maple necks and the people who hate them
exhausted
Posts: 6,638
ok. maybe it's just me that hates them. why does fender insist on finishing their damn necks *after* they've been fretted? am i just ignorant to the realities of finishing a maple neck?
my rickenbacker with it's damn gloss fretboard is the same way thought it's not had the chipping problems and i just got the frets edged.
what a mess. my tele neck was pretty much a horrible, unplayable mess after a few years. because the finish surrounds the frets you get chips everywhere around the frets. it feels horrible to play.
my rickenbacker with it's damn gloss fretboard is the same way thought it's not had the chipping problems and i just got the frets edged.
what a mess. my tele neck was pretty much a horrible, unplayable mess after a few years. because the finish surrounds the frets you get chips everywhere around the frets. it feels horrible to play.
Post edited by Unknown User on
0
Comments
At least with the maple, it's set-and-forget.
But I hear ya on the laquer messin' with the frets and chipping... I've got half a mind to replace the neck on my Tele Deluxe to a pre-CBS Strat neck with a rosewood 'board. The only problem I have is that the guitar has a three-bolt pocket, so getting a Strat neck to work would mean getting an undrilled neck from Warmoth and drilling it myself, or having it drilled for me. Fudge it...
i just went and put the strat neck back on my tele. the maple neck is a lost cause without a few hours of tech labour.
There's a Suhr currently on Ebay, made out of mahogany and rosewood. it's very nice and warm I'm sure.
you've seen more high end guitars with maple necks than i have. do they all finish them that way, over the frets?
many do, because the luthier and the finisher are two different companies, and it's pretty easy to damage the finish if you do it after.
birdseye maple with a smooth satin finish is awesome, I just love the "old" yellow look and feel with the lacquer. The crap should be polished off the frets though.
I miss you already, I miss you all day
i prefer rosewood in feel anyway so it's not a big deal. i just realized last night as i was working on my tele what a mess the neck really was.
it's just annoying. it probably didn't happen back in the days when fender used thin nitro.
yeah it's almost like they dip it.
The custom shops, are not like that.
I'd probably go the Warmoth route... I want pre-CBS, so Pre-70's headstock... but I definitely prefer the compound Warmoth profile/radius over the standard boatneck.
My next toy will likely be one of these:
http://www.musiciansfriend.com/srs7/g=home/search/detail/base_pid/515207/
With the Aztek Gold finish and some form of Classic 57/Burstbucker/PAF pickup. I'd probably also swap in a second volume for the tone control (I like full-on tone anyways) and forgo the coil tap.
that is a fucking brilliant guitar.
Set neck, carved top, graphite nut, rosewood neck with abalone dots, cream body and neck binding (binding on a Fender! Yes!), and what looks like a new strap-lock design... I believe it's a 25-inch scale (I always prefered 24.75" over 25.5"). The DiMarzio's are probably really good by themselves, but I'm looking for that Tele/Les Paul middle ground, you know... With the slim mahogany body and all the features, this thing is actually an SG in hiding.
Only thing I don't care for is the Tele headstock (always prefered the smaller Strat stock) with the matching body color.