Ames Bros - Is This Right?
So granted I don't follow Ames as closely as I do other poster artists - but does it bug anybody that they're selling their older posters on their own site for hundred's of dollars more than they were originally sold for?
I can see from an artist's perspective (i.e. Anton Corbijn for example) if they had some etc. copies of something in their personal collection that they released years later for more than they sold them for originally, but typically this is done to raise money for charity, etc.
I'm not by any means an "art expert" but for some reason it doesn't sit well with me. Anybody else have similar thoughts? See below:
http://amesbrosshop.com/1998pearljambrisbane-1.aspx
I can see from an artist's perspective (i.e. Anton Corbijn for example) if they had some etc. copies of something in their personal collection that they released years later for more than they sold them for originally, but typically this is done to raise money for charity, etc.
I'm not by any means an "art expert" but for some reason it doesn't sit well with me. Anybody else have similar thoughts? See below:
http://amesbrosshop.com/1998pearljambrisbane-1.aspx
Post edited by Unknown User on
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As for that Arists Proof 2 business a few tours ago ... that I have a probelm with.
(Much like an "OV" edtion ... whatever the hell that is :roll: )
"I don't believe in damn curses. Wake up the damn Bambino and have me face him. Maybe I'll drill him in the ass." --- Pedro Martinez
maybe i'm off base...
agreed,...
"Me knowing the truth, I can not concur."
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I think they should. Look at what happened to Frank Black. He sold a bunch of 98's and then a bunch of people flipped them.
Now Black Francis doesn't care and probably wasn't even aware of the value, but Ames would be.
very much and IMO it's their artwork so there's nothing wrong with pricing their work at market value. I think it's odd that folks on here regularly sell posters for a whole lot more than they paid at the show and all they did was stand in line for it not create it and noone questions that.
"What we do for ourselves dies with us. What we do for others and the world remains and is immortal." Albert Pine.
+1
I ask - what's the difference b/w doing an "OV" and holding some back for sale at a later time?
i believe when bK sold his posters marked OV he didn't intend for them to be taken into account as part of the general poster run/edition, so for those who would get technical about such things the OV versions would be worth less on the secondary market,...
"Me knowing the truth, I can not concur."
1996: Toronto - 1998: Chicago, Montreal, Barrie - 2000: Montreal, Toronto - 2002: Seattle X2 (Key Arena) - 2003: Cleveland, Buffalo, Toronto, Montreal, Seattle (Benaroya Hall) - 2004: Reading, Toledo, Grand Rapids - 2005: Kitchener, London, Hamilton, Montreal, Ottawa, Toronto, Quebec City - 2006: Toronto X2, Albany, Hartford, Grand Rapids, Cleveland - 2007: Chicago (Vic Theatre) - 2008: NYC X2, Hartford, Mansfield X2 - 2009: Toronto, Chicago X2, Seattle X2, Philadelphia X4 - 2010: Columbus, Noblesville, Cleveland, Buffalo, Hartford - 2011: Montreal, Toronto X2, Ottawa, Hamilton - 2012: Missoula - 2013: London, Chicago, Buffalo, Hartford - 2014: Detroit, Moline - 2015: NYC (Global Citizen Festival) - 2016: Greenville, Toronto X2, Chicago 1 - 2017: Brooklyn (RRHOF Induction) - 2018: Chicago 1, Boston 1 - 2022: Fresno, Ottawa, Hamilton, Toronto, NYC, Camden - 2023: St. Paul X2, Austin X2 - 2024: Vancouver X2, Portland, Sacramento, Missoula, Noblesville, Philadelphia X2, Baltimore - 2025: Hollywood X2, Atlanta 2, Nashville X2, Pittsburgh X2
They were actually supposed to be scratch and dent prints, but, they were in good shape, so he marked them OV. The fact he marked them OV means he never had any intention of selling them.
To be fair, he only charged $45 for them when I'm quite certain he could have got more ... but still, I'm a fan of disclosing an entire run up front and that's that.
"I don't believe in damn curses. Wake up the damn Bambino and have me face him. Maybe I'll drill him in the ass." --- Pedro Martinez