Audiophile Question/ Advice

Is sound quality of the analog signal lost if using a pre-amp through a record player to a digital input receiver vs. straight RCA input cables to a receiver with phono input?

I have an older Pioneer receiver with phono input, but am using a Preamped signal from my record player to a new digital receiver. Would I notice any difference.

I also have a friend willing to build me a tube amp to show me what a "real" analog sound would be.

Any thoughts?
Bridge Benefit 1994, San Francisco 1995, San Diego 1995 1 & 2, Missoula 1998, Los Angeles 2000, San Diego 2000, Eddie Vedder/Beck 2/26/2002, Santa Barbara 2003, Irvine 2003, San Diego 2003, Vancouver 2005, Gorge 2005, San Diego 2006, Los Angeles 2006 1 & 2, Santa Barbara 2006, Eddie Vedder 4/10/08, Eddie Vedder 4/12/08, Eddie Vedder 4/15/08, 7/12/2008, SF 8/28/09, LA 9/30/09, LA 10/1/09, LA 10/06/09, LA 10/07/09, San Diego 10/09/09, Eddie Vedder 7/6/2011, Eddie Vedder 7/8/2011, PJ20 9/3/2011, PJ20 9/4/2011, Vancouver 9/25/2011, San Diego 11/21/13, LA 11/24/13, Ohana 9/25/21, Ohana 9/26/21, Ohana 10/1/21, EV 2/17/22, LA Forum 5/6/22, LA Forum 5/7/22, EV 10/1/22, EV 9/30/23

Comments

  • mccreadyisgodmccreadyisgod Posts: 6,395
    It's hard to tell, since there are a lot of variables in this equation. Your older receiver would have a 100% analog signal path, and the newer receiver uses an analog-to-digital signal converter that makes it, ultimately, a digital signal. The question of audio quality is mostly focused on whether your AD converter in the preamp is any good. I dunno if it is or isn't. If you want to know which one sounds better, there's an easy experiment: try both, and see which sounds better.

    As for the tube amp option, it's a fine route to go. But a receiver with transistors is just as analog as a tube amp, so it's no more or less analog. Tube amps have a "sweeter" sounding frequency response, owing to harmonic distortion, compression, etc. that makes tubes better for some ears, but transistors are analog, and usually have a wider, flatter frequency response that is neutral, without coloring the sound. To some degree, the same can be said about digital audio: it's flat response, wider frequency range, bigger dynamic range, and generally more truthful reproduction of the original recording. Analog tends to be warmer and more compressed, with a focus on low-midrange and midrange frequencies at the expense of the super-high and super-low frequencies.

    All this is before we discuss what factors your turntable, speakers, wiring, cartridge, preamp, etc are playing on the signal path. A rule of thumb I learned years ago is, "You're only as strong as your weakest link." If you have a great turntable, amp, and speakers, but you use low-grade, small-gauge wire, sound quality will suffer. The nice thing is that you can generally upgrade one piece at a time until you have decent stuff at every step of the audio signal chain between the record grooves and your ears.
    ...and if you don't like it, you can suck on an egg.
  • PJammer4lifePJammer4life Posts: 2,646
    Thank you for your response. A lot to ponder.
    Bridge Benefit 1994, San Francisco 1995, San Diego 1995 1 & 2, Missoula 1998, Los Angeles 2000, San Diego 2000, Eddie Vedder/Beck 2/26/2002, Santa Barbara 2003, Irvine 2003, San Diego 2003, Vancouver 2005, Gorge 2005, San Diego 2006, Los Angeles 2006 1 & 2, Santa Barbara 2006, Eddie Vedder 4/10/08, Eddie Vedder 4/12/08, Eddie Vedder 4/15/08, 7/12/2008, SF 8/28/09, LA 9/30/09, LA 10/1/09, LA 10/06/09, LA 10/07/09, San Diego 10/09/09, Eddie Vedder 7/6/2011, Eddie Vedder 7/8/2011, PJ20 9/3/2011, PJ20 9/4/2011, Vancouver 9/25/2011, San Diego 11/21/13, LA 11/24/13, Ohana 9/25/21, Ohana 9/26/21, Ohana 10/1/21, EV 2/17/22, LA Forum 5/6/22, LA Forum 5/7/22, EV 10/1/22, EV 9/30/23
  • aurynsdadaurynsdad Posts: 863

    It's hard to tell, since there are a lot of variables in this equation. Your older receiver would have a 100% analog signal path, and the newer receiver uses an analog-to-digital signal converter that makes it, ultimately, a digital signal. The question of audio quality is mostly focused on whether your AD converter in the preamp is any good. I dunno if it is or isn't. If you want to know which one sounds better, there's an easy experiment: try both, and see which sounds better.

    As for the tube amp option, it's a fine route to go. But a receiver with transistors is just as analog as a tube amp, so it's no more or less analog. Tube amps have a "sweeter" sounding frequency response, owing to harmonic distortion, compression, etc. that makes tubes better for some ears, but transistors are analog, and usually have a wider, flatter frequency response that is neutral, without coloring the sound. To some degree, the same can be said about digital audio: it's flat response, wider frequency range, bigger dynamic range, and generally more truthful reproduction of the original recording. Analog tends to be warmer and more compressed, with a focus on low-midrange and midrange frequencies at the expense of the super-high and super-low frequencies.

    All this is before we discuss what factors your turntable, speakers, wiring, cartridge, preamp, etc are playing on the signal path. A rule of thumb I learned years ago is, "You're only as strong as your weakest link." If you have a great turntable, amp, and speakers, but you use low-grade, small-gauge wire, sound quality will suffer. The nice thing is that you can generally upgrade one piece at a time until you have decent stuff at every step of the audio signal chain between the record grooves and your ears.

    Good stuff ^^
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  • Turn off your turntable's pre-amp and just use RCA cables into the PHONO input. The rest is receiver and top shelf speakers IMO. Speakers are really where its at actually I've found.
    www.cluthelee.com
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