Pearl Jam and Cypress Hill - Real Thing
I never knew about this collaboration. Does anyone know anything about this song? They talk about stone in the song, was he the only member of pearl jam that was part of this or is that Dave A. on drums and Jeff on bass?
Here is the link:
http://www.youtube.com/watch?v=8X_ezABLQnc
Here is the link:
http://www.youtube.com/watch?v=8X_ezABLQnc
Camden NJ night 1 6/19/2008 (one of the best days of my life!)
Music is the engine to my Imagination and Pearl Jam is the fuel for that engine.
Music is the engine to my Imagination and Pearl Jam is the fuel for that engine.
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but it was on the soundtrack for "Judgement Night"...which was a pretty terrible movie...
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That De La Soul song with Teenage Fanclub was a great tune. That PJ/Cypress Hill and the Onyx/Biohazard were my favorites. Man, that was a long time ago, huh? I can't really remember what else was on it, but for some reason I remember those. I think Sonic Youth was on with Cypress Hill too
Teenage Fanclub & De La Soul
Living Colour & Run D.M.C.
Biohazard & Onyx
Slayer & Ice-T
Faith No More & Boo-Yaa T.R.I.B.E.
Sonic Youth & Cypress Hill
Mudhoney & Sir Mix-A-Lot
Dinosaur Jr & Del the Funky Homosapien
Therapy? & Fatal
Pearl Jam & Cypress Hill
I didn't think the movie was that bad.
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up there with Balls in my Mouth..
i know some are so stupid they are funny...but Balls was just flat out stupid
How can you not like .... http://www.youtube.com/watch?v=t0JKWeYcwNY .. played LOUD!?!
Anyway, I think Dirty Frank is worse.
When I saw PJ in Springfield MA 94, they played the full Cypress Hill cd after Mudhoney while they were finishing setting up Pearl Jam!!
I remember buying the album at the time as I was grabbing anything Pearl Jam. Giving it a retro listen decades later I actually find their collaboration to be lower on the cuts I actually like from this album. It’s just not a good fit. The Helmet/House of Pain collaboration isn’t bad. Fallin (Teenage Fan acclimated and De La Soul) is the standout track and still a catchy number worth a listen if you never heard this album.
Oh… the movie flat out sucked.
Oh big time! Too bad we will never get a new kick ass rap & rock collaboration like the Judgment Night Soundtrack.
EV- 2008, 2011 Boston
https://youtu.be/e0qT_FoYnZg
Another Body Murdered is f'ing fantastic.
Much like Emilio Estevez’s group, some of these bands fare better than others. And while we’re already on the subject, Pearl Jam isn’t one of them—even though, in terms of appealing to the alternative-rock fans of ’93, there was no more intriguing team-up than Eddie Vedder and company trading musical ideas with Cypress Hill. By then, “Insane In The Brain” had already become a huge crossover hit, back during that weird era when listeners like me could hear it bleeding into “Even Flow” on wildly loose alternative-radio formats like Dallas’ The Edge 94.5 FM. Cypress Hill’s Black Sabbath samples and the very metal mountain-of-skulls cover art of Black Sunday—as well as its side-stage gig at Lollapalooza ’92—had already anointed it as one of the select few hip-hop groups alterna-kids could officially be down with, alongside the Beastie Boys. So it seemed like a potentially era-defining moment when, in a tantalizing interview for Rolling Stone, Sen Dog teased, “The Pearl Jam shit is dope because we put hard B-boy rhymes on top of some heavy-metal-sounding shit. We were talking real street shit like we always do.”
Sen Dog was right about one thing: “Real Thing” is indeed some plodding, generic, heavy-metal-sounding shit, with B-Real—apart from name-checking Stone Gossard—mostly trotting out boilerplate rhymes about pigs, nines, and AKs, while Gossard adds some gratuitous “na-na-na” backing vocals over music that might as well be a GarageBand “Hard Rock Loop 2” preset. For all its momentous promises, “Real Thing” is really a duet in name only: The groups simply traded tracks by mail—and to make matters worse (or possibly for the better), Vedder didn’t even bother to participate. The result is such an anticlimax, it’s no wonder “Real Thing” is buried at the very end of the album, despite boasting the album’s two biggest names.