Ukulele Songs hardcover book back in Shop
Vancouver '03, Paramount Theatre '05, Saskatoon '05, Calgary '05, Edmonton '05, Saskatoon '11, Calgary '11, Calgary '13
2010 WATCH IT GO TO FIRE!!
2010 WATCH IT GO TO FIRE!!
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Santos said they are a 2016 reprinting, exactly the same as the ones from 2011.
'13: 10/27 Baltimore
'15: 9/26 New York City
'16: 4/16 Greenville (VS!), 4/26 Lexington, 4/28 Philly, 8/20 Wrigley
'18: 9/02 Fenway
'22: 9/16 Nashville
’24: 8/26 Noblesville, 9/12 Baltimore
1993-9-4 Vancouver
1996-9-16 Seattle
1998-7-19 Vancouver, 7-21 Seattle, Memorial Stadium
2000-11-6 Seattle
2001-10-22 Seattle
2002 -12-09 Seattle
2009-8-17 Manchester, 9-25 Vancouver
2011-6-16 Seattle (EV), 9-3/4 PJ20, 9-25 Vancouver
2012-6-27 Amsterdam (#2!)
2013-11-29 Portland, 12-4 Vancouver, 12-6 Seattle
2014-AUS - 1-26 Sydney, 1-31 Adelaide, 2-11/12 EV Sydney State Theatre, 2-13 EV Opera House
2014 - USA - Memphis, Detroit, MOLINE, St. Paul, MILWAUKEE, Denver, 25/26 Bridge School
2016 - Lexington, Philly x 2, MSG x 2, Quebec City, Ottawa, Toronto x 2, Pemberton, Fenway x 2, Wrigley x 2
2018 - Seattle x 2, Missoula, Fenway x 2
www.headstonesband.com
It's not really special to have something in your collection that anyone can get, so when someone sells something as "limited" and it's being used as a unique selling proposition to get someone to buy it, if you care about having unique things in your collection you hope that it being called limited means something. Cause the minute anyone can have it, it means less to your collection.
I enjoy collecting certain things, and some of my favorite pieces in my collection are the ones that are hard to get, it's what makes the hunt fun.
If it was easy to get, then there is no fun in that, hence no value in it being in my collection. I don't collect stuff to retire on, or treat it like the stock market, I do it for fun. Although, if you don't collect anything for fun, probably tough to see it that way.
This isn't a criticism of stuff being reissued either, art gets reproduced all the time, but it's always identified as a reproduction, and usually is obviously one, keeping the "value" (monetary and otherwise) of the original.
It also doesn't mean stuff can't be bought for it's intrinsic value, and that it's always about it's collectability, but that's my reason for not liking something that was previously limited being reissued and how my reason has nothing to do with money.
Walking contradiction.
Limousine liberals.
They have fooled me a lot. I'll still buy the swag though.
I would understand the negativity if you bought it for a premium, like say you bought a Benny for $2000 and then found out it was rereleased for $50, like just general buyers remorse. But if you bought it at list price, couldn't you find some joy in knowing your fellow PJ friends are super stoked that it is now available to them as well?
I don't mean this to rock the boat, I'm just trying to bring up a perspective that may make you feel good about your now not so limited stuff.
1993-9-4 Vancouver
1996-9-16 Seattle
1998-7-19 Vancouver, 7-21 Seattle, Memorial Stadium
2000-11-6 Seattle
2001-10-22 Seattle
2002 -12-09 Seattle
2009-8-17 Manchester, 9-25 Vancouver
2011-6-16 Seattle (EV), 9-3/4 PJ20, 9-25 Vancouver
2012-6-27 Amsterdam (#2!)
2013-11-29 Portland, 12-4 Vancouver, 12-6 Seattle
2014-AUS - 1-26 Sydney, 1-31 Adelaide, 2-11/12 EV Sydney State Theatre, 2-13 EV Opera House
2014 - USA - Memphis, Detroit, MOLINE, St. Paul, MILWAUKEE, Denver, 25/26 Bridge School
2016 - Lexington, Philly x 2, MSG x 2, Quebec City, Ottawa, Toronto x 2, Pemberton, Fenway x 2, Wrigley x 2
2018 - Seattle x 2, Missoula, Fenway x 2
Someone asked if I bought it for future resale and if that's why I was annoyed. I said no, and explained why. That it had to do with why someone buys something that's limited or why they would care that something is limited.
In the end, the more the merrier, just don't call something limited if it isn't.