Lightning Bolt- Most Well Organized Album?

pleathermanpleatherman Posts: 472
edited November 2013 in The Porch
I've read some criticisms about LB sounding schizophrenic or not cohesive enough. As far as tempo is concerned, pretty much every album has run the gamut. Pearl Jam's strength certainly lies in continuing to push the music in a multitude of directions.

Sequencing on the new album is probably the most obvious example of that. Lightning Bolt is bookended by a trio of songs on either side. The first three are fast, brooding, enveloped in a spitfire guitar attack that provides a direct line to the adrenal gland. The final three are formed by acoustic rumination, coupled with campfire takeaway. In between, three focused back-to-back sets emerge. 'Sirens' and 'Lightning Bolt' (the song) represent PJ at perhaps their most natural, anthemic state. The next two, 'Infallible' and 'Pendulum', are experimental, in the sense of exploring territory with no reference point in their back catalog. And 'Swallowed Whole' and 'Let the Records Play' aim for an upbeat pronouncement, bordering on levity.

Lightning Bolt's track listing contains five sections of music placed side by side. I don't think a librarian could have filed it better. Agree/Disagree?
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Comments

  • pjhawkspjhawks Posts: 12,779
    just my opinion but I think the sequencing of this album is terrible
  • buck502000buck502000 Birthplace of GIBSON guitar Posts: 8,951
    pjhawks wrote:
    just my opinion but I think the sequencing of this album is terrible
    Any suggestions on what it should be?
  • DeLukinDeLukin Posts: 2,757
    My only complaint would've been the transition between Father's Son and Sirens. It just tastes like drinking orange juice after brushing your teeth. Maybe putting LB or Infallible between the two would've helped. It's not a very serious complaint because I love the album, but those first 3 songs are killer and then Sirens just kind of comes out of nowhere and douses the fire a little too abruptly for me.
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  • This is how my lightning bolt would be

    1. Getaway
    2. Mind your manners
    3. Lightning bolt
    4. Infallible
    5. Sirens
    6. My fathers s son
    7. Swallowed whole
    8. Let the records play
    9. Sleeping by myself
    10. Yellow moon
    11. Future days
    12. Pendulum
  • DewieCoxDewieCox Posts: 11,431
    Completely disagree...The worst sequencing of any PJ album.

    I think about everything on the album is at least solid, except for Future Days, but it's a little frontloaded.

    Yellow Moon is cool and screams closer, but they put Future Days after it and despite diggin YM and SBM...those 3 songs to close is awful.

    Missed chances to slow down and build back up, with some real clashes, MFS>Sirens and LTRP>SBM come to mind. I think Pendulum into Infallible would've been epic. Pendulum starting side 2 of the vinyl is great, but after that it goes steadily downhill with a slight uptick on Yellow Moon, but then a cliff into FD.


    I was having a discussion with another vinyl loving friend and we agreed that one of the great things about vinyl is that there are certain songs that you're "forced" into listening. That really works when an album is well sequenced, but if it's not, it can turn into a crappy run of tunes.
  • DeLukin wrote:
    My only complaint would've been the transition between Father's Son and Sirens. It just tastes like drinking orange juice after brushing your teeth. Maybe putting LB or Infallible between the two would've helped. It's not a very serious complaint because I love the album, but those first 3 songs are killer and then Sirens just kind of comes out of nowhere and douses the fire a little too abruptly for me.

    I know where you're coming from and I can't disagree with that.
  • pjhawkspjhawks Posts: 12,779
    buck502000 wrote:
    pjhawks wrote:
    just my opinion but I think the sequencing of this album is terrible
    Any suggestions on what it should be?

    a quick rough of it off the top of my head but this is how i'd go with it. I still think of albums as side 1 and side 2 so I would sequence in 2 six song sequences.

    1 - Pendulum (opening each show with it just shows how great of an opener it is)
    2 - Sirens (put these 2 1st building up to the harder edge songs)
    3 - Mind Your Manners
    4 - My Father's Son
    5 - Swallowed Whole
    6 - Yellow Moon (end side 1 by coming down abit but not fully down to something like future days)

    7 - Lightning Bolt (hit side 2 with a jolt again and take it back down until you get to future days)
    8 - Infallible (think the segue on this works well together so leave back to back)
    9 - Getaway
    10 - Let the Records Play
    11 - Sleeping By Myself
    12 - Future Days

    I think this sequence gives you much more balance. I don't really like the end of the current album. I think from Swallowed Whole thru Future Days just doesn't flow correctly. it's like it's kind of thrown together to me.
  • SVRDhand13SVRDhand13 Posts: 26,788
    I like the way it is but also think this would work:

    Side A
    Getaway
    Mind Your Manners
    Lightning Bolt
    Let The Records Play
    Sirens
    Future Days

    Side B
    Pendulum
    Infallible
    Swallowed Whole
    My Father's Son
    Sleeping By Myself
    Yellow Moon

    Btw I think the harsh transition from MFS into Sirens was intentional to show the difference between the love EV has for his wife compared to the despair he feels for his father.
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  • DewieCox wrote:
    Completely disagree...The worst sequencing of any PJ album.

    I think about everything on the album is at least solid, except for Future Days, but it's a little frontloaded.

    Yellow Moon is cool and screams closer, but they put Future Days after it and despite diggin YM and SBM...those 3 songs to close is awful.

    Missed chances to slow down and build back up, with some real clashes, MFS>Sirens and LTRP>SBM come to mind. I think Pendulum into Infallible would've been epic. Pendulum starting side 2 of the vinyl is great, but after that it goes steadily downhill with a slight uptick on Yellow Moon, but then a cliff into FD.


    I was having a discussion with another vinyl loving friend and we agreed that one of the great things about vinyl is that there are certain songs that you're "forced" into listening. That really works when an album is well sequenced, but if it's not, it can turn into a crappy run of tunes.

    For better or worse, the sequencing is distinctly categorized. That tends to mean it can lose the ebb and flow from their other releases. It's different, for sure. Personally, I enjoy Future Days and get a lot out of it. I'm glad it exists, however, I agree Yellow Moon would have made a great finale.
  • My preferred order right now:

    1. Pendulum
    2. My Fathers Son
    3. Mind Your Manners
    4. Let the Records Play
    5. Sirens
    6. Lightning Bolt
    7. Infallible
    8. Getaway
    9. Swallowed Whole
    10. Sleeping by Myself
    11. Yellow Moon
    12. Future Days
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  • My preferred order right now:

    1. Pendulum
    2. My Fathers Son
    3. Mind Your Manners
    4. Let the Records Play
    5. Sirens
    6. Lightning Bolt
    7. Infallible
    8. Getaway
    9. Swallowed Whole
    10. Sleeping by Myself
    11. Yellow Moon
    12. Future Days

    Getaway 8th spot?
  • shadowcastshadowcast Posts: 2,310
    Drop Future days and Sleeping with myself. Add Of the Earth and Ole. I just don't find this album on repeat like every other PJ album that came out. I don't find myself playing songs on this record to my friends saying "You have to hear this song". I mean it's good but maybe I had huge expectations. I really loved the last three records that came out but this one just falls short for me.
  • let's get this out of the way...Brendan O'brien is a force in the studio. with that said everyone's listening ears
    are different.

    If I was in the studio this is what the album would have looked like for the track sequence

    1. Getaway
    2. Mind Your Manners
    3. My Father's Son
    4. Sirens
    5. Lightning Bolt
    6. Infallible
    7. Pendulum
    8. Of The Earth (Studio version. I used from the 2010 Ireland bootleg show for my playlist)
    9. Swallowed Whole
    10.Yellow Moon
    11. Let the Records Play
    12. Future Days (edited..cut piano off front and back to make it less pretty...)

    tracks 8,9, 10 have the word "Earth" in the lyrics so I called it the "Of the Earth" trilogy part of the album

    This is the tracklist I created in Itunes and burned and play loud on all my devices. I cut "Sleeping by Myself" from the list and replaced it with "of the earth". SBM is good but it just seems like a misfit on the ablum. if they were going to pick an EV uke songs track to put on LB my choice would have been "You're True" (more like "Can't keep" and a fast moving tempo) but again we all have our opinions and listening ears.

    Don't get me wrong I think LB is a masterpiece and probably will go down in history as one of the best
    albums they've made and maybe in the top 100 of albums of all time!!

    But for me I was so looking forward to hearing an "Of the Earth" studio version so I just made my own release and I
    really love the flow of the tracks listed above. try it from beginning to end on your own playlist and you'll hear
    what I mean.

    Maybe they wanted to save "Of the Earth" for a seed song on the next album and use that song to build around. Or
    maybe a Lost Dogs 2 is right around the corner after the excitement dies down from the new album.

    no matter what...it's all PJ and all good. It's sure fun to be a fan of a band with so much character, depth, moral
    code, and bottomline they know how to rock and roll

    Cheers PJ amigos

    thoughts on this?
  • RatherBeRatherBe Posts: 270
    I'm okay with the sequence.
    It's a disease and they're all green, it emanates from their being...
  • shadowcastshadowcast Posts: 2,310
    SVRDhand13 wrote:
    I like the way it is but also think this would work:

    Side A
    Getaway
    Mind Your Manners
    Lightning Bolt
    Let The Records Play
    Sirens
    Future Days

    Side B
    Pendulum
    Infallible
    Swallowed Whole
    My Father's Son
    Sleeping By Myself
    Yellow Moon

    Btw I think the harsh transition from MFS into Sirens was intentional to show the difference between the love EV has for his wife compared to the despair he feels for his father.
    I don't think Ed is singing about his real dad in MFS. I think of that of a more of character Ed created by reading something or seeing something.
  • RatherBeRatherBe Posts: 270
    Yeah, it's his stepfather Ed has a beef with.
    It's a disease and they're all green, it emanates from their being...
  • DeLukinDeLukin Posts: 2,757
    shadowcast wrote:
    I don't think Ed is singing about his real dad in MFS. I think of that of a more of character Ed created by reading something or seeing something.
    I agree and feel the same thing about Sirens. I think Future Days is autobiographical.
    I smile, but who am I kidding...
  • GmoneyGmoney Posts: 1,618
    I like everyones suggestions for track lists, they all make sense. I also think the actual track list works too although sirens and yellow moon feel out of place to me... For me, vitalogy-riot act are perfectly sequenced. Yield is hands down the best.
    Further back and forth a wave will break on me, today...
  • JonnyPistachioJonnyPistachio Florida Posts: 10,219
    I was listening in the car today and felt that the transition between Lightning Bolt and Infallible was weird. Then I realized it was the annoying fade out.
    Gmoney wrote:
    Yield is hands down the best.

    Yup!
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  • aurynsdadaurynsdad Posts: 863
    I actually like the sequencing on this album more than any PJ album since Ten. For me, it's almost always a complete listen-through, because the songs lead into each other so perfectly.
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  • DewieCoxDewieCox Posts: 11,431
    Gmoney wrote:
    I like everyones suggestions for track lists, they all make sense. I also think the actual track list works too although sirens and yellow moon feel out of place to me... For me, vitalogy-riot act are perfectly sequenced. Yield is hands down the best.

    I think both Vitalogy and No Code kinda peter out at the end, but are kinda saved by a few really great songs in Present Tense and Immortality.
  • JonnyPistachioJonnyPistachio Florida Posts: 10,219
    DewieCox wrote:
    Gmoney wrote:
    I like everyones suggestions for track lists, they all make sense. I also think the actual track list works too although sirens and yellow moon feel out of place to me... For me, vitalogy-riot act are perfectly sequenced. Yield is hands down the best.

    I think both Vitalogy and No Code kinda peter out at the end, but are kinda saved by a few really great songs in Present Tense and Immortality.

    "peter out" :lol:

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  • grazmangrazman Posts: 198
    First 7 songs have perfect sequence, from Swallowed Whole onwards it feels like it loses its way abit - Personally i think it needed a big old heavy rocker between Pendulum and Swallowed Whole, and maybe ditch Future Days as final track replaced with Yellow Moon - I like Future Days but its for an Ed Ved solo record not a PJ record. I think the main gripe for me is the slowness of the second half of the LP. Still a great album tho.
    It's Evolution, Baby!
  • SVRDhand13SVRDhand13 Posts: 26,788
    shadowcast wrote:
    SVRDhand13 wrote:
    I like the way it is but also think this would work:

    Side A
    Getaway
    Mind Your Manners
    Lightning Bolt
    Let The Records Play
    Sirens
    Future Days

    Side B
    Pendulum
    Infallible
    Swallowed Whole
    My Father's Son
    Sleeping By Myself
    Yellow Moon

    Btw I think the harsh transition from MFS into Sirens was intentional to show the difference between the love EV has for his wife compared to the despair he feels for his father.
    I don't think Ed is singing about his real dad in MFS. I think of that of a more of character Ed created by reading something or seeing something.

    He must have at least been influenced by his own life. Either way, I think that odd transition from angry song to love song was meant to cause a little uneasiness.
    severed hand thirteen
    2006: Gorge 7/23 2008: Hartford 6/27 Beacon 7/1 2009: Spectrum 10/30-31
    2010: Newark 5/18 MSG 5/20-21 2011: PJ20 9/3-4 2012: Made In America 9/2
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  • TJ25487TJ25487 Posts: 1,495
    I'm good with the sequencing till the very end. Thats why I changed it up a little. Also some very good suggestions here. It's 2013 people. Make your own CD. Vinyl guys are screwed though. Does vinyl really sound that much better?
  • Better DanBetter Dan Posts: 5,684
    grazman wrote:
    First 7 songs have perfect sequence, from Swallowed Whole onwards it feels like it loses its way abit


    I notice that too, but in my opinion it's because the songs after Pendulum aren't as strong as the others on the album. With that said, I like the track listing the way it is. This is such a great album to me!
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  • thefixer9thefixer9 Posts: 9,376
    Better Dan wrote:
    grazman wrote:
    First 7 songs have perfect sequence, from Swallowed Whole onwards it feels like it loses its way abit


    I notice that too, but in my opinion it's because the songs after Pendulum aren't as strong as the others on the album. With that said, I like the track listing the way it is. This is such a great album to me!

    Agreed. To me Swallowed Whole after Pendulum is kinda weird..plus you're right, I tend to like the first half of the album better.
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  • I've read some criticisms about LB sounding schizophrenic or not cohesive enough. As far as tempo is concerned, pretty much every album has run the gamut. Pearl Jam's strength certainly lies in continuing to push the music in a multitude of directions.

    Sequencing on the new album is probably the most obvious example of that. Lightning Bolt is bookended by a trio of songs on either side. The first three are fast, brooding, enveloped in a spitfire guitar attack that provides a direct line to the adrenal gland. The final three are formed by acoustic rumination, coupled with campfire takeaway. In between, three focused back-to-back sets emerge. 'Sirens' and 'Lightning Bolt' (the song) represent PJ at perhaps their most natural, anthemic state. The next two, 'Infallible' and 'Pendulum', are experimental, in the sense of exploring territory with no reference point in their back catalog. And 'Swallowed Whole' and 'Let the Records Play' aim for an upbeat pronouncement, bordering on levity.

    Lightning Bolt's track listing contains five sections of music placed side by side. I don't think a librarian could have filed it better. Agree/Disagree?

    You make some really good points actually! From a logical point of view (i.e. it being book ended etc.) it is well sequenced...However from a listening point of view it just doesn't 'flow' right at all for me! I know people have already mentioned this, but my mine gripe with the flow of the album is having 'Sirens' after 'My Father's Son' and, the last 3 songs bring the pace down too much imo! I also think that Sirens appears too early in the album too!
  • Neil Bruce wrote:
    I've read some criticisms about LB sounding schizophrenic or not cohesive enough. As far as tempo is concerned, pretty much every album has run the gamut. Pearl Jam's strength certainly lies in continuing to push the music in a multitude of directions.

    Sequencing on the new album is probably the most obvious example of that. Lightning Bolt is bookended by a trio of songs on either side. The first three are fast, brooding, enveloped in a spitfire guitar attack that provides a direct line to the adrenal gland. The final three are formed by acoustic rumination, coupled with campfire takeaway. In between, three focused back-to-back sets emerge. 'Sirens' and 'Lightning Bolt' (the song) represent PJ at perhaps their most natural, anthemic state. The next two, 'Infallible' and 'Pendulum', are experimental, in the sense of exploring territory with no reference point in their back catalog. And 'Swallowed Whole' and 'Let the Records Play' aim for an upbeat pronouncement, bordering on levity.

    Lightning Bolt's track listing contains five sections of music placed side by side. I don't think a librarian could have filed it better. Agree/Disagree?

    You make some really good points actually! From a logical point of view (i.e. it being book ended etc.) it is well sequenced...However from a listening point of view it just doesn't 'flow' right at all for me! I know people have already mentioned this, but my mine gripe with the flow of the album is having 'Sirens' after 'My Father's Son' and, the last 3 songs bring the pace down too much imo! I also think that Sirens appears too early in the album too!

    Deliberately placing 3 songs together at the end can possibly mean two things. One, McCready's insistence on including 'Yellow Moon' tipped the scale towards a softer landing as the record winds down. Or two, it reflects the mini-acoustic sets that now have a permanent spot in the set lists. Although some of their best songs are the slower ones, on previous albums they became more of a respite in between rock numbers. It made for a nice flow, but these days equal emphasis is given to the quieter moments as much as the powerhouse ones. If that's the case, then probably the best spot to put a concentrated amount of mellow tunes would be at the tail end.
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