Matt on newer bootlegs
We all know how much better the 00' and 03' boots were...but Matt sticks out like a sore thumb on the newer boots on a lot of rockers...take RVM from Seattle 09 for example. I don't have a clue how to play the drums, but the sound Matt's cymbals are making is borderline painful to listen to. Let it be known I don't think it has anything to do with how Matt is playing, but it sounds as though he is pounding metal on metal. Just listen to RVM from 00 or 03 and compare it with a more recent version.
I don't know what made the 03 boots so perfect, but I'm beginning to think it also has something to do with the way the guys set up their gear and what gear is being used and not just how they were recorded?
I don't know what made the 03 boots so perfect, but I'm beginning to think it also has something to do with the way the guys set up their gear and what gear is being used and not just how they were recorded?
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6/03/06 6/24/08 6/25/08 6/28/08 8/28/09 10/30/09 10/31/09 3/13/10 5/15/10 5/18/10 5/20/10 5/21/10 9/3/11 9/4/11 9/2/12 10/18/13 10/19/13 10/25/13 10/22/14 9/26/15 5/1/16 5/2/16 8/5/16 8/7/16 8/20/16 4/7/17
Ed Ved
8/5/08 6/12/09 6/21/11 6/22/11
Brad
5/23/12
Soundgarden
7/9/11 1/23/13 8/1/14
RNDM
3/7/16
I really wish they would have stuck to what they were doing in '03. Some of those Japanese and Irvine, Champaign, Buffalo boots sound amazing!
agreed. i do not have any 09 boots so I can really comment....but..
there are many circumstances that could influence the overall quality. the OP pointed out such things as new stage setup, new equipment etc. but other things such as venue size/acoustics, mixing, personnel, soundboard source etc.
Tweeter Center, Camden - 5/27/06
Verizon Center, Wash. DC - 5/30/06
Bonnaroo, Manchester, TN - 6/14/08
Madison Square Garden, NYC - 6/19/08
Spectrum, Philadelphia - 10/28/09
Spectrum, Philadelphia - 10/30/09
Spectrum, Philadelphia - 10/31/09
Madison Square Garden, NYC - 5/21/10
Wells Fargo Center, Philadelphia - 10/21/13
Wells Fargo Center, Philadelphia - 4/28/16
Enterprise Center, Saint Louis - 9/18/22
The Holmdel, NJ bootleg from 2003 was an especially good quality recording, I was at that show and the recording really captured the feel and sound.
If you want to hear loud Matt from the bootlegs, the '00's is your best choice, imo.
I think those mics are mainly to pick up the crowd. They're prolly not gonna get much from the instruments. That shouldn't affect the sound that much. I think they're just being lazy about it.
Lo2L and 2000 sound best as they were released for mass consumption
03 a little worse but still good, also had some shows released for mass consumption.
Everything else, for hardcore fan consumption and they haven't sounded good.
No..
The D-man is correct about Basecamp's statement ..
and the new placement of mics inward towards the onstage speakers.
Look at any photo of the stage set up from 2006 -2009... all the stage speakers have microphones mounted and pointed back inward towards the speaker head..
Whatever desired effect "Base Camp" sold the band was ultimatley a load of BS...
and the list of complaints rolled in immediately thereafter..
:ugeek:
EV intro to Chloe Dancer / Crown of Thorns
10/25/13 Hartford
Then 2005 sound worst of all of them... the drums sound so flat that i cannot listen to it.
2006 bootlegs sound overall the bes tof all of the series because it has the right mix, the sound feel enough tight but not as clear as 2003. and i think that eddie did a great work in 2006 in terms of singing.
for 2008 and 2009 i cannot give any statement yet
LO2L was mastered and it is a soundboard mixing, that's why it sounds so strong
2006 Vienna, Zagreb
2007 Munich
2009 Berlin
2010 Dublin, Belfast, Berlin, Venice
2011 Montreal, Toronto 1&2
2012 Manchester 1&2, Amsterdam 1&2, Prague, Berlin 1&2, EV Manchester
2013 Worcester 1&2, Brooklyn 1&2
2014 Amsterdam 1&2, Manchester 1&2, Milano, Trieste, Vienna, Berlin
2017 EV Firenze, Taormina 1&2
2018 Amsterdam 1&2, Padova, Prague, Krakow, Berlin
2019 EV Firenze
I'm just remembering now the old Synergy pages where they said some of the '05's would be released for mass consumption too. But nothing came out of that. Like Mad Season's Live @ the Moore DVD release. One thing I didn't like about the '03 bootlegs was the stickers & the blah color's. Audio wasn't so bad. It was raw but nothing as clear as the 2000 bootlegs.
So they are micing the actual pa speaker stacks??
I was just referrin to the mics in demetrios' post. I didn't realize they miced the pa.
That really is a bootleg then...
I can't understand why they don't use soundboard PJ and mix it with a recording of the crowd and ambience of the show.
I always felt '03 was much better than '00. Maybe its the boots I have because shows do slightly vary, but to me '03 had much more range. They were louder and less washed out. Definitely clearer and I felt you could hear the instruments individually clearer. Ed was too low on a lot of the 2000 boots I have also.
2006 aren't bad, just too tinny sounding. I definitely prefer the range and warmth of the '03 boots. They rock out better on good speakers.
2006 are my favourite with 2000 next! dont really listen to the 2003 boots even though people say these are the best sounding, tend to listen to the shows ive attended!
i do have all boots from 2000-2009 on my hard-drive but only got a 16gb ipod touch to get my tunes onto!
I've listened to boots old and new, and '03 had the most consistent sound quality. The last two boot series seemed like the audio techs didn't adjust for changes in venue/conditions.
Ex. smaller venues, Matt was really loud... outdoor venues seemed echo-y...which would be the case if they set the stage up the same way at each show.
\m/ Metal on Metal \m/
http://www.youtube.com/watch?v=AqvwFy5o4yk
i just watched the Anvil documentary.......one of the greatest docs i have ever seen and one of the best rock and roll movies ever created. the story of that band is amazing
Tweeter Center, Camden - 5/27/06
Verizon Center, Wash. DC - 5/30/06
Bonnaroo, Manchester, TN - 6/14/08
Madison Square Garden, NYC - 6/19/08
Spectrum, Philadelphia - 10/28/09
Spectrum, Philadelphia - 10/30/09
Spectrum, Philadelphia - 10/31/09
Madison Square Garden, NYC - 5/21/10
Wells Fargo Center, Philadelphia - 10/21/13
Wells Fargo Center, Philadelphia - 4/28/16
Enterprise Center, Saint Louis - 9/18/22
Tweeter Center, Camden - 5/27/06
Verizon Center, Wash. DC - 5/30/06
Bonnaroo, Manchester, TN - 6/14/08
Madison Square Garden, NYC - 6/19/08
Spectrum, Philadelphia - 10/28/09
Spectrum, Philadelphia - 10/30/09
Spectrum, Philadelphia - 10/31/09
Madison Square Garden, NYC - 5/21/10
Wells Fargo Center, Philadelphia - 10/21/13
Wells Fargo Center, Philadelphia - 4/28/16
Enterprise Center, Saint Louis - 9/18/22
Step 1.....learn how to play your instruments.
I'm happy to support those less fortunate.
I also think that the 2000 boots are better than the 2003 ones (though the volume on the European leg is criminally low). 2003 has better setlists in my opinion but for sound, I'm all about the 2000 boots. And as far as LO2L goes, another reason it sounds so strong in addtion to the mixing/mastering is the fact that the band hand-picked the performances.
Pearl Jam bootlegs:
http://wegotshit.blogspot.com
Pearl Jam bootlegs:
http://wegotshit.blogspot.com
No no no. The Basecamp people were challenging the term "soundboard" because of the difference in the way their shows were mixed and recorded. All of the official bootlegs are soundboards with ambience mixed in. It's the methods used to mix & record the shows that have changed over the years.
Okie dokie! It was pretty intense back then when the first batch of '06 bootlegs came out. I remembered buying/downloading Toronto Night 2 flacs which had it's first glitch. Or was it Night 1? There were a few show's later on with new downloadable fixes. Basecamp must of been very upset & couldn't take all the heat. Probably why we didn't get any '07 show's released on Official mp3 & flac. I'm happy we got Kufala on board to do the '08's & '09's mp3, flac & cd style. There will always be bitching about the sound quality. Everybody's a critic.