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A Die-Hard's Honest Review of Backspacer

FirecloudFirecloud Posts: 516
edited September 2009 in The Porch
Talk about a labor of love.

An excerpt:

"The unabashed appreciation for second chances of the heart is anything but Rock n’ Roll, but anyone still digging for adherence to modern rock doctrines in Pearl Jam’s music is entirely missing the point of this band. What makes PJ special, what separates them from their contemporaries is the fact that their music is always, above all else, a matter of heart."

http://www.antiquiet.com/reviews/2009/09/pearl-jam-backspacer-review/

I'd love to hear what you think, particularly whether your interpretations contrast with my own.
Post edited by Unknown User on

Comments

  • tcaporaletcaporale Posts: 1,577
    I think it's odd that you claim their self-titled sounds tired. I think it sounds like a rejuvenated band. If anything, Riot Act found the band tired.

    Otherwise it's a good review.
  • FlaggFlagg Posts: 5,856
    tcaporale wrote:
    I think it's odd that you claim their self-titled sounds tired. I think it sounds like a rejuvenated band. If anything, Riot Act found the band tired.

    Otherwise it's a good review.


    Agree and Agree
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    PHL-5/27/06,5/28/06,10/30/09,10/31/09
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  • FirecloudFirecloud Posts: 516
    What really keeps striking me about S/T is that they sound like they're trying to find a foothold in their new middle-aged perspectives, with moderate luck. It's not that it's tired, necessarily, so much as a bit unconvincing in its energy (I say this with some reluctance as Big Wave is ripping through my head).
    Backspacer is an entirely different story, however.
  • ZosoZoso Posts: 6,425
    I agree with the antiquiet review and comment about S/T.. It sounds like they are trying to hard to stay angry and make another Vs. BS is as close to perfect as any band will get when they get to their 9th album. One of PJ's best for sure.
    I'm just flying around the other side of the world to say I love you

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    I love you forever and forever :)

    Adel 03 Melb 1 03 LA 2 06 Santa Barbara 06 Gorge 1 06 Gorge 2 06 Adel 1 06 Adel 2 06 Camden 1 08 Camden 2 08 Washington DC 08 Hartford 08
  • FirecloudFirecloud Posts: 516
    Glad you agree! Tcaporale - where'd you find that icon? My eyes keep coming back to it. Very cool.
  • DrewRWxDrewRWx Posts: 71
    Aww Jonhnny, that was a wonderful review! It seems like Eddie is really benefiting from the work he did on Into the Wild in the same way that Thurston Moore did with Trees Outside the Academy.

    Keep up the great work with Antiquiet!
  • Dr.Teeth and the Electric MayhDr.Teeth and the Electric Mayh Posts: 1,180
    i think you might have misheard some of the lyrics
    looking to hear of the earth
  • FirecloudFirecloud Posts: 516
    Drewcool - Thank you!
    Dr. Teeth - Which lyrics?
  • FahkaFahka Posts: 3,187
    great review!Its mostly spot on...
  • tcaporaletcaporale Posts: 1,577
    Firecloud wrote:
    Glad you agree! Tcaporale - where'd you find that icon? My eyes keep coming back to it. Very cool.
    It's Radiohead artwork from the Kid A/Amnesiac era.
  • FirecloudFirecloud Posts: 516
    ahh, I thought I recognized it.
  • FirecloudFirecloud Posts: 516
    After listening to S/T again, I'm not sure that I'd have called the album tired if I wrote the piece now. It doesn't necessarily warrant an edit on the review, but I can see how there'd be an argument against that point.
  • HeavyHandsHeavyHands Posts: 2,130
    Still though... that's a good review. I enjoyed reading it. WAAAAAAYYYYY better than Modell's or Sheffield's pieces.
    "A lot more people are capable of being big out there that just don't give themselves a chance." -Stone Gossard
  • brianwilsonbrianwilson Posts: 406
    while i like the stuff on riot act and avocado, i think they are tired albums. this new one is a good, whole album like all the o'brien produced stuff (no code and yield being my favs of all the catalog).
  • lugnutlugnut Asheville Posts: 67
    I thought S/T was good but misproduced.....when i listened to it i didnt get carried away by the music i got hung up things i would have fixed. marker in the sand and army reserve sounded good to me but the production had a stealy "cold" sound that i just couldnt embrace like all albums through yield - now b o'b is back and so is that pj "warm" sound for lack of better way to explain it. i thought some of this was matts influence but now i think it was more likely sound/production issues. thank god for bo'b. rhis album sound as great as any prior.
  • FirecloudFirecloud Posts: 516
    I wanted to dig into the production a little more, but didn't want to start a subjective debate about, as you put it, warmth of sound. And as you can see, the damn thing's long enough already 8-)
  • mini_tbmini_tb Posts: 420
    Firecloud wrote:
    What really keeps striking me about S/T is that they sound like they're trying to find a foothold in their new middle-aged perspectives, with moderate luck. It's not that it's tired, necessarily, so much as a bit unconvincing in its energy (I say this with some reluctance as Big Wave is ripping through my head).
    Backspacer is an entirely different story, however.

    Wow! Incredibly well said! To me, there has always been something forced about the sound if that makes sense. Can't wait to hear Backspacer!!
    Glorified version of a pelican
  • N2DeepN2Deep Posts: 16
    brianwilson wrote:
    while i like the stuff on riot act and avocado, i think they are tired albums. this new one is a good, whole album like all the o'brien produced stuff (no code and yield being my favs of all the catalog).

    I agree with this post wholeheartedly. I liked the last two, enjoyed hearing them live, but rarely play either one start to finish. On s/t especially, I think they were trying too hard to recapture....something. Perhaps some of that had to do with production, I'm no expert but something just wasn't right.

    In my head, this one evokes comparisons to songs off of No Code and Yield, with a dash of ITW thrown in, that's the highest praise I can dole out.

    Great review Firecloud, although I'd given it 4.5 to at least match your Black Crowe's review ;)

    ....bring on Easy Street!
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  • KloddzKloddz Posts: 2,573
    Good read!
    Bern - September 13, 2006
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  • FirecloudFirecloud Posts: 516
    Thank you!
  • FirecloudFirecloud Posts: 516
    N2Deep wrote:
    brianwilson wrote:
    while i like the stuff on riot act and avocado, i think they are tired albums. this new one is a good, whole album like all the o'brien produced stuff (no code and yield being my favs of all the catalog).

    I agree with this post wholeheartedly. I liked the last two, enjoyed hearing them live, but rarely play either one start to finish. On s/t especially, I think they were trying too hard to recapture....something. Perhaps some of that had to do with production, I'm no expert but something just wasn't right.

    In my head, this one evokes comparisons to songs off of No Code and Yield, with a dash of ITW thrown in, that's the highest praise I can dole out.

    Great review Firecloud, although I'd given it 4.5 to at least match your Black Crowe's review ;)

    ....bring on Easy Street!

    Yeah I'm bothered somewhat that the Crowes ranked half a star higher, but what can you do? (besides change it i guess...ha)
  • Get_RightGet_Right Posts: 13,533
    Certainly well written. But I happen to disagree about ST and the one thing that I see missing from every review of BS I read is the notable lack of solos on this record. Where is Mike McCready on this record? And the increased presence of synth and keyboards? Its a big change for this band.
  • Red MosqitoRed Mosqito Posts: 1,239
    Firecloud wrote:
    N2Deep wrote:
    brianwilson wrote:
    while i like the stuff on riot act and avocado, i think they are tired albums. this new one is a good, whole album like all the o'brien produced stuff (no code and yield being my favs of all the catalog).

    I agree with this post wholeheartedly. I liked the last two, enjoyed hearing them live, but rarely play either one start to finish. On s/t especially, I think they were trying too hard to recapture....something. Perhaps some of that had to do with production, I'm no expert but something just wasn't right.

    In my head, this one evokes comparisons to songs off of No Code and Yield, with a dash of ITW thrown in, that's the highest praise I can dole out.

    Great review Firecloud, although I'd given it 4.5 to at least match your Black Crowe's review ;)

    ....bring on Easy Street!

    Yeah I'm bothered somewhat that the Crowes ranked half a star higher, but what can you do? (besides change it i guess...ha)

    Have you listened to the new Crowes album?? Tough to say which one I would rank higher than the other but Before The Frost...Until The Freeze is a incredible album as well that really showcases TBC's talent. I would highly recommend everyone to go get this album.

    RM
  • FirecloudFirecloud Posts: 516
    Yeah I reviewed that one too - hence the stars discussion. Before The Frost is utterly fantastic. The best Crowes record in many years.
  • inmyrvminmyrvm Posts: 933
    I thought S/T was a stronger album, the band getting back to their roots. I can listen to that album straight through easily. This time I think they weren't sure what direction to head, which is fine. They went punk, ITW-ish, and pop (I really think they were going for a sort of pop album with this one.) When Speed of Sound comes on I cringe. It's just a bad song that doesn't belong on there i.m.o. Ed tries for a vocal range he doesn't have. It's funny that one song can kill the flow of an album for me but it really did. All in all I prefer the blue album. I'm not sure I would put Backspacer on a top 10 album list for the year. The blue album I would.
    "Fuck the talkin' let's start rockin" - Eddie Vedder 9-5-00 Pittsburgh
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  • FirecloudFirecloud Posts: 516
    Really? This one seemed to be a definite collection of different atmospheres, but nothing seems shifty or uncertain at all. These songs have genuine character, and don't get muddy or lost trying to find a foothold. I know it's probably certain death to criticize particular songs off S/T, but Marker in the Sand, Parachutes and Unemployable all seem to hit a middle ground of energy - there's no real conviction in them for me. This record feels fully committed.
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