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Now I'm Convinced...response to "unlistenable 2010 boots"
![mcameronrocks](https://wd.vanillicon.com/d530b9487fae3c3fe416d74a5ecd6f67_100.png)
I first downloaded the mp3's for Columbus, Harftord and Boston...and was not happy with the quality(even though that's not a complaint...but an observation
Thought I would try the FLACs as I have heard on here they are better quality....
...just downloaded Cleveland FLAC....
...VERY VERY VERY happy...exactly what I look for in a official live boot. Well worthe the extra couple bucks.
Thought I would try the FLACs as I have heard on here they are better quality....
...just downloaded Cleveland FLAC....
...VERY VERY VERY happy...exactly what I look for in a official live boot. Well worthe the extra couple bucks.
Post edited by Unknown User on
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I will buy the FLAC files for concerts that I didn't attend but I always buy the CD's for the shows I was at....
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Chicago; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana
Don't you think you are exaggerating a bit? The sound quality of an audience recording bootleg is "shit" by definition. The average non-audiophile couldn't tell you the difference or doesn't care to. People like their mp3's just fine as long as they aren't severely compressed.
One's for sale are 256kbps.
Encoder: Lame 3.98
Encoder Settings: Constant Bit Rate 256 kbps
Audio Quality: Very High (Lossy)