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  • Human TideHuman Tide Posts: 327
    edited February 2022
    ...
    Post edited by Human Tide on
  • Pitchfork is trash
  • igotid88igotid88 Posts: 27,773
    Pitchfork usually hates anything good
    I miss igotid88
  • OceansJennyOceansJenny Posts: 3,393
    Not bad for Pitchfork actually.
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  • bootlegger10bootlegger10 Posts: 15,837
    It didn't really say too much bad about the record.  I think 6.7 is fine for this record.  It isn't great...at...all.  It is good.  But reserve the 8-10's for more deserving records.
  • Leeds 2006, London 2007, Hartford 2008, London Shepherds Bush 2009, London O2 2009, Dublin 2010, London Hyde Park 2010, Amsterdam 1 2012, Amsterdam 2 2012, Berlin 1 2012, EV solo London 30/7/2012, Berlin 2014, Stockholm 2014, Milton Keynes 2014, Amsterdam 1 2018, London 1 2018, London 2 2018, EV solo Dublin 2019, London 1 2022, London 2 2022, New York City 2022 

  • nicknyr15nicknyr15 Posts: 8,314
    Pitchfork is trash
    Lol. I’m shocked they gave it that high of a review honestly. That’s high for them 
  • If they gave riot act a 4.9  which is absurd, they really must have liked earthling at a 6.7

    It’s hard for me to look at a rating by itself but once it’s in context then I get a better idea.  They rate most PJ really low so this rating must have something to do with it not sounding as much like PJ 
  • OceansJennyOceansJenny Posts: 3,393
    Vs / Vitalogy reissue got a 7.6 so they ain’t wrong there. =)
    DC '03 - Reading '04 - Philly '05 - Camden 1 '06 - DC '06 - E. Rutherford '06 - The Vic '07 - Lollapalooza '07 - DC '08 - EV DC 1 & 2 '08 (Met Ed!!) - EV Baltimore 1 & 2 '09 - EV NYC 1 '11 (Met Ed!) - Hartford '13 - GCF '15 - MSG 2 '16 - TOTD MSG '16 - Boston 1 & 2 '18 - SHN '21 - EV NYC 1 & 2 '22 - MSG '22
  • Cropduster-80Cropduster-80 Posts: 2,034
    edited February 2022
    Vs / Vitalogy reissue got a 7.6 so they ain’t wrong there. =)
    They seem to like some songs on that release in the review and then don’t like them when reviewing RVM 
  • There's literally no rationale behind the scores that Pitchfork gives out. Plus, Pitchfork is a brand and since they're a brand they have a very specific way of approaching things like reviews. Everything they do stinks of whatever random person in their army of writers/reviewers looking for validation. That way, if they're "lucky," they can move on to write self-indulgent garbage for outlets like Vice.
  • Pitchfork reviews are incredibly pretentious.
  • Pitchfork reviews are incredibly pretentious.
    I'm 40 so I'm smack in the middle of the Pitchfork generation. I came of age when they were a serious cultural force in music and will admit they are partially responsible for helping a lot of music get the attention it deserved. They've always, always, always, been a pretentious, self-righteous, "I'm so much cooler than you," outlet.

    It's how they came to prominence and it's somehow something they still lean into. 

    I actually find it hilarious that people still pay attention to anything Pitchfork has to say as they cling to any sense of relevance they still might have.

    Read it like it deserves to be read - as a joke.
  • Have people actually read the review? Its not bad, and its clear the writer has knowledge of pearl jams past music. 
  • JBob87JBob87 Posts: 457
    nicknyr15 said:
    Pitchfork is trash
    Lol. I’m shocked they gave it that high of a review honestly. That’s high for them 
    Agreed. This is actually a good score and I found the writeup to be pretty well done and generally complimentary. 
  • JBob87 said:
    nicknyr15 said:
    Pitchfork is trash
    Lol. I’m shocked they gave it that high of a review honestly. That’s high for them 
    Agreed. This is actually a good score and I found the writeup to be pretty well done and generally complimentary. 
    Agreed. 6.7 is like 9.5 for some other publications. We all know pitchfork is extra pretentious and critical. 
  • Tim SimmonsTim Simmons Posts: 7,654
    Its always funny how p4k lives rent free in so many music fans heads. Its no different than any other publication and unless you were a fan of Jet, they haven't really written many pretentious pieces over the past 15 years. Most of the time, its just hungry freelancers. Plus its just 1 persons opinion and an editorials staffs score. 

  • cp3iversoncp3iverson Posts: 8,680
    edited February 2022
    Pitchfork is pitchfork.  They’re very Predictable —Radiohead, LCD Soundsystem, pop and hip hop are guaranteed 8.8’s and higher (fair in a lot of cases) but I think everyone knows that.  

    If PJ or EV released something that qualified for a high score this forum probably wouldn’t even like the album.   It makes me laugh tho how they’ve “corrected” a lot of poor scores for bands that turned into revered bands.  
  • Pitchfork is pitchfork.  They’re very Predictable —Radiohead, LCD Soundsystem, pop and hip hop are guaranteed 8.8’s and higher (fair in a lot of cases) but I think everyone knows that.  

    If PJ or EV released something that qualified for a high score this forum probably wouldn’t even like the album.   It makes me laugh tho how they’ve “corrected” a lot of poor scores for bands that turned into revered bands.  
    I think a lot of publications have drastically corrected a few Radiohead albums in particular. I thought I remembered kid a in particular confused a lot of them initially 

    I know sometimes it takes me a really long time to really understand an album so I give anyone the benefit of the doubt on revisions years after the fact 
  • vant0037vant0037 Posts: 6,109
    Say what you want about the collective tastes of Pitchfork's writers (pretty predictable), but they remain a great resource for covering a wide swath of music.  If you go there looking for validation that your own tastes are "good" (whatever that would mean), don't read any review site, let alone Pitchfork.  But because they write about so much music - regardless of what they say about said music - its great place to find new stuff.

    Don't worry so much that their writers don't love your favorite band the way you do.  Who cares.  
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  • vant0037vant0037 Posts: 6,109
    @Tim Simmons, @cp3iverson

    LOL.  We all said the same thing basically.  Great minds think alike. 


    1998-06-30 Minneapolis
    2003-06-16 St. Paul
    2006-06-26 St. Paul
    2007-08-05 Chicago
    2009-08-23 Chicago
    2009-08-28 San Francisco
    2010-05-01 NOLA (Jazz Fest)
    2011-07-02 EV Minneapolis
    2011-09-03 PJ20
    2011-09-04 PJ20
    2011-09-17 Winnipeg
    2012-06-26 Amsterdam
    2012-06-27 Amsterdam
    2013-07-19 Wrigley
    2013-11-21 San Diego
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    2014-07-08 Leeds, UK
    2014-07-11 Milton Keynes, UK
    2014-10-09 Lincoln
    2014-10-19 St. Paul
    2014-10-20 Milwaukee
    2016-08-20 Wrigley 1
    2016-08-22 Wrigley 2
    2018-06-18 London 1
    2018-08-18 Wrigley 1
    2018-08-20 Wrigley 2
    2022-09-16 Nashville
    2023-08-31 St. Paul
    2023-09-02 St. Paul
    2023-09-05 Chicago 1
    2023-08-31 Wrigley 2
    2023-09-15 Fenway 1
  • cp3iversoncp3iverson Posts: 8,680
    edited February 2022
    vant0037 said:
    Say what you want about the collective tastes of Pitchfork's writers (pretty predictable), but they remain a great resource for covering a wide swath of music.  If you go there looking for validation that your own tastes are "good" (whatever that would mean), don't read any review site, let alone Pitchfork.  But because they write about so much music - regardless of what they say about said music - its great place to find new stuff.

    Don't worry so much that their writers don't love your favorite band the way you do.  Who cares.  
    Amen!   I actually read pitchfork once a month or so and I really have checked out and liked some of their Best New Music albums over the years.  But….the above is the truth.   They’re good for finding new bands but you have to trust your own tastes.  
  • igotid88igotid88 Posts: 27,773
    Have people actually read the review? Its not bad, and its clear the writer has knowledge of pearl jams past music. 
    We're just talking in general about pitchfork. So we were surprised it got a good score. As someone mentioned a 6.7 is very high for them
    I miss igotid88
  • Tim SimmonsTim Simmons Posts: 7,654
    I read pitchfork daily. Its the best way to stay up on whats current/hot. I find so much new and interesting music there, including tons of my favorite artists. 

    If you look at it as a music discovery outlet, its fantastic. 

  • If they gave riot act a 4.9  which is absurd, they really must have liked earthling at a 6.7
    Vs / Vitalogy reissue got a 7.6 so they ain’t wrong there. =)
    They seem to like some songs on that release in the review and then don’t like them when reviewing RVM 
    Why are you talking about Pitchfork like it's some blog run by one person? Or a monolith. 

    There are different reviewers reviewing different albums...
    "Mostly I think that people react sensitively because they know you’ve got a point"
  • Tim SimmonsTim Simmons Posts: 7,654
    Also 2003 p4k is waaaaaaaayyyyyy different than 2007 p4k and even 2022 p4k. 


  • vant0037 said:
    Say what you want about the collective tastes of Pitchfork's writers (pretty predictable), but they remain a great resource for covering a wide swath of music.  If you go there looking for validation that your own tastes are "good" (whatever that would mean), don't read any review site, let alone Pitchfork.  But because they write about so much music - regardless of what they say about said music - its great place to find new stuff.

    Don't worry so much that their writers don't love your favorite band the way you do.  Who cares.  
    Yup
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