The End of Big Stadium Rockers?

in The Porch
Analyst: There Will Be A Collapse In Arena Bands Within A Decade
Business Insider
By Rob Wile – 18 minutes ago
REUTERS/Juan Medina
Arena and stadium music acts will vanish within a decade because no one is buying albums anymore, according to music industry analyst Mark Mulligan.
In a new post on his blog, Mulligan, a widely cited industry expert who runs the MIDiA research group, says most music listeners now engage in a phenomenon he calls "grazing" that fails to yield a meaningful relationship with a single artist. That jibes with data Spotify's Paul Lamere recently published showing the average music streamer doesn't even finish the song they're listening to. "In the on-demand age with effectively limitless supply they flit from here to there," Mulligan writes, "consuming more individual artists in a single playlist than an average music fan would have bought albums by in an entire year in the CD era."
Mulligan elaborated to us in an email, saying that "heritage" acts like the Rolling Stones are getting into their twilight years, and that most new artists just aren't big enough to fill the void.
"For example, a Kings of Leon or a Coldplay are become exceptions rather than norms in terms of band lifespans. Large venue managers I have spoken to are already heavily focusing on non-music acts in order to safeguard against a future music collapse."
This is no skin off our backs — we've previously written why we hate arena shows — the acoustics and/or sight-lines are almost always horrible.
For its part, Live Nation, the country's biggest concert promoter, is betting on an end-around: They've just partnered with Yahoo's YouTube rival, Screen, to bring free streaming shows to music fans. But the New York Times' Ben Sisario notes previous attempts at this kind of product haven't caught on.
" Talent agents said they welcomed the program, and particularly the promotional power of Yahoo, which says it has 800 million users around the world. But several expressed doubts that Yahoo and Live Nation would be able to succeed in drawing large numbers of viewers to concert streams where so many others have failed. ' The demand just isn’t there,' said one prominent agent, who spoke anonymously to preserve relations with Live Nation and others."
Live Nation shares were down 0.6% Tuesday.
Its an interesting article, sorry if I put it in the wrong forum as nothing fit exactly. After seeing PJ in Europe and North America sell out big venues consistently it got me thinking.. they may be right. Bands like PJ are a dying breed. I went to AIC in Edmonton about 6000, NIN in Edmonton and Calgary? Maybe 8000.
Now I am older so the new stuff isn't something I will go see very often, but it appears big Live acts are dwindling, not too mention bars which play live rock n roll.
Was curious what other Jammers thought out there
Cheers
Business Insider
By Rob Wile – 18 minutes ago
REUTERS/Juan Medina
Arena and stadium music acts will vanish within a decade because no one is buying albums anymore, according to music industry analyst Mark Mulligan.
In a new post on his blog, Mulligan, a widely cited industry expert who runs the MIDiA research group, says most music listeners now engage in a phenomenon he calls "grazing" that fails to yield a meaningful relationship with a single artist. That jibes with data Spotify's Paul Lamere recently published showing the average music streamer doesn't even finish the song they're listening to. "In the on-demand age with effectively limitless supply they flit from here to there," Mulligan writes, "consuming more individual artists in a single playlist than an average music fan would have bought albums by in an entire year in the CD era."
Mulligan elaborated to us in an email, saying that "heritage" acts like the Rolling Stones are getting into their twilight years, and that most new artists just aren't big enough to fill the void.
"For example, a Kings of Leon or a Coldplay are become exceptions rather than norms in terms of band lifespans. Large venue managers I have spoken to are already heavily focusing on non-music acts in order to safeguard against a future music collapse."
This is no skin off our backs — we've previously written why we hate arena shows — the acoustics and/or sight-lines are almost always horrible.
For its part, Live Nation, the country's biggest concert promoter, is betting on an end-around: They've just partnered with Yahoo's YouTube rival, Screen, to bring free streaming shows to music fans. But the New York Times' Ben Sisario notes previous attempts at this kind of product haven't caught on.
" Talent agents said they welcomed the program, and particularly the promotional power of Yahoo, which says it has 800 million users around the world. But several expressed doubts that Yahoo and Live Nation would be able to succeed in drawing large numbers of viewers to concert streams where so many others have failed. ' The demand just isn’t there,' said one prominent agent, who spoke anonymously to preserve relations with Live Nation and others."
Live Nation shares were down 0.6% Tuesday.
Its an interesting article, sorry if I put it in the wrong forum as nothing fit exactly. After seeing PJ in Europe and North America sell out big venues consistently it got me thinking.. they may be right. Bands like PJ are a dying breed. I went to AIC in Edmonton about 6000, NIN in Edmonton and Calgary? Maybe 8000.
Now I am older so the new stuff isn't something I will go see very often, but it appears big Live acts are dwindling, not too mention bars which play live rock n roll.
Was curious what other Jammers thought out there
Cheers
0
Comments
Columbus-2003
Cincinnati-2006
Columbus-2010
Wrigley-2013
Cincinnati-2014
Lexington-2016
Wrigley 1 & 2-2018
As for skipping around songs, it's true. The concept of a full album really doesn't exist anymore (think Yield haha). Bands are just trying to have the next single, cash in, and be on their way. I probably would too.
This all assumes that music stays on the present course. I hope there is some retro movement and people start listening to whole 'albums' again. I also hope today's bands start using guitars again because even the alt music today is so synth heavy, you would think that Duran Duran is back. Killing me.
I mean I've heard some of this stuff and it is catchy i suppose, but it doesn't reach down and grab you in your heart. the songs don't MEAN anything.
Pearl jam songs, and there are so many of them, have meaning to me in one way or another.
Of course, I think they are the best band of their era, but there were many talented artists who did not play music to make a buck.
Growing up in a mountain town in Alberta, where snowboarding was king, we were all punks. When the bands from Seattle exploded on the scene (with others) it was amazing.
I still remember where I was when I first heard Alive and that is 23 years ago (I think?).
This is what keeps the fans coming back for more.. not a dreadful reunion tour to see the Backstreet Boys or the Eagles charging ridiculous money to see them.
Pearl Jam has done it right, and the fans know this. Too bad most other bands didn't see their wisdom along the way.
6/29/06 - Milwaukee, WI
9/25/11 - Vancouver, BC
11/4/12 - (Eddie Vedder) Phoenix, AZ
11/1/13 - New Orleans, LA
11/19/13 - Phoenix, AZ
11/21/13 - San Diego, CA
10/12/14 - Austin, TX
10/22/14 - Denver, CO
8/22/16 - Chicago, IL (Wrigley 2)
5/9/22 - Glendale, AZ
5/18/24 - Las Vegas, NV
Is it more an issue that our genre's popularity is depleting, or the entire industry as a whole is waning.
Maybe it could be a positive thing. If people stop buying tickets, maybe the prices will come back down. The skyrocketing ticket prices (even when you exclude the skyrocketing ticketmaster fees) has to be unsustanble. Ticket prices have increased far greater than the rate of inflation. If they want to fill big venues, maybe they have to get costs under control.
On the other flipside the internet really has fragmenting things. There's so many genre's and musicians you don't get the focus you used to get. Record labels are losing their grip, music videos are old school, and radio is less popular amongst the young.
I guess I'm saying I don't know. PJ, Foo Fighters, and Tool might be some of the last big Rock bands capable of filling up arenas for the rest of their careers.
Its rough and why I have tried to get to so many shows the past 10 years.
I would say 95% of the blame, if not more is on technology and digital music.
Unsure on where the next evolution is, but I dont think its coming back anytime soon.
2010: 5/20 NY, 5/21 NY ... 2011: 6/21 EV NY, 9/3 WI, 9/4 WI ... 2012: 9/2 PA, 9/22 GA ... 2013: 10/18 NY, 10/19 NY, 10/21 PA, 10/22 PA, 10/27 MD
2015: 9/23 NY, 9/26 NY ... 2016: 4/28 PA, 4/29 PA, 5/1 NY, 5/2 NY, 6/11 TN, 8/7 MA, 11/4 TOTD PA, 11/5 TOTD PA ... 2018: 8/10 WA
2022: 9/14 NJ ... 2024: 5/28 WA, 9/7 PA, 9/9 PA ---- http://imgur.com/a/nk0s7
The other issue at the heart of this; there is nothing new to believe in, or inspire your soul in Rock and Roll anymore. Think about it; throw aside the hideous "grunge" label. This (Pearl JAM, etc.) literally CHANGED OUR LIVES. Our lives, and the world as we know it. It was the last great boom in rock and roll, and we have yet to see it happen again. I understand the cyclical nature, the up and downs of rock; classic rock gives way to disco, give way to punk, gives way to 80's trash, gives way to "alternative", give way to hip hop. But now what? What has surfaced to take the throne since? Nu metal of Korn, etc (or Incubus if you prefer)? Didn't last. Garage Rock? Jack White is only one man, and the Strokes hate each other too much to tour. Fizzled out far too soon.
The "rock" we hear now is overproduced, recycled, imitation garbage; doing a half assed job of trying to recreate something they don't even understand. I am fortunate that I still like a LOT of new music, but most of the innovative and "alternative" music that exists today is the folksy/indie stuff that, while incredible, doesn't move you like a Pearl Jam could. (Beside, all the hipster doofus crowd are ruining that now too lol)
Case in point, I really love the Arctic Monkeys. I am not saying that they are my second favorite band or whatever, but part of what I love about them is they seem like one of the only bands a kid who is 12 now could latch onto and feel the way we did about PJ.
So where are the saviours? Are we doomed to never see rock ascend the musical throne gain? I hope not; It is too important to too many lives to die a death like this.
Sorry for the length. End Rant.
8-22-1998:Barrie, ON (First Show Ever)~~~10-5-2000: Toronto, ON (where the F*%& is the poster for this Show)~~~6-28-2003: Toronto, ON (Waterfront Fireworks)~~~9-11-2005: Kitchener, IN MY HOMETOWN!!! / 9-12-2005: London, ON(Greatest Band Ever in the Greatest Country Ever)
~~~5-9-2006/5-10-2006: Toronto, ON (Start of the tour;rough first night, amazing second night)~~~6-14-2008: BONNAROO!!! (GREATEST SHOW EVER)~~~8-12-2008/8-13-2008: E. Vedder Solo Tour - MASSEY HALL (an experience beyond description)~~~8-21-2009: Toronto, ON (Standard Toronto Setlist (sigh) but greatest pre set ever
Rock music on the other hand...... it's struggling a lot more. I've often thought this about getting older. When I was a kid my grandparents listened to classical and choir music and I figured that was old peoples music. I'm 10 years (or more) younger than the guys in PJ who were part of the last great Rock era. I could very well outlive rock music. Some young kid will hear me playing my records and think I'm listening to old peoples music.. lol.
I think the bands that want to make a great meaningful record and not a quick digital recording will always rise to the top.I know Ill prob get some slack for this next one but Shinedown put on one bad ass show and can write some good stuff.Of course QOTSA,Weezer,Foo,Soundgarden all still killing it at a high level.Im kinda glass half full on the outlook of today's music.I go to shit ton of live events,Even the great Lionel Ritchie last night,and the throw back Def Leppard and Kiss next week(For the people watching of course).So I try to keep an open mind,drink beer and have fun.
The world is definetly not only Europe and USA anymore.
While these 2 continents might see the end of big Arena shows, South America and other rising areas will keep them running for generations.
It is not the end of big concerts. It is the well deserved moving of them from crowds once affected by overexposure and multitude of options to the crowds that have awaited for decades for their bands to come and play.
We will keep putting 85 to 100 thousand people in concerts for a long time, don't worry. Just come over and stop whining!
On the other hand, we may lack the comfort and acoustics one find in several smaller venues than Morumbi/Maracanã, Monumental or Nacional Stadium.
There's two sides for every story, that's for sure! =D
I am waiting to see Pearl Jam in any african country to properly decide what I like the most after seeing them in 5 continents!
But I really don't see Stadiums and big crowds ending anywhere around this south continent, that's for sure!
He may be right that the huge ROCK bands that can fill arenas every time they tour and build a massive following of lifelong fans is dying, but there are always - as someone pointed out - the Lady Gagas and Miley Cyruses who can sell out arenas on hype or on the strength of one or two songs. They will have that ability for one or two years, and then it will be time for another new artist who will have the same ability.
And let's not forget rap - Kanye, Jay-Z, Eminem, etc. - they will be selling out arenas as long as they wish. None of these are shows that many of us want to go to, obviously, but people love going to big concerts. It won't stop.
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