Poll--The Weakest Link: Led Zeppelin's 'Led Zeppelin IV' Round 4 (Levee is Champion)
MedozK
Posts: 9,209
On to the FINALS to determine the GREATEST song on Led Zeppelin's album Led Zeppelin IV.
Eliminated Round 1 - Four Sticks, Rock And Roll
Eliminated Round 2 - Misty Mountain Hop, The Battle Of Evermore (Due to total votes)
Eliminated Round 3 - Black Dog, Going To California
For anyone new to the game:
You are going to pick the song that you think is the "Weakest Link" after 3 days the song with the FEWEST votes will be crowned CHAMPION.
- Remember you are voting to eliminate songs from contention.
Lets have fun with this. Remember debating and discussing why your right and others are wrong is always fun.
Eliminated Round 1 - Four Sticks, Rock And Roll
Eliminated Round 2 - Misty Mountain Hop, The Battle Of Evermore (Due to total votes)
Eliminated Round 3 - Black Dog, Going To California
For anyone new to the game:
You are going to pick the song that you think is the "Weakest Link" after 3 days the song with the FEWEST votes will be crowned CHAMPION.
- Remember you are voting to eliminate songs from contention.
Lets have fun with this. Remember debating and discussing why your right and others are wrong is always fun.
Poll--The Weakest Link: Led Zeppelin's 'Led Zeppelin IV' Round 4 (Levee is Champion) 58 votes
Post edited by MedozK on
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Comments
I actually have 15 albums ready. And as long as people don't get bored.. I will continue.
Trieste 14, Vienna 14, Gdynia 14, Leeds 14, Milton Keynes 14, Denver 14
Central Park 15
Fort Lauderdale 16, Miami 16, Tampa 16, Jacksonville 16, Greenville 16, Hampton 16, Columbia 16, Lexington 16, Philly1 16, Philly2 16, NYC1 16, NYC2 16, Quebec City 16, Ottawa 16, Toronto1 16, Toronto2 16, Fenway1 16, Fenway2 16, Wrigley1 16, Wrigley2 16
These are some of the best threads on the board. Keep 'em coming.
I pick Levee as the weaker of the two remaining simply because it’s repetitive for the most part of 7 minutes. That guitar riff pretty much cycles from beginning to end. Stairway on the other hand seems to be broken up into 4 separate movements of varying melodies & tempo, roughly 2 minutes each.
10/31/09- Philly
5/21/10- NYC
9/2/12- Philly, PA
7/19/13- Wrigley
10/19/13- Brooklyn, NY
10/21/13- Philly, PA
10/22/13- Philly, PA
10/27/13- Baltimore, MD
4/28/16- Philly, PA
4/29/16- Philly, PA
5/1/16- NYC
5/2/16- NYC
9/2/18- Boston, MA
9/4/18- Boston, MA
9/14/22- Camden, NJ
9/7/24- Philly, PA
9/9/24- Philly, PA
Eddie Vedder- 6/25/11- Philly, PA
RNDM- 3/9/16- Philly, PA
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)
Love it
RED ROCKS 6-19-95
AUGUSTA 9-26-96
MANSFIELD 9-15-98
BOSTON 9-29-04
BOSTON 5-25-06
MANSFIELD 6-30-08
EV SOLO BOSTON 8-01-08
BOSTON 5-17-10
EV SOLO BOSTON 6-16-11
PJ20 9-3-11
PJ20 9-4-11
WRIGLEY 7-19-13
WORCESTER 10-15-13
WORCESTER 10-16-13
HARTFORD 10-25-13
The 'rip off' tarnished the brilliance of the song somewhat; but say what you want... the song is 'truly' an epic.
Page's solo before Plant's wailing lyrics and Bonham's well hit drums (just before the final lyrical section) are just flat out awesome.
No vote was a bad vote for this record. A grueling exercise.
"All of this explains why people like to call Dylan a plagiarist. In terms of commercial modern music he is, and the advent of Google has given people all sorts of opportunity to fire cheap shots. He cribbed this lyric from a French poet, this one from Japanese gangster books, this one from a nineteenth century hymn. Surely he did, and this is not so much irrelevant as it is a non sequitur in folk music. The irony here is that what most of the world means today with the term "folk music" is simply wrong. What the term means today is a singer-songwriter playing an acoustic guitar, and this is irony, because Dylan himself was a prototype of the modern singer-songwriter. In modern terms, the term "cover" is a sort of insult, a mere cover band not offering "original" material. In real folk music, there is no original material. The arrogance of claiming to write a song shows a lack of respect for who we are and where we came from. It ignores history freighted in traditional music. To know folk music means something far more than mastering a canon; the point is to inhabit it like an evolving ecosystem."
-Richard Manning
It Runs in the Family, pages 129-130
"When the Levee Breaks" doesn't have that.
Harmonica>stray cat in heat
RED ROCKS 6-19-95
AUGUSTA 9-26-96
MANSFIELD 9-15-98
BOSTON 9-29-04
BOSTON 5-25-06
MANSFIELD 6-30-08
EV SOLO BOSTON 8-01-08
BOSTON 5-17-10
EV SOLO BOSTON 6-16-11
PJ20 9-3-11
PJ20 9-4-11
WRIGLEY 7-19-13
WORCESTER 10-15-13
WORCESTER 10-16-13
HARTFORD 10-25-13
There's also a cool illo to go along with it in the book to show the reader what Horovitz saw going on in Yauch's kitchen, too.
This is just one example of many that illuminate Yauch's experimental genius in the book. Running the 808 beat backward for "Paul Revere" is another. If you haven't read it yet, do so. It's way better than Hammer of the Gods. I promise.
RED ROCKS 6-19-95
AUGUSTA 9-26-96
MANSFIELD 9-15-98
BOSTON 9-29-04
BOSTON 5-25-06
MANSFIELD 6-30-08
EV SOLO BOSTON 8-01-08
BOSTON 5-17-10
EV SOLO BOSTON 6-16-11
PJ20 9-3-11
PJ20 9-4-11
WRIGLEY 7-19-13
WORCESTER 10-15-13
WORCESTER 10-16-13
HARTFORD 10-25-13