Gear used during recording of Riot Act
Kat
Posts: 4,872
Reposted from Synergy - PJ Gears Up
November 12, 2002
Gear Update
Available for downloading is a PDF file of my personal Riot Act studio notes, which I kept/compiled throughout the recording of the new album. It contains general information on tunings, guitars and amps used, effects pedals, and a few other miscellaneous items about what Stone, Mike, Jeff, Ed, and sometimes Matt, used to record Riot Act. I think the fans and/or musicians who are interested in the recording process will really enjoy being able to know which specific pieces of equipment the band used to create each song, particularly as they’re listening to the new material for the first time.
Unfortunately, I cannot offer any drum-related information on Matt Cameron to the drumming fans out there. No specific notes were kept on his drum or cymbal usage during the recording. I can tell you, however, in general Matt uses Vic Firth drumsticks, Remo drum heads, Yamaha drums and hardware, Zildjian cymbals, and Keplinger snare drums.
Please keep in mind these notes were kept during the recording for my own personal reference as the band worked through the material and have had very little “fixing up”. It is what it is - relatively raw information assembled in my own somewhat cryptic logic; you’re on your own in translating this information for your own understanding. Please do not email the Rumor Pit or Pearl Jam Ten Club with questions pertaining to your understanding of this information – no technical support will be made available.
I sincerely hope you find this information interesting, and it benefits the great many dedicated Pearl Jam fans and fellow musicians in their appreciation for the music that was collectively written, created, and developed by your favorite band. Enjoy the music!
Please note: Adobe Acrobat Reader version 5.0 or higher is required for viewing of this document – it will not display in earlier versions of Adobe Acrobat Reader To download a FREE copy of Adobe Acrobat 5.x, please use the following link:
http://www.adobe.com/products/acrobat/readstep2.html
Then see...
http://forums.pearljam.com/misc/pjgearriot2.pdf
Please enjoy...
G
November 12, 2002
Gear Update
Available for downloading is a PDF file of my personal Riot Act studio notes, which I kept/compiled throughout the recording of the new album. It contains general information on tunings, guitars and amps used, effects pedals, and a few other miscellaneous items about what Stone, Mike, Jeff, Ed, and sometimes Matt, used to record Riot Act. I think the fans and/or musicians who are interested in the recording process will really enjoy being able to know which specific pieces of equipment the band used to create each song, particularly as they’re listening to the new material for the first time.
Unfortunately, I cannot offer any drum-related information on Matt Cameron to the drumming fans out there. No specific notes were kept on his drum or cymbal usage during the recording. I can tell you, however, in general Matt uses Vic Firth drumsticks, Remo drum heads, Yamaha drums and hardware, Zildjian cymbals, and Keplinger snare drums.
Please keep in mind these notes were kept during the recording for my own personal reference as the band worked through the material and have had very little “fixing up”. It is what it is - relatively raw information assembled in my own somewhat cryptic logic; you’re on your own in translating this information for your own understanding. Please do not email the Rumor Pit or Pearl Jam Ten Club with questions pertaining to your understanding of this information – no technical support will be made available.
I sincerely hope you find this information interesting, and it benefits the great many dedicated Pearl Jam fans and fellow musicians in their appreciation for the music that was collectively written, created, and developed by your favorite band. Enjoy the music!
Please note: Adobe Acrobat Reader version 5.0 or higher is required for viewing of this document – it will not display in earlier versions of Adobe Acrobat Reader To download a FREE copy of Adobe Acrobat 5.x, please use the following link:
http://www.adobe.com/products/acrobat/readstep2.html
Then see...
http://forums.pearljam.com/misc/pjgearriot2.pdf
Please enjoy...
G
Falling down,...not staying down
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Comments
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
arent they at the bottom of the page???
are they?? I didn't see them maybe i missed them
he had a voice that was strong and loud and
i swallowed his facade cos i'm so
eager to identify with
someone above the crowd
someone who seemed to feel the same
someone prepared to lead the way
i havent looked for a while but i think they were in like a orangish box or somethin that listed them
would they by any chance have the tuning for thumbing my way in it,
i dont think its standard thanks
thiers still time so escape,,,,
auuuhhheehhh yaeeahh "
Kat didn't compile the information.. George Webb did. And they don't have that info
they have it.. you need the absolute latest version of Adobe Acrobrat to read it.. and it's standard. what else would it be?
Live they use Audix OM-5 vocal mics.
He uses...
1. 14 x 7 Keplinger snare
2. 12 x 8 rack tom
3. 13 x 9 rack tom
4. 16 x 16 floor tom
5. 18 x 18 floor tom
6. 24 x 16 bass drum
And his actual drum kit is made by Ayotte Custom Drums...
His symbols are Zildjian
A. 15" K HiHats
B. 19" Z Custom Medium Crash
C. 21" A Sweet Ride
D. 18" Z Rock Crash
E. 20" A Custom Ride
And he uses Remo Heads...
maybe for show. I remember Matt playing Ayotte drums with Soundgarden on the down on the upside tour in 96. Always Keplinger snares.
yeah but once you get floating wood rims to make sure of proper tuning it's all gravy. It also helps that your drum tech's last name is Keplinger. I like DW's and Orange County too but I've never played an ayotte, not that I can really play drums anyhow yet.
I'd love to find a mini version of a marching snare with a kevlar head. Talk about bright and articulate.
And I wasn't saying that any one kit was better than any other... I mean, would Bonham play an Ayotte? No. Are they still good kits? Yes. I just have my preferences... as does anybody.
same with anything skill oriented. I agree. Mike McCready can make a bad chinese Strat sound like God is playing it.
Well, McCready is God...
I don't know why I have to keep reminding people of this.
I tried out a few of those Savage amps. They're some of the best sounding amps I've ever tried.
If these Trentino amps wound up being the replacements, they must be straight from the gods.
¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯
yeah Sal Trentino. Well respected tone guru amp master guy.
Savage also wonderful fantastic amps built like a tank. The Trentino is able to accept virtually any tube much like the THD UNIvalve. Enabling you the flexibility to virtually have any flavor you want in a tube amp.
Damned nice feature... does it auto-bias, or do you need to adjust it?
look at David Barbers new amp for an example, http://www.barberelectronics.com
Oh my god, they make chinese strats??? I need to go buy one!
; )
I'm just trying to be funny, anyways...does anybody know how much one of the trentino's goes for? I'm guessing a grand or two.
9-4-05 Calgary (10c Tix!)
8-8-09 Calgary
9-21-12 Calgary (10c Tix! Row 12!!)
My URL
http://www.myspace.com/thehuskytruckers
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First you'd have to get Sal to make one for you. I'd say $3500 possibly even $5,000
The Savages that Stone used are quite pricey as well but built about as well as you can build an amp.
Yeah, for parts, maybe...
Shit, a stock Marshall JTM 45 reissue goes for $1,200. That's a factory-built mass-produced machine-wired job with cheap wood. Single channel, 6 valves, internal manual bias, no FX. The Trentino is a custom hand-built, hand-wired, one-off design with great wood, hand-built chassis, two discrete channels (basically two separate amps) with tremelo and reverb.
I say $4,000 or higher.
Of course, a vintage Fender Vibro Champ goes for $200-400. Not bad in comparison...
I was WAY off. My '73 bassman will just have to do for now, oh how will I make it out there with just the bassman...with it's warm
lovely tone. ; )
Ok so some pedals. then the '57 reissue strat, then the tretino, THEN, finally, years later, a les paul. ; )
9-4-05 Calgary (10c Tix!)
8-8-09 Calgary
9-21-12 Calgary (10c Tix! Row 12!!)
My URL
http://www.myspace.com/thehuskytruckers
http://www.facebook.com