Two "new" songs? "I Wanna Go," and "Transit"

tragibigzanda

Hey all. I've been keeping an eye on the ASCAP pages, to see what might pop up from the Backspacer sessions. Nothing yet (it often takes a while for the paperwork to get through, then be posted online), but there are two new titles I'm unfamiliar with (or perhaps I just hadn't noticed them before?): "I Wanna Go," by PJ, and "Transit," by Ed. Anybody got any insight?

http://www.ascap.com/ace/search.cfm?req ... 20&start=1

mfc2006

interesting. when did you notice the change? they could be b-sides from the last record.

Guitarhero27

Here's your answer to "I Wanna Go"

Type of Work: Music
Registration Number / Date: PA0001349981 / 2004-02-10
Title: I wanna go : Improv.
Copyright Claimant: Innocent Bystander, Write Treatage Music, Jumpin’ Cat Music, Scribing C-Ment Songs & Theory of Colour
Date of Creation: 2003
Date of Publication: 2003-04-22
Authorship on Application: words, music: Eddie Vedder; music: Stone Gossard, Mike McCready, Jeff Ament & Matt Cameron.
Copyright Note: C.O. correspondence.
Cataloged from appl. only.

Other Title: Improv
Names: Vedder, Eddie
Gossard, Stone
McCready, Mike
Ament, Jeff
Cameron, Matt
Innocent Bystander
Write Treatage Music
Jumpin’ Cat Music
Scribing C-Ment Songs
Theory of Colour

Kilgore_Trout

hmm... cool find... youre really on top of things

Guitarhero27

Also:

04/22/03 - Savvis Center: St. Louis, MO

support act: Sparta
soundcheck: Faithfull, Green Disease, Save You, Present Tense
set: Present Tense, Save You, Animal, Green Disease, Grievance, Faithfull, Given To Fly, Even Flow, Sleight Of Hand, You Are, Elderly Woman, Not For You/Love Boat Captain, Wishlist, Help Help, Do The Evolution, Alive
enc 1: Go, State Of Love And Trust, Black, Improv/Rearviewmirror
enc 2: Soon Forget, Better Man/(Save it for Later), Daughter, Indifference
notes: A fairly dark stage with Mike playing the first notes of ‘Present Tense’ to open and the crowd going nuts. The high energy continues through the next few songs, with ‘Animal’ and ‘Even Flow’ reminiscent of ten years past, Ed’s eyes rolling back in his head and menacing grin; Mike spinning in circles, running everywhere like an uncaged animal and never missing a note. Drenched in sweat, Ed looks up at the Stanley Cup banners (Savvis Center is the home of the St. Louis Blues) and says that the flags help the acoustic out but that the crowd’s feet must be freezing, leading to ‘Sleight Of Hand,’ backed nicely by ‘You Are’ with effectively dramatic lighting. There is an amusing exchange before ‘Elderly Woman.’ Ed is ready to start the song and Stone is switching guitars and getting a drink, causing Ed to wait. It was one of those “you go” … “no you go ahead” type things and they bantered back and forth a bit with big grins on their faces. An intense ‘Not For You’ with a lyric change to “small my table, seats saint Lou” getting a huge response from the crowd. The main set closes with an energetic ‘DTE’ (Jeff’s bass line rules!) and ‘Alive,’ with Ed swinging the mic around Daltrey style during the Mike’s solo. Ed creeps behind one of the suit and tie security guards below Mike, goofing on him in a crouching “scary” pose like he is going to pounce on him, but the guard is so serious that he won’t look up, causing the band to crack up. A rather lengthy improv follows a deliberately slow ‘Black.’ The improv’s lyrical theme revolves around “I don’t know where, I wanna go, I just know I need to go. … get me the fuck outta here,” and later “when I feel that regime change, starts at home, starts at home, take me home, let’s go.” There are a lot of percussive and animal-like vocal sounds from Ed. The improv eventually wraps up, leading into a tight ‘RVM’ featuring a very extended bridge section underneath Kille’s beautiful lighting to close the encore. Ed returns with the wine bottle (”A toast to you, St. Lou. A toast to Dead Moon, who you’ve never heard of.”), thanks Sparta, jokes about the hockey score and picks up the uke giving a lyrically flawless ‘Soon Forget,’ the crowd not clapping along, but enjoying the song. He concludes the song holding a note forever, then doing a variety of jumps and windmills with the uke. Ed asks the crowd to take the first verse and the audience obliges singing ‘Better Man,’ putting on a good show and Ed picking up the lyrics at the first chorus, tagged at the end with a very slow ‘SIFL.’ ‘Daughter’ is next, with no tag, but a very, very extended jam with Ed trying a variety of different solos with the harmonica. Then he uses the mirror and spotlight to reflect a beam of light around the audience for a few minutes with great Ed/crowd interaction. Ed speaks about communicating and “just not fighting,” finishing the night with a beautiful performance of ‘Indifference.’

Guitarhero27

Now don't be thinking that these "improvs" are actual songs, and just fibbing you to believe that they're "improvs"

But these ARE "improvs" and when Pearl Jam performs a concert, and an improv is performed, it is in fact copyrighted that date and time with proof that it was played. By releasing the bootlegs, these titles need a formal copyright.

Hope I made that clear - I'd assume that "Transit" is another title from an improv (US Copyright department probably has it listed as Improv No. 44 or something)

jets521

Guitarhero27 wrote:

Also:

04/22/03 - Savvis Center: St. Louis, MO

support act: Sparta
soundcheck: Faithfull, Green Disease, Save You, Present Tense
set: Present Tense, Save You, Animal, Green Disease, Grievance, Faithfull, Given To Fly, Even Flow, Sleight Of Hand, You Are, Elderly Woman, Not For You/Love Boat Captain, Wishlist, Help Help, Do The Evolution, Alive
enc 1: Go, State Of Love And Trust, Black, Improv/Rearviewmirror
enc 2: Soon Forget, Better Man/(Save it for Later), Daughter, Indifference
notes: A fairly dark stage with Mike playing the first notes of ‘Present Tense’ to open and the crowd going nuts. The high energy continues through the next few songs, with ‘Animal’ and ‘Even Flow’ reminiscent of ten years past, Ed’s eyes rolling back in his head and menacing grin; Mike spinning in circles, running everywhere like an uncaged animal and never missing a note. Drenched in sweat, Ed looks up at the Stanley Cup banners (Savvis Center is the home of the St. Louis Blues) and says that the flags help the acoustic out but that the crowd’s feet must be freezing, leading to ‘Sleight Of Hand,’ backed nicely by ‘You Are’ with effectively dramatic lighting. There is an amusing exchange before ‘Elderly Woman.’ Ed is ready to start the song and Stone is switching guitars and getting a drink, causing Ed to wait. It was one of those “you go” … “no you go ahead” type things and they bantered back and forth a bit with big grins on their faces. An intense ‘Not For You’ with a lyric change to “small my table, seats saint Lou” getting a huge response from the crowd. The main set closes with an energetic ‘DTE’ (Jeff’s bass line rules!) and ‘Alive,’ with Ed swinging the mic around Daltrey style during the Mike’s solo. Ed creeps behind one of the suit and tie security guards below Mike, goofing on him in a crouching “scary” pose like he is going to pounce on him, but the guard is so serious that he won’t look up, causing the band to crack up. A rather lengthy improv follows a deliberately slow ‘Black.’ The improv’s lyrical theme revolves around “I don’t know where, I wanna go, I just know I need to go. … get me the fuck outta here,” and later “when I feel that regime change, starts at home, starts at home, take me home, let’s go.” There are a lot of percussive and animal-like vocal sounds from Ed. The improv eventually wraps up, leading into a tight ‘RVM’ featuring a very extended bridge section underneath Kille’s beautiful lighting to close the encore. Ed returns with the wine bottle (”A toast to you, St. Lou. A toast to Dead Moon, who you’ve never heard of.”), thanks Sparta, jokes about the hockey score and picks up the uke giving a lyrically flawless ‘Soon Forget,’ the crowd not clapping along, but enjoying the song. He concludes the song holding a note forever, then doing a variety of jumps and windmills with the uke. Ed asks the crowd to take the first verse and the audience obliges singing ‘Better Man,’ putting on a good show and Ed picking up the lyrics at the first chorus, tagged at the end with a very slow ‘SIFL.’ ‘Daughter’ is next, with no tag, but a very, very extended jam with Ed trying a variety of different solos with the harmonica. Then he uses the mirror and spotlight to reflect a beam of light around the audience for a few minutes with great Ed/crowd interaction. Ed speaks about communicating and “just not fighting,” finishing the night with a beautiful performance of ‘Indifference.’

What is the site that you pulled this from? with notes for all the shows?

mfc2006

jets521 wrote:

What is the site that you pulled this from? with notes for all the shows?

my guess would be either twofeetthick or fivehorizons

CantKeepmedown

jets521 wrote:

Guitarhero27 wrote:

Also:

04/22/03 - Savvis Center: St. Louis, MO

support act: Sparta
soundcheck: Faithfull, Green Disease, Save You, Present Tense
set: Present Tense, Save You, Animal, Green Disease, Grievance, Faithfull, Given To Fly, Even Flow, Sleight Of Hand, You Are, Elderly Woman, Not For You/Love Boat Captain, Wishlist, Help Help, Do The Evolution, Alive
enc 1: Go, State Of Love And Trust, Black, Improv/Rearviewmirror
enc 2: Soon Forget, Better Man/(Save it for Later), Daughter, Indifference
notes: A fairly dark stage with Mike playing the first notes of ‘Present Tense’ to open and the crowd going nuts. The high energy continues through the next few songs, with ‘Animal’ and ‘Even Flow’ reminiscent of ten years past, Ed’s eyes rolling back in his head and menacing grin; Mike spinning in circles, running everywhere like an uncaged animal and never missing a note. Drenched in sweat, Ed looks up at the Stanley Cup banners (Savvis Center is the home of the St. Louis Blues) and says that the flags help the acoustic out but that the crowd’s feet must be freezing, leading to ‘Sleight Of Hand,’ backed nicely by ‘You Are’ with effectively dramatic lighting. There is an amusing exchange before ‘Elderly Woman.’ Ed is ready to start the song and Stone is switching guitars and getting a drink, causing Ed to wait. It was one of those “you go” … “no you go ahead” type things and they bantered back and forth a bit with big grins on their faces. An intense ‘Not For You’ with a lyric change to “small my table, seats saint Lou” getting a huge response from the crowd. The main set closes with an energetic ‘DTE’ (Jeff’s bass line rules!) and ‘Alive,’ with Ed swinging the mic around Daltrey style during the Mike’s solo. Ed creeps behind one of the suit and tie security guards below Mike, goofing on him in a crouching “scary” pose like he is going to pounce on him, but the guard is so serious that he won’t look up, causing the band to crack up. A rather lengthy improv follows a deliberately slow ‘Black.’ The improv’s lyrical theme revolves around “I don’t know where, I wanna go, I just know I need to go. … get me the fuck outta here,” and later “when I feel that regime change, starts at home, starts at home, take me home, let’s go.” There are a lot of percussive and animal-like vocal sounds from Ed. The improv eventually wraps up, leading into a tight ‘RVM’ featuring a very extended bridge section underneath Kille’s beautiful lighting to close the encore. Ed returns with the wine bottle (”A toast to you, St. Lou. A toast to Dead Moon, who you’ve never heard of.”), thanks Sparta, jokes about the hockey score and picks up the uke giving a lyrically flawless ‘Soon Forget,’ the crowd not clapping along, but enjoying the song. He concludes the song holding a note forever, then doing a variety of jumps and windmills with the uke. Ed asks the crowd to take the first verse and the audience obliges singing ‘Better Man,’ putting on a good show and Ed picking up the lyrics at the first chorus, tagged at the end with a very slow ‘SIFL.’ ‘Daughter’ is next, with no tag, but a very, very extended jam with Ed trying a variety of different solos with the harmonica. Then he uses the mirror and spotlight to reflect a beam of light around the audience for a few minutes with great Ed/crowd interaction. Ed speaks about communicating and “just not fighting,” finishing the night with a beautiful performance of ‘Indifference.’

What is the site that you pulled this from? with notes for all the shows?

Oh boy, you're in for a long night.

I remember first finding five horizons (which i believe is now twofeetthick). Hours upon hours spent on that site. Enjoy

The P.T.

Yeah, I was at this concert and it was just a little jam before RVM. I remember him singing about their trip 'down the highway from Chicago, to St. Louis, down the highway to LA then to where I stay'.

It was basically just him hitting the A note that starts RVM and Stone noodling around in the background.

One of the better concerts I've been to, a highlight was the Present Tense opener that came out of nowhere.

TEEJAM11

Fuc....... Cool.....

OGT92

"Transit" is from that dvd "Body of War" I believe....I think it is just an instrumental though.

allstar340

cool shit