Bridge Benefit 1994, San Francisco 1995, San Diego 1995 1 & 2, Missoula 1998, Los Angeles 2000, San Diego 2000, Eddie Vedder/Beck 2/26/2002, Santa Barbara 2003, Irvine 2003, San Diego 2003, Vancouver 2005, Gorge 2005, San Diego 2006, Los Angeles 2006 1 & 2, Santa Barbara 2006, Eddie Vedder 4/10/08, Eddie Vedder 4/12/08, Eddie Vedder 4/15/08, 7/12/2008, SF 8/28/09, LA 9/30/09, LA 10/1/09, LA 10/06/09, LA 10/07/09, San Diego 10/09/09, Eddie Vedder 7/6/2011, Eddie Vedder 7/8/2011, PJ20 9/3/2011, PJ20 9/4/2011, Vancouver 9/25/2011, San Diego 11/21/13, LA 11/24/13, Ohana 9/25/21, Ohana 9/26/21, Ohana 10/1/21, EV 2/17/22, LA Forum 5/6/22, LA Forum 5/7/22, EV 10/1/22, EV 9/30/23
Also, a brief moment is shown at the end of 'The Kids Are Twenty' of laying down the track for 'Gonna See My Friend.' It might bare mentioning that although SVT is labelled as "The Yield Sessions" at the beginning, it mainly consists of rehearsals for figuring out how to play the new songs live for the 1997 Rolling Stones shows. However, it would be great to watch Mark Pellington's original feature film-length cut. Similar to "Get Back", the original, much longer, conception of SVT was designed as a no-holds barred glimpse at the band's process.
And it would certainly be a thrill if they were inspired by the Beatles doc and decided to visually record the making of their upcoming 12th album! Especially after hearing how collaborative the process has been so far.
Another small clip of the band members working out Matt C's song "Need to Know" before Ed transforms it into 'The Fixer' is shown as an extra from PJ20. What is most notable about this is it has a surveillance camera look to it. It makes me wonder if they use that to record hours and hours of footage while PJ is writing new music?
There must be some footage floating around.... I've seen the Yield dvd, but I mean raw home video type footage. No one has ever seen or heard of this anywhere?
Comments
It might bare mentioning that although SVT is labelled as "The Yield Sessions" at the beginning, it mainly consists of rehearsals for figuring out how to play the new songs live for the 1997 Rolling Stones shows. However, it would be great to watch Mark Pellington's original feature film-length cut. Similar to "Get Back", the original, much longer, conception of SVT was designed as a no-holds barred glimpse at the band's process.
Danny Clinch did short behind the scenes stuff for Backspacer and Lightning Bolt.
Oh me too.