Matt's live drumming today VS. '98/2000

So I've been watching a few Youtube uploads of some of the recent shows, and maybe it's just me, but it seems like some of Matt's drumming just doesn't have the intensity as it used to. Before you slam me, I don't mean to say that Matt is not playing well TECHNICALLY or that he doesn't have the same energy, but some of the drum parts themselves seem to be more stripped down. For example, on "Sad" on 9/25/09, he's playing a straight 2/4 on the snare in the verse, whereas he used to do a more offbeat pattern. Kind of weird, 'cause he really used to do more live than what was on recorded versions, but now it seems the opposite; his playing is a bit more straightforward than the records and to me, has lost some of it's character compared to '98/2000 live shows. The fills are more stripped down and on songs like "Given To Fly", where he used to do some crazy fills on the outro (listen to "LO2L"), he's now just kind of fading out. Perhaps he's found himself more comfortable with his role in the band and has purposely toned down some of his "flashier" playing to fit the maturity and mindset of the band these days...who knows?
Anyhow, not a criticism - just an observation - and wondering how anyone else might feel. I still love 'em the same, but as much as I love Avocado and now Backspacer, I still find myself listening to '98-2000 boots more often than any others. CHEERS!
Anyhow, not a criticism - just an observation - and wondering how anyone else might feel. I still love 'em the same, but as much as I love Avocado and now Backspacer, I still find myself listening to '98-2000 boots more often than any others. CHEERS!
Osaka, Japan (2/21/95), San Diego (7/10/98), Las Vegas (10/22/00), San Diego (10/25/00), Las Vegas (6/6/03), Las Vegas (7/6/06), Los Angeles (7/9/06), VH1 Rock Honors (7/12/08), Ed Solo (7/8/11), Ed Solo (11/1/12), Los Angeles (11/23/13)
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The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2
Not a criticism, just an observation.
yea, hes actually completely right. You mean you haven't noticed this yet?
I think his playing is simpler more now than it was simply because he matured and hes 10 years older. He still does go crazy quite often though, it seems like hes a little more on fire this tour than the last tour. i was disappointed with his playing in the Hartford boot from last year.
8/7/08, 6/9/09
I took my friend (who is a drummer) to Seattle 1, and he made a similar observation. He thought that Matt played it straight forward and stripped down a bit. I thought he rocked, but that was his perspective.
he took a while to get into a spot with the band. seems a lot more technical to me now.
given to fly is an example. listen to a 2000 vs a 2008, i know what i would take
I wave to all my Friends... Yeah!
....whats your problem. Its an very intersting point he is making, judging by his username and knowledge he is a drummer so it interests him and others. Better than these stupid threads making a story using words from pj songs and albums....
Anyway, he lost it all when he got rid of his Ayotte
Sammi: Wanna just break up?
Personally, I wish he would still drum Insignificance, Breakerfall, Faithfull, & Given To Fly the way he used to.
Insignificance especially. That song was fire in 2000, now its just lacking something.
in wide open spaces we sing, with strings.. launch a full on musical cannonball.. guided by bells that we bring, they ring.. sound for the sky and the sun, our own waterfall...
one with the raging wind, alive on the highest tides, my ship at sail can climb a mountain.. ride it to the sky
wait what? You prefer his drumming better now so are you hintig that the NEW g2f is better than the old? Noooo waaaay dude.
8/7/08, 6/9/09
and in a musicians world: doing less takes some serious skill.
It sounds funny, but its true.
Then you havent listened to Brann Dailor :P
It has gotten to the point where I cannot even imagine what Dave. A would sound like on most of PJ's musical catalogue. He was on two albums, as was Jack Irons. Matt has now drummed on four studio releases. How can Dave. A. still be "the sound of this band" (not your direct quote, but rather a summary of people's arguments)? I don't see it.
yep.....and just look at Matt's songwriting credits....he was the missing link
The Golden Age is 2 months away. And guess what….. you’re gonna love it! (teskeinc 11.19.24)
1998: Noblesville; 2003: Noblesville; 2009: EV Nashville, Chicago, Chicago
2010: St Louis, Columbus, Noblesville; 2011: EV Chicago, East Troy, East Troy
2013: London ON, Wrigley; 2014: Cincy, St Louis, Moline (NO CODE)
2016: Lexington, Wrigley #1; 2018: Wrigley, Wrigley, Boston, Boston
2020: Oakland, Oakland: 2021: EV Ohana, Ohana, Ohana, Ohana
2022: Oakland, Oakland, Nashville, Louisville; 2023: Chicago, Chicago, Noblesville
2024: Noblesville, Wrigley, Wrigley, Ohana, Ohana; 2025: Pitt1, Pitt2
I own a couple of 98 soundboards and i know what you mean...Mansfield and St Louis 98, check them out
That said, on another songs, he does go nuts. I guess he just picks his spots now or something.
for the least they could possibly do
I respectfully disagree. I think his performances on the '98 were his best with the band. 08/09 have been very good as well but I feel '98 was better. The the 00/03 never really felt right to me for some reason.
Dave A's sound is an example of overkill and overpowering the band.
-my dad after hearing Not for You for the first time on SNL .
Why do people keep insisting on saying this crap? Its completely tone deaf to what everything Pearl Jam is and sounds like today. Its almost funny. Kinda like a birther or townhaller. You can have EV himself say Matt Cameron saved the band and talk about how important Matt is to the band and the music. Then you got this goof ball calling back to Dave A. Seriously? Do you really think it is by accident that he's not in the band anymore? Do you really want 15 symbols on the kit? Dave A could never play Evenflow, confirmed by Jeff in an interview talking about how Matt was the only one that could "hit it" consistently. Just quit it with the "Dave A. is the best drummer Pearl Jam ever hand" crap and "Matt never fit with the bands style".
While we're on the subject though, I think each drummer brought something great and unique to the band, but Matt by far is the best TECHNICALLY and has been a more integral part of the band's survival and progression. Personally, I like Jack's musicality and "earthy" style of playing as well. That's why Eleven's album "Thunk" is one of my favorites - Jack plays on half and Matt on half. Can't get any better than that!
Matt Cameron throwing down some fucking meat toward the end of this song, nice lick
http://www.youtube.com/watch?v=-CcUnM5Q_a4
http://www.fivehorizons.com/archive/art ... n801.shtml
scroll down to the letting blood part gives insight on just how fucked up this band was from 93-95.
my rankings of pj drummers
older songs
dave a
jack
matt
overall
matt
dave a
jack
Sammi: Wanna just break up?
Here comes Matt. He revitalized the band and played with an intensity that still blows me away when I listen.
"You like Given To Fly? Listen to this. TAK TAK BUGGA DUGGA DUGGA DUGGA TAK TSS"
(I'm paraphrasing here, of course)
Matt still plays with the same intensity. I think that, like GOOD musicians, his playing is based heavily on his emotions. If he is feeling the song, he is filling the song. He is subdued when the song calls for it but he can still fuck shit up if you aren't looking. Gonna See My Friend is a glowing example. I also like how he is hitting the cymbal more. Dave A. did it TOO MUCH but Matt uses it to drive a song over the edge.
I think the egos in the band necessitated him to step lightly after the '98 tour and he is now comfortable with the band and can navigate through a song without stepping on anybody's toes.
Thanks for starting the discussion, Drummerboy.
P.S. I love air drumming along with Matt.