, 09/16/22: Nashville, 09/02/23: St. Paul II, 09/07/23: Chicago II, 09/18& 09/19/23: Austin I & II, 05/16& 05/18/24: Las Vegas I & II. Michael Jordan's #!
EV - 08/04 & 08/05/08: (Eddie solo, w/Liam Finn) NYC I & II, 11/27 & 11/28/12: (Eddie solo, w/Glen Hansard) Orlando I & II, 02/09 & 02/10/22: (Eddie & the Earthlings) Chicago I & II, 09/30/23: (Eddie & the Earthlings) Ohana Festival
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, all of Vitalogy or Satan's Bed, Gremmie Out Of Control, Mankind, Around The Bend (full band), Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways (full band), You Are (thank you, Vegas!), Bu$hleaguer, Inside Job (Vegas!), low octave Driftin', Strangest Tribe, Other Side, Undone, Of The Earth, Love Reign O'er Me, Comfortably Numb, and the Mamasan Trilogy.
Wanted Posters: WPB '98, Tampa/WPB '00, Tampa '03, EV Batmobile '08 ISO: any picks, or setlists from any of my shows!
Comments
I wasnt sure i could stare at his wild eyes on a daily basis lol
1998 - DC RFK Stadium, Virginia Beach, Columbia Maryland, DC Constitution Hall
2002 - Seattle Key Arena I+II
2003 - Raleigh, Charlotte, State College, Bristow, Camden II
2004 - Asheville
2006 - Boston II, Camden I+II, DC
2008 - Virginia Beach, Camden I+II, DC
2009 - Philadelphia I, II, III, IV
2010 - Bristow
2013 - Philadelphia II, Baltimore, Charlottesville, Charlotte
2022 - Camden
"Me knowing the truth, I can not concur."
1996: Toronto - 1998: Chicago, Montreal, Barrie - 2000: Montreal, Toronto - 2002: Seattle X2 (Key Arena) - 2003: Cleveland, Buffalo, Toronto, Montreal, Seattle (Benaroya Hall) - 2004: Reading, Toledo, Grand Rapids - 2005: Kitchener, London, Hamilton, Montreal, Ottawa, Toronto, Quebec City - 2006: Toronto X2, Albany, Hartford, Grand Rapids, Cleveland - 2007: Chicago (Vic Theatre) - 2008: NYC X2, Hartford, Mansfield X2 - 2009: Toronto, Chicago X2, Seattle X2, Philadelphia X4 - 2010: Columbus, Noblesville, Cleveland, Buffalo, Hartford - 2011: Montreal, Toronto X2, Ottawa, Hamilton - 2012: Missoula - 2013: London, Chicago, Buffalo, Hartford - 2014: Detroit, Moline - 2015: NYC (Global Citizen Festival) - 2016: Greenville, Toronto X2, Chicago 1 - 2017: Brooklyn (RRHOF Induction) - 2018: Chicago 1, Boston 1 - 2022: Fresno, Ottawa, Hamilton, Toronto, NYC, Camden - 2023: St. Paul X2, Austin X2 - 2024: Vancouver X2, Portland, Sacramento, Noblesville, Philadelphia X2, Baltimore
Were Ames selling it for $200?
Me too... I'd love a throwback poster for Cincy and Columbus 2000.
"Let the Ocean dissolve away my past."
Holy grail print. Was hoping one of these showed up last week.
"Me knowing the truth, I can not concur."
1996: Toronto - 1998: Chicago, Montreal, Barrie - 2000: Montreal, Toronto - 2002: Seattle X2 (Key Arena) - 2003: Cleveland, Buffalo, Toronto, Montreal, Seattle (Benaroya Hall) - 2004: Reading, Toledo, Grand Rapids - 2005: Kitchener, London, Hamilton, Montreal, Ottawa, Toronto, Quebec City - 2006: Toronto X2, Albany, Hartford, Grand Rapids, Cleveland - 2007: Chicago (Vic Theatre) - 2008: NYC X2, Hartford, Mansfield X2 - 2009: Toronto, Chicago X2, Seattle X2, Philadelphia X4 - 2010: Columbus, Noblesville, Cleveland, Buffalo, Hartford - 2011: Montreal, Toronto X2, Ottawa, Hamilton - 2012: Missoula - 2013: London, Chicago, Buffalo, Hartford - 2014: Detroit, Moline - 2015: NYC (Global Citizen Festival) - 2016: Greenville, Toronto X2, Chicago 1 - 2017: Brooklyn (RRHOF Induction) - 2018: Chicago 1, Boston 1 - 2022: Fresno, Ottawa, Hamilton, Toronto, NYC, Camden - 2023: St. Paul X2, Austin X2 - 2024: Vancouver X2, Portland, Sacramento, Noblesville, Philadelphia X2, Baltimore
then you can see fair market value without looking greedy in a set price
some seamed ok, others like what ya smokin
They did those streaming prints of heavy hitters. Pretty sure the price/desirability dropped. Emek and Williams. No biggie for me cause I plan to keep mine, yet it still feels cool to a collector to have a desired poster. If the market was flooded with kongs (diff date/whatever) iprice would drop by 500. Imho
I didn't see that listing but I'm guessing that was an inventory error. Mostly because the band dictates how many prints the artist gets to have to sell on their own. Usually it's a 100 but sometimes more - with Ames being the artists that get the best AP treatment from the band based on their close connection and longtime affiliation. So these prints from Ames (and other artists also do this) are from their original stash and were likely held on to in their archive for a rainy day, Best bet would be to email Ames directly and ask them.
Song Wishlist: Oceans, Brother, Alone, Let Me Sleep, full W.M.A., Hold On, all of Vitalogy or Satan's Bed, Gremmie Out Of Control, Mankind, Around The Bend (full band), Don't Gimme No Lip, Pilate, Push Me Pull Me, All Those Yesterdays, Rival, Parting Ways (full band), You Are (thank you, Vegas!), Bu$hleaguer, Inside Job (Vegas!), low octave Driftin', Strangest Tribe, Other Side, Undone, Of The Earth, Love Reign O'er Me, Comfortably Numb, and the Mamasan Trilogy.
(2000) Mansfield I, Mansfield II (2003) Montreal (2005) Montreal, Ottawa (2006) Albany (2008) Montreal I + II (EV) (2022) Québec City