King Ultramega - All star Chris Cornell tribute project
KING ULTRAMEGA is a passion-driven musical project honoring the life, voice, and genius of Chris Cornell, one of the most gifted artists of our time. It launches in conjunction with SOUNDGARDEN’s long-overdue induction into the Rock and Roll Hall of Fame.
This project did not begin with a single, dramatic moment. Instead, it grew quietly and gradually, an organic result of years of conversations, inspiration, and deep reverence for a musician whose impact remains immeasurable.
“There is not a singular moment in time that led to this project,” says bassist and producer Mark Menghi, the driving force behind KING ULTRAMEGA. “It was a trail of events that led to the formation of KING ULTRAMEGA and the evolving creation to pay tribute to the voice of a generation.”
It started in 2020, in the midst of the pandemic, when Menghi recorded a version of “Rusty Cage” with friends. What began as a creative release soon became something larger. With every step forward, the project deepened in meaning and purpose. “I kept crossing the mental roadblock of ‘you are entering uncharted waters, are you sure you wanna do this?'” Menghi reflects. “Chris is one of those dudes if you cover, you better do it justice.”
The decision to continue became clear when SOUNDGARDEN guitarist Kim Thayil joined the project and re-recorded one of his own iconic tracks. “Once Kim got involved and re-recorded one of his own songs, I knew something was brewing,” Menghi says.
Thayil embraced the project wholeheartedly. “I’m super honored to record alongside all the amazing musicians appearing on the KING ULTRAMEGA project,” he says. “I’m equally proud that it celebrates SOUNDGARDEN in this tribute to the songwriting of Chris. Ultra-admirably, everyone’s participation is supporting the work of the MusiCares Foundation. Thank you Mark Menghi, Charlie Benante and Reigning Phoenix Music (RPM).”
For Menghi, this project is as personal as it is musical. “I went through some very difficult times in my life. I should not be here right now, but I am,” he shares. “I like to think my past trials and tribulations helped me understand Chris just a little, hence the formation of KING ULTRAMEGA.”
Song selection was guided by instinct. “My mood. It’s really that simple,” Menghi explains. “‘Rusty Cage’ was recorded simply because it’s one of my favorite songs featured on one of my favorite records.” Other songs came to Menghi during moments of reflection and inspiration. “There is a bunch more in the can right now, all with drums fully recorded, which are currently being worked out for future releases.”
The goal was never to reinvent Cornell’s work. It was about honoring it with the respect it deserves. “It really is only about honoring the legacy of Chris Cornell. Nothing more,” Menghi says. Each musician brought their own voice, but always in service to the song and to Cornell’s memory.
“Each musician has their own individual musical stamp,” Menghi explains. “You hear the absolute best of each one of them. You are talking about musicians who helped invent and shape musical genres and helped define their generations in popular culture, not just music, but society as a whole.”
The cast of collaborators is remarkable. Kim Thayil, Charlie Benante, Joe Satriani, William DuVall, Bill Kelliher, Alissa White-Gluz, Kenny Aronoff, Menghi himself, among many others. The mix of past friendships and new connections created a unique bond among them. “I think back and go ‘did I really ask Joe Satriani to do an instrumental reinterpretation of one of the greatest modern vocal songs ever recorded?’ or ‘what the fuck was I thinking asking the great Kim Thayil to re-record one of his own classic Soundgarden songs?'” Menghi laughs. Yet, no egos entered the room. “Each participating musician saw the vision and understood that this is about honoring the legacy of not only an inspiring musician, but an amazing husband, father and man.”
For Menghi, Cornell’s music has always been a constant presence. “Chris Cornell has been one of only a very small handful of musical constants in my life,” he says. “I never waivered, not once.”
Certain moments in the process were surreal. Recording with Thayil was one of them. “I remember thinking back saying to myself ‘holy fuck, I’m on a SOUNDGARDEN song with Kim Thayil. What planet are we on?'”
Throughout it all, Menghi served as the project’s creative director, always guided by one central question. “How would Chris like this?” Every choice, from guest musicians to mixes to artwork, was measured against that standard. “If there is even a shred of uncertainty at any point in the process, back to the drawing board we go.”
The recordings were completed remotely over several years. The final tracks were mixed with care to ensure a cohesive sound that still captured the raw emotion of the performances.
Hope is the underlying theme that runs through KING ULTRAMEGA. It is an offering to longtime fans and an invitation for younger listeners to discover the timeless brilliance of Cornell’s work. “KU is just a blip in the Chris Cornell universe,” Menghi says. “We are a subtle reminder that Chris was a true musical genius.”
For Menghi and his collaborators, KING ULTRAMEGA is both a deeply personal labor of love and one of the greatest honors of their musical lives. “To be here thirty-plus years later paying tribute to whom I believe was the king of those times is one of the greatest musical honors of my life.”
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)
Comments
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https://youtu.be/GKdMKFBrQpk?si=kCTBRZNPXB2SW4bPThe first iteration of King Ultramega features Alice In Chains’ William DuVall on vocals, Mastodon’s Bill Kelliher on guitar, Anthrax and Pantera‘s Charlie Benante on drums and project organiser Mark Menghi of Metal Allegiance on bass. They’ve covered ‘Rusty Cage’ off Soundgarden’s 1991 album ‘Badmotorfinger’.
Future releases in the series will feature songs from across Cornell’s career, with selections taken from his work with Soundgarden, Audioslave, Temple of the Dog, and his own solo career. Each track will also be raising funds and awareness for MusiCares, with the likes of Joe Satriani, Alissa White-Gluz and Kenny Aronoff all set to appear in the future.
“Do not postpone happiness”
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)0 -
New video released for Be Yourself, featuring Joe Satriani
https://youtu.be/tu2lIPEl6D0?si=IxPlpxCzGwvm2213
"'Be Yourself' was by far the most challenging song to reinterpret. There are many layers on the final recording (of our version), many subtle intricacies plus who the f**k in their right mind would turn a perfectly awesome AUDIOSLAVE song with the most amazing vocals into a fucking reimagined instrumental?" adds bassist Mark Menghi.
The line-up for 'Be Yourself' includes: Joe Satriani | guitars Mark Menghi | bass Kenny Aronoff | drums
Satriani comments, “[Chris Cornell] was a brilliant vocalist and communicator. He often used his voice like an instrument, shaping the tone of his voice like a guitarist would finesse riffs and phrases. I took a deep dive into his magical sensibilities and came up with a multi-tracked guitar production approach that I felt would pay proper homage to his brilliance.”The concept for an instrumental rendition of “Be Yourself” originated with the bassist, producer, and mastermind of KING ULTRAMEGA, Mark Menghi. As a producer, he envisioned a version of the song that deftly balanced the art of paying respect to the original, while also reimagining the song with a unique musical voice from Satriani. As a bassist, Menghi strove to keep the bass parts nearly identical to the original song, allowing Satriani the freedom to lend his own voice to the music. Renowned drummer Kenny Aronoff, who has been named one of the greatest drummers of all time by Rolling Stone magazine, and has toured and recorded with a who’s who of legendary artists such as THE ROLLING STONES, THE SMASHING PUMPKINS, PAUL MCCARTNEY, JOHN FOGERTY and many more, provides the laid-back, but emotionally-resonant groove of “Be Yourself”, laying the foundation with Menghi for Satriani’s melodies to shine.
Menghi comments, “I remember like it was yesterday, I was on a run through some crazy trail, just zoning out and the original song came on through my headphones… as I was running, I remember hearing Chris sing ‘to be yourself is all that you can do’ it was like he was talking to me… then thought to myself ‘I can totally hear this as an instrumental a-la Satch style’… My hope is that whomever is listening to this song hears Chris over Joe’s guitar and understands that we are paying homage to Chris with our take on this tune.”
Aronoff comments, “I listened to ‘Be Yourself’ over and over again, absorbing the lyrics and the feel and vibe of this song, then I recorded my drums. Their recording had an emotional impact on me and that had a big effect on my performance.”
Post edited by goldrush on“Do not postpone happiness”
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)0 -
Thanks for posting. Very cool to hear his voice translated through instruments. His voice was an instrument.goldrush said:New video released for Be Yourself, featuring Joe Satriani
https://youtu.be/tu2lIPEl6D0?si=IxPlpxCzGwvm2213
"'Be Yourself' was by far the most challenging song to reinterpret. There are many layers on the final recording (of our version), many subtle intricacies plus who the f**k in their right mind would turn a perfectly awesome AUDIOSLAVE song with the most amazing vocals into a fucking reimagined instrumental?" adds bassist Mark Menghi.
The line-up for 'Be Yourself' includes: Joe Satriani | guitars Mark Menghi | bass Kenny Aronoff | drums
Satriani comments, “[Chris Cornell] was a brilliant vocalist and communicator. He often used his voice like an instrument, shaping the tone of his voice like a guitarist would finesse riffs and phrases. I took a deep dive into his magical sensibilities and came up with a multi-tracked guitar production approach that I felt would pay proper homage to his brilliance.”The concept for an instrumental rendition of “Be Yourself” originated with the bassist, producer, and mastermind of KING ULTRAMEGA, Mark Menghi. As a producer, he envisioned a version of the song that deftly balanced the art of paying respect to the original, while also reimagining the song with a unique musical voice from Satriani. As a bassist, Menghi strove to keep the bass parts nearly identical to the original song, allowing Satriani the freedom to lend his own voice to the music. Renowned drummer Kenny Aronoff, who has been named one of the greatest drummers of all time by Rolling Stone magazine, and has toured and recorded with a who’s who of legendary artists such as THE ROLLING STONES, THE SMASHING PUMPKINS, PAUL MCCARTNEY, JOHN FOGERTY and many more, provides the laid-back, but emotionally-resonant groove of “Be Yourself”, laying the foundation with Menghi for Satriani’s melodies to shine.
Menghi comments, “I remember like it was yesterday, I was on a run through some crazy trail, just zoning out and the original song came on through my headphones… as I was running, I remember hearing Chris sing ‘to be yourself is all that you can do’ it was like he was talking to me… then thought to myself ‘I can totally hear this as an instrumental a-la Satch style’… My hope is that whomever is listening to this song hears Chris over Joe’s guitar and understands that we are paying homage to Chris with our take on this tune.”
Aronoff comments, “I listened to ‘Be Yourself’ over and over again, absorbing the lyrics and the feel and vibe of this song, then I recorded my drums. Their recording had an emotional impact on me and that had a big effect on my performance.”
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I hope these guys tour and play small venues, they've done a great job on the 2 songs I've heard so farTweeter Center - Aug 29, 2000;Tweeter Center - Aug 30, 2000;Allstate Arena - Oct 09, 2000;Pepsi Arena - Apr 29, 2003;Bryce-Jordan Center - May 03, 2003;Bell Center - Jun 29, 2003;Tweeter Center - Jul 02, 2003;Tweeter Center - Jul 03, 2003;Tweeter Center - Jul 11, 2003;Tweeter Center at the Waterfront - Jul 05, 2003;Tweeter Center at the Waterfront - Jul 06, 2003;Madison Square Garden - Jul 08, 2003;Madison Square Garden - Jul 09, 2003;TD Banknorth Garden - May 24, 2006;TD Banknorth Garden - May 25, 2006;Fleet Center - Sept 28, 2004;Fleet Center - Sept 29, 2004;Pepsi Arena - May 12, 2006 New England Dodge Music Arena - May 13, 2006;Grant Park - Aug 05, 2007;Bonnaroo - Jun 14, 2008;Dodge Music Center - Jun 27, 2008;Tweeter Center - Jun 28, 2008;Tweeter Center - Jun 30, 2008; XL Arena - May 15, 2010;TD Garden - May 17, 2010;Alpine Valley Music Theatre - Sept 03, 2011;Alpine Valley Music Theatre - Sep 04, 2011 Corel Centre - Sep 16, 2005;Colisee Pepsi Arena - Sep 20, 2005; Wrigley Field - July 19, 2013; DCU Center - Oct 15, 2013; DCU Center - Oct 16, 2013; Fenway Park - August 5, 2016; Fenway Park - August 7, 2016; NOS Alive Festival - July 14, 2018; Boston - September 02, 2018; Boston - September 04, 2018; Boston - September 15, 2024; Boston - September 17, 2024
Oh Dude!0 -
1993: 11/22 Little Rock
1996; 9/28 New York
1997: 11/14 Oakland, 11/15 Oakland
1998: 7/5 Dallas, 7/7 Albuquerque, 7/8 Phoenix, 7/10 San Diego, 7/11 Las Vegas
2000: 10/17 Dallas
2003: 4/3 OKC
2012: 11/17 Tulsa(EV), 11/18 Tulsa(EV)
2013: 11/16 OKC
2014: 10/8 Tulsa
2022: 9/20 OKC
2023: 9/13 Ft Worth, 9/15 Ft Worth0 -
This is pretty good, thank you for sharing!DE4173 said:Tweeter Center - Aug 29, 2000;Tweeter Center - Aug 30, 2000;Allstate Arena - Oct 09, 2000;Pepsi Arena - Apr 29, 2003;Bryce-Jordan Center - May 03, 2003;Bell Center - Jun 29, 2003;Tweeter Center - Jul 02, 2003;Tweeter Center - Jul 03, 2003;Tweeter Center - Jul 11, 2003;Tweeter Center at the Waterfront - Jul 05, 2003;Tweeter Center at the Waterfront - Jul 06, 2003;Madison Square Garden - Jul 08, 2003;Madison Square Garden - Jul 09, 2003;TD Banknorth Garden - May 24, 2006;TD Banknorth Garden - May 25, 2006;Fleet Center - Sept 28, 2004;Fleet Center - Sept 29, 2004;Pepsi Arena - May 12, 2006 New England Dodge Music Arena - May 13, 2006;Grant Park - Aug 05, 2007;Bonnaroo - Jun 14, 2008;Dodge Music Center - Jun 27, 2008;Tweeter Center - Jun 28, 2008;Tweeter Center - Jun 30, 2008; XL Arena - May 15, 2010;TD Garden - May 17, 2010;Alpine Valley Music Theatre - Sept 03, 2011;Alpine Valley Music Theatre - Sep 04, 2011 Corel Centre - Sep 16, 2005;Colisee Pepsi Arena - Sep 20, 2005; Wrigley Field - July 19, 2013; DCU Center - Oct 15, 2013; DCU Center - Oct 16, 2013; Fenway Park - August 5, 2016; Fenway Park - August 7, 2016; NOS Alive Festival - July 14, 2018; Boston - September 02, 2018; Boston - September 04, 2018; Boston - September 15, 2024; Boston - September 17, 2024
Oh Dude!0 -
This is very cool, Richie has a great voice.DE4173 said:
“‘Say Hello 2 Heaven’ is one of those songs that’s bigger than genre or era — it hits a universal nerve. I didn’t approach it thinking about how to reinterpret it — I just focused on honoring the emotion. I played guitar and sang in service to the song and the legacy it carries. I’m honored to be part of a tribute that holds this kind of weight.” - Richie Kotzen
"Once I knew King Ultramega was going to unfold into a project of sorts, ‘Say Hello 2 Heaven’ was one of the first songs I picked (with Charlie) because of the lyrical message. Temple of the Dog was (and remains) a tribute to the late, great Andrew Wood of Mother Love Bone. However, the lyrical message in ‘Say Hello 2 Heaven’ strikes a chord when you think back on how Chris wrote about Andrew’s untimely passing and he we are 30+ years later paying tribute to Chris with his song about his untimely passing. It’s an emotional rollercoaster to say the least." - Mark Menghi
“I was a huge Mother Love Bone fan and I remember being in Lonn Friends office at RIP Magazine when he got the call that Andrew Wood had passed away and I was just so bummed about it, I loved that record and I thought this was gonna be the next big thing. It was very sad. Let’s fast forward, I’m on tour and someone from our management came on the bus and knew I loved Mother Love Bone and they gave me an advance copy of Temple of the Dog. I’ll never forget the first time I heard it because I put it on and the first song was ‘Say Hello 2 Heaven’ and it was magical… the song is amazing but Chris singing on it… everything that went into that song was pure love. Not Love Bone, just pure love. When the pandemic hit and I started doing all these songs and asked my friends to be a part of it, ‘Chloe Dancer/Crown of Thorns’ was a big one to do. ‘Say Hello 2 Heaven’ was another song that I just felt the need to do and when I was talking to Mark (Menghi) about it, that was one he suggested too. ‘Say Hello 2 Heaven’ is probably one of my favorite songs of all-time and I’m glad we had a chance to do it and hopefully everyone thinks we did it justice.” - Charlie Benante
“Do not postpone happiness”
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)0 -
You're welcome! Enjoy your weekend! 🤘DL136722 said:
This is pretty good, thank you for sharing!DE4173 said:1993: 11/22 Little Rock
1996; 9/28 New York
1997: 11/14 Oakland, 11/15 Oakland
1998: 7/5 Dallas, 7/7 Albuquerque, 7/8 Phoenix, 7/10 San Diego, 7/11 Las Vegas
2000: 10/17 Dallas
2003: 4/3 OKC
2012: 11/17 Tulsa(EV), 11/18 Tulsa(EV)
2013: 11/16 OKC
2014: 10/8 Tulsa
2022: 9/20 OKC
2023: 9/13 Ft Worth, 9/15 Ft Worth0 -
The Day I Tried To Live - featuring Alissa White-Gluz and Kim Thayil
https://youtu.be/sOn0EAnBCj4?si=t5PaIG_1bB3TS0Tj
"I believe that the personal exploration that came out of my accepting the invitation from Mark, and King Ultramega, to participate in these recordings, allowed me to open myself up to the creative risks of sharing an emotive and artistically intimate experience with other creative individuals, and that this has proved to be rewarding and encouraging, for me, of future similar collaborations." - Kim Thayil
"It was a bit nerve racking for me to go in and record this track knowing Kim was going to be on this song, as it's his band's song to begin with. In addition, it was equally important for me to keep it true to the original so Alissa had a strong foundation to deliver her magic. 'What would Chris think?' was the question that kept repeating in my head over and over." - Mark Menghi
"I felt that I needed to try to embody his unique power and swagger when delivering the vocals here. He has always had such a remarkable way of wording things; 'I stole a thousand beggars’ change and gave it to the rich' - just so, so good. He always managed to grab our attention with narrative and keep our interest with thoughtful word choice and intriguing messages." - Alissa White-Gluz
"This is one of my favorite Soundgarden songs. I just love everything about the song. I especially love the ending, I never expected it to end the way it ends. It's just a beautiful piece of music. Matt’s playing on this tune really compliments the song so much. I just tried to stay true to that." - Charlie Benante
“Do not postpone happiness”
(Jeff Tweedy, Sydney 2007)
“Put yer good money on the sunrise”
(Tim Rogers)0 -
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