Eddie Vedder's Out of Sand in Twin Peaks. RSD Soundtrack Picture Disc Release
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            That's why I said "post" ITW, smart guy. As in, after.0
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in fairness to gambs, when you say "post-"something, it infers it is similar to that which came before it. like "post-punk" or "post-grunge".Blredyellow said:That's why I said "post" ITW, smart guy. As in, after.Your boos mean nothing to me, for I have seen what makes you cheer0 - 
            Ed acoustic songs are usually my bread and butter, but I just can't relate to this song like others. Maybe it's too abstract for me now lyrically. The strumming pattern throws me off too at times. It's definitely decent, but it is no Thumbing My Way or Guaranteed that guts me emotionally.0
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There have been others who have made the comparison.Blredyellow said:That's why I said "post" ITW, smart guy. As in, after.
I can see why, but I don't hear it.
I'm not sure what I do hear though.
Monkey Driven, Call this Living?0 - 
            
It's different that is for sure. I can't really compare it to any of his other work solo or with PJ and I like that a lot.rgambs said:
There have been others who have made the comparison.Blredyellow said:That's why I said "post" ITW, smart guy. As in, after.
I can see why, but I don't hear it.
I'm not sure what I do hear though.0 - 
            I was just now thinking halfway between Dead Man and Sirens.Monkey Driven, Call this Living?0
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I can't really think of anything that Ed wrote that I can point to and say that this song certainly comes from the other. Chord wise, it's very much an Ed song. Nothing terribly difficult to play. After a couple more listens I think it's in the odd timing on some of the strumming that makes it feel unfamiliar. Ed is usually pretty "by the book" with his timing, but this is not typical. Also, lyrically it's reminiscent of Unthought Known (perhaps my least favorite song) with his abstract it is. The lyrics take some thought to decipher.rgambs said:I was just now thinking halfway between Dead Man and Sirens.
Overall, it's okay. It's not my favorite musically or lyrically, but it's still a new Ed song and I'll always look forward to them as long as he wants to release them.0 - 
            
Yeah, this one does it for me but I can see why it might not.ledvedderman said:
I can't really think of anything that Ed wrote that I can point to and say that this song certainly comes from the other. Chord wise, it's very much an Ed song. Nothing terribly difficult to play. After a couple more listens I think it's in the odd timing on some of the strumming that makes it feel unfamiliar. Ed is usually pretty "by the book" with his timing, but this is not typical. Also, lyrically it's reminiscent of Unthought Known (perhaps my least favorite song) with his abstract it is. The lyrics take some thought to decipher.rgambs said:I was just now thinking halfway between Dead Man and Sirens.
Overall, it's okay. It's not my favorite musically or lyrically, but it's still a new Ed song and I'll always look forward to them as long as he wants to release them.
It's nice to see him taking a more abstract and dark direction than his songs were in the Backspacer/Ukulele Songs/Lightning Bolt era.
I was glad for Ed to be in a good place, but I tend to like melancholy songs.Monkey Driven, Call this Living?0 - 
            I guess that more melancholy tone is what reminds people of ITW, but those songs are also intensely celebratory.
I don't get that from Out of Sand.Monkey Driven, Call this Living?0 - 
            Ed's been pretty hard on religion these last few years.
Love it.
Would be interesting to know what has been happening in his life that has it in his mind enough to be a theme in several songs.Monkey Driven, Call this Living?0 - 
            @ledvedderman
Never heard of Amos Lee (gonna play B&B fest) so I looked him up and found this song, seems up your alley. Love it.
https://youtu.be/Azy-Je4Uhck
Monkey Driven, Call this Living?0 - 
            
I previously made the comparison to ITW only because of the feeling I got when I heard him sing it in London 2. Kinda like if Long Nights would have lasted one minute more.rgambs said:I guess that more melancholy tone is what reminds people of ITW, but those songs are also intensely celebratory.
I don't get that from Out of Sand.
Montreal 98, 00, 03, 05, 11
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Albany 06; Honolulu 06; Hartford 08
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London (Ont.), Hartford 13
Quebec, Fenway 1 + 2 16; London 18
EV Montreal (2), Berkeley II, Albany, Boston, London (UK)0 - 
            
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            Can I just get the damn song? F this "Album only" bullshit.
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x100HesCalledDyer said:Can I just get the damn song? F this "Album only" bullshit.Your boos mean nothing to me, for I have seen what makes you cheer0 - 
            Twin Peaks (Limited Event Series Soundtrack) [SCORE] (Red and Black Splatter 2LP) Available now over @ Amazon Canada https://www.amazon.ca/Peaks-Limited-Event-Soundtrack-Splatter/dp/B074NLJ3C2


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            It’s on Amazon US as well, but I don’t think it’s a colored LP.I LOVE MUSIC.
www.cluthelee.com
www.cluthe.com0 - 
            The splatter is supposed to be indie exclusive, so I wouldn't count on Amazon. Just a heads up!0
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It was available on Amazon USA as well but sold out https://www.amazon.com/Twin-Peaks-Limited-Exclusive-Colored/dp/B074Q3HG5Kdisilluzion said:The splatter is supposed to be indie exclusive, so I wouldn't count on Amazon. Just a heads up!
There is also listings on Amazon USA & CDN for the black vinyl too.
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            Sevens was also on Amazon.

If Amazon sends it to you, then great! Just letting you know what I read about the colored variants for both the score and the soundtrack being indie exclusive.
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