My setup
El_Kabong
Posts: 4,141
I've been putting this off for the longest time...don't know if anyone other than Exhausted posted theirs but here it is, note teh damn data transfer limit gets exceeded pretty easily with this so please don't keep reloading it. I made a mistake and took the pictures in high quality so they are a tad big. Compressed it looks a little weird so I hope you don't mind big pictures.
Let me know if ya have any suggestions
http://www.geocities.com/cpl_clegg76/whatchalookinat.html
The chain is:
-footswitch for amp - distortion (crunch and ultra) bypass and reverb
-Vox 848 wah
-Keeley Ultra DS-1
-Octave (Foxrox Captain Coconut 2)
-Fuzzfoot (Foxrox Captain Coconut 2)
-Foxrox Through-Zero-Flanger w/ expression pedal
-Digitech DoublePlay delay/chorus
-Prophecy Sounds Infinitephase (MK-II) w/ expression pedal
-Voodoo Lab Tremolo
-Guyatone MD-3 digital delay
-Pro-Vibe (Foxrox Captain Coconut 2)
-Art FXR multi effects processor
-Roland SDE-1000 Digital Delay (w/ footswitch, it's the thing left of the MD-3 in the pics)
-Yamaha E1005 Analog Delay (w/ footswitch, it's the thing left of the MD-3 in the pics)
I'm thinking of moving the MD-3 before the Infinitephase because it self-oscillates and I like being able to add phase to it.
I was going to buy one of those rack systems to house the ART and Roland rack units but the Roland seems too big and that would be too much weight on the brackets. I don't feell ike buying a professional studio type one for over $100.
Let me know if ya have any suggestions
http://www.geocities.com/cpl_clegg76/whatchalookinat.html
The chain is:
-footswitch for amp - distortion (crunch and ultra) bypass and reverb
-Vox 848 wah
-Keeley Ultra DS-1
-Octave (Foxrox Captain Coconut 2)
-Fuzzfoot (Foxrox Captain Coconut 2)
-Foxrox Through-Zero-Flanger w/ expression pedal
-Digitech DoublePlay delay/chorus
-Prophecy Sounds Infinitephase (MK-II) w/ expression pedal
-Voodoo Lab Tremolo
-Guyatone MD-3 digital delay
-Pro-Vibe (Foxrox Captain Coconut 2)
-Art FXR multi effects processor
-Roland SDE-1000 Digital Delay (w/ footswitch, it's the thing left of the MD-3 in the pics)
-Yamaha E1005 Analog Delay (w/ footswitch, it's the thing left of the MD-3 in the pics)
I'm thinking of moving the MD-3 before the Infinitephase because it self-oscillates and I like being able to add phase to it.
I was going to buy one of those rack systems to house the ART and Roland rack units but the Roland seems too big and that would be too much weight on the brackets. I don't feell ike buying a professional studio type one for over $100.
standin above the crowd
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
Post edited by Unknown User on
0
Comments
Should the distortion go before the Fuzz, after or makes no difference?
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
as for the order, i tend to go in order from lowest gain to highest gain but it's really just what sounds best to you.
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
rack =
mesa boogie 50/50 tube power amp
line 6 podxt pro w/ line 6 short board
furman power conditioner.
guitars =
warmoth custom vip all mahogany body, maple neck, rosewood fretboard, sperzel locking tuners, split coil with bartolini humbuckers.
epiphone les paul standard stock
epiphone dot all gold hardware..moded
all cables custom made by myself
cabs =
avatar horizontal 2x12 blonde with 1 vintage 30 and one g12h30
marshall 1966 2x12 with celestions
and thats basically it for my live setup.
next thing you need is some kind of sonic maximiser to get the maximum amount of highs and lows and generally tighten everything up. Very impressive setup. Eventually I hope mine is that broad, so many projects.........sigh.
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
All I really want is the vibe. I have all but decided to get a Zvex Fuzz Factory for my fuzz/octave. It's so cool. and I can get so many different sounds out of it. Ah well. It's going to be a while anyway unless I just decide to spend some money.
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way