Why is Allmusic's review of Yield so bad?
Murderers.
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'Perhaps shaken up by the chilly reception to the adventurous No Code, Pearl Jam returned to straight-ahead hard rock on their fifth album, Yield. There remain a few weird flourishes scattered throughout the album, from the spoken word "Push Me, Pull Me" to the untitled Eastern instrumental bonus track, but overall, Yield is the most direct record the group has made since Ten. That doesn't mean it's the best. Pearl Jam have trouble coming up with truly undeniable hard rock hooks, and Eddie Vedder remains at his most compelling on folk-tinged, meditative numbers like "Low Light," "In Hiding," and "All Those Yesterdays." They also fall prey to their habit of dividing the record into rock and ballad sides, which makes Yield a little exhausting, even at its concise length. It also emphasizes the relative lack of exceptional material. Yield is more consistent than Vitalogy and No Code, but it doesn't have songs that reach the highs of "Better Man," "Corduroy," or "Who You Are." Ironically, the album doesn't rock hard enough -- "Do the Evolution" and "Brain of J." have garage potential, but there's more bite and distortion on Vedder's voice than there is on the guitars. It's hard to view Yield as a disaster, since Pearl Jam's conviction still rings true, but it's frustrating that journeyman tendencies have replaced the desperate, searching confusion that was the most appealing element of the band's music.'
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:xtfibka9kakx
Blasphemy I tell you.
http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:xtfibka9kakx
Blasphemy I tell you.
What the fuck is this world?
Post edited by Unknown User on
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The person that wrote this review is the same type of person that would give Daughtry props and probably proclaim that the next American Idol is a genius.
Unfortunately, writing catching 'hooks' is what destroys the art form in many respects. In my opinion, PJ is genius in writing songs that have a memorable melody without it becoming irratating after 10 or 15 listens. Quite the opposite of Nickelback, etc - other bands that make money from doing such. The author of this album review I'm sure would give Nickelback's album a good review. Which is worth the same as a pile of shit.
6/7/2003 (***1/2)
7/9/2006 (****1/2)
7/13/2006 (**** )
4/10/2008 EV Solo (****1/2)
6/25/2008 MSG II (*****)
10/1/2009 LA II (****)
10/6/2009 LA III (***** Cornell!!!)
hes hopethatuchoke! thats his problem, always a slicer of urine is he, a real piss cutter.
edit: yield is good.
You had a little red meanie face with the post. That would indicate that you were angry with it. Maybe I misinterpreted the red meanie?
and fwiw....yield is the best
Great points. In my personal opinion that album has aged well as it has had time to mature and new life has been breathed into those tunes via their live versions. A decade later I believe that is a reasonable review. Some of my favorite PJ songs are on there- but the album as a whole is far from my favorite.
S'all good. No worries.
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The answer is this review of Yield. :magnum:
AM gives good reveiws to shit emo bands- thats tellin ya something.
2010: Newark 5/18 MSG 5/20-21 2011: PJ20 9/3-4 2012: Made In America 9/2
2013: Brooklyn 10/18-19 Philly 10/21-22 Hartford 10/25 2014: ACL10/12
2015: NYC 9/23 2016: Tampa 4/11 Philly 4/28-29 MSG 5/1-2 Fenway 8/5+8/7
2017: RRHoF 4/7 2018: Fenway 9/2+9/4 2021: Sea Hear Now 9/18
2022: MSG 9/11 2024: MSG 9/3-4 Philly 9/7+9/9 Fenway 9/15+9/17
what a bunch of muppets!
Maybe he just doesn't like the positive vibes from this record? Maybe he thinks PJ is supposed to be all dark and stuff. If this would be released by another band, he probably might have given it better rating.
Oh, and I would have to say.. those 'journeyman tendencies" are one of the very reasons I love this band today! One of my favorite elements. But, I can see how at the time the change might have been hard to handle. No Code was such a shock to many people. It really has taken years to see the bigger piciture when it comes to their evolution.