Gibson LP Studio Deluxe

H.ChinaskiH.Chinaski Posts: 1,600
edited March 2013 in Musicians and Gearheads
I've got a guy wanting to trade a fender blacktop jazzmaster and Gibson Studio Deluxe with EMG's for my 52 RI Tele. Opinions?
Pine Knob, MI Lollapalooza 1992 / Soldier Field, Chicago 1995 / Savage Hall, Toledo 1996 / Palace, Detroit 1998 / Palace, Detroit 2000 / Pine Knob, MI 2003 / Showbox, Seattle 2004 / MSG, NYC 2008 / Key Arena I & II, Seattle 2009 / Eddie Vedder Beacon, NYC 2011 / Eddie Vedder Benaroya, Hall Seattle 2011 / Barclays, Brooklyn I &II 2013 / Wells Fargo, Philadelphia II 2013 / Wuhlheide, Berlin, Germany 2014 / Wells Fargo, Philadelphia 1 2016 / Madison Square Garden, NYC 2 2016 / Wrigley 2, Chicago 2016/ Fenway 1, Boston 2018/
Post edited by Unknown User on

Comments

  • this is a tough one for me.

    what kind of music do you play? do you ever see yourself playing music that would warrant emgs?

    if not i would keep the tele.
    "You can tell the greatness of a man by what makes him angry."  - Lincoln

    "Well, you tell him that I don't talk to suckas."
  • DewieCoxDewieCox Posts: 11,429
    I wouldn't give a up a custom shop guitar for 5 factory run models, let alone 2, especially an MIM Fender and low level Gibson. Now those can be fine guitars, but you're talking a whole different level of instrument.
  • StickmanJamStickmanJam Posts: 425
    No effin' way man.

    I would never part with my 52 Tele.

    But, I'm a Fender guy myself. But for me personally, that's a very one sided deal. I'd hold on to the tele.
    MSG 7/8-7/9/03 -- Boston 9/28/04 -- Hartford 5/13/06 -- Boston 5/24-5/25/06 -- MSG 6/24-6/25/08 -- Hartford 6/27/08 -- Philly 10/31/09 -- Hartford 5/15/10 -- Boston 5/17/10
  • keeponrockinkeeponrockin Posts: 7,446
    From a money point of view it doesn't seem close.

    That, and I just hopped on the Tele train. I can't believe I've been missing this all my life.
    Believe me, when I was growin up, I thought the worst thing you could turn out to be was normal, So I say freaks in the most complementary way. Here's a song by a fellow freak - E.V
  • H.ChinaskiH.Chinaski Posts: 1,600
    Cool.Thanks for the input. I play heavier stuff most of the time, post-hardcore/metal/punk whatever. So my Tele doesn't get as much love as it should but at the same time when i wanna get out some chill/folky/bluegrassy shit it never disappoints so i'll probably hold onto it.
    Pine Knob, MI Lollapalooza 1992 / Soldier Field, Chicago 1995 / Savage Hall, Toledo 1996 / Palace, Detroit 1998 / Palace, Detroit 2000 / Pine Knob, MI 2003 / Showbox, Seattle 2004 / MSG, NYC 2008 / Key Arena I & II, Seattle 2009 / Eddie Vedder Beacon, NYC 2011 / Eddie Vedder Benaroya, Hall Seattle 2011 / Barclays, Brooklyn I &II 2013 / Wells Fargo, Philadelphia II 2013 / Wuhlheide, Berlin, Germany 2014 / Wells Fargo, Philadelphia 1 2016 / Madison Square Garden, NYC 2 2016 / Wrigley 2, Chicago 2016/ Fenway 1, Boston 2018/
  • keeponrockinkeeponrockin Posts: 7,446
    If it was a Tele for a Les Paul Standard, or an AVRI Jazzmaster, I'd consider it, but this just seems too uneven.
    Believe me, when I was growin up, I thought the worst thing you could turn out to be was normal, So I say freaks in the most complementary way. Here's a song by a fellow freak - E.V
  • H.ChinaskiH.Chinaski Posts: 1,600
    He's offering me the LP and a 94 alpine white Sheraton
    with Gibson hardware and SeymourDuncans. Tempting...
    Pine Knob, MI Lollapalooza 1992 / Soldier Field, Chicago 1995 / Savage Hall, Toledo 1996 / Palace, Detroit 1998 / Palace, Detroit 2000 / Pine Knob, MI 2003 / Showbox, Seattle 2004 / MSG, NYC 2008 / Key Arena I & II, Seattle 2009 / Eddie Vedder Beacon, NYC 2011 / Eddie Vedder Benaroya, Hall Seattle 2011 / Barclays, Brooklyn I &II 2013 / Wells Fargo, Philadelphia II 2013 / Wuhlheide, Berlin, Germany 2014 / Wells Fargo, Philadelphia 1 2016 / Madison Square Garden, NYC 2 2016 / Wrigley 2, Chicago 2016/ Fenway 1, Boston 2018/
  • keeponrockinkeeponrockin Posts: 7,446
    H.Chinaski wrote:
    He's offering me the LP and a 94 alpine white Sheraton
    with Gibson hardware and SeymourDuncans. Tempting...
    If you want to go with the Gibson thing, thats up to you. I'd be tempted to stick with the Telecaster, great great instrument for 2 good ones is what the trade seems like. I never bonded with my Sheraton (even after putting in Duncans) so I sold it to my brother who happens to love it.
    Believe me, when I was growin up, I thought the worst thing you could turn out to be was normal, So I say freaks in the most complementary way. Here's a song by a fellow freak - E.V
Sign In or Register to comment.