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Ed in Portland, OR 5/16/08 for Voices of a People's History

FenderBoyFenderBoy Posts: 8
edited May 2008 in The Porch
Hey all, so I have an awesome story to tell. Friday night in Portland I went to see a speaking/reading of Howard Zinn's "Voices of A People's History of the United States" Featuring readings by actor Viggo Mortensen (of Lord of the Rings fame); performance poet Staceyann Chin; poet and musician Tevino Brings Plenty; singer Shontina Vernon; Portland student activist Sarah Levy; actor Michael Ealy; teacher, actor, and musician Eric Levine; editor and author Anthony Arnove; and other fine actors and activists. They read stuff by Eugene Debs, Cindy Sheehan, Malcolm X, Bob Dylan, Howard Zinn, etc. This took place in an old church in downtown Portland, so it was a pretty small event. I was 9 pews back from the front of the church where they would be reading. So, as Anthony Arnove (co-author/editor of the "Voices" book, and the guy who hosts these readings, which have been going all around the country) was helping set up the stage he brought out two little Martin 00 acoustic guitars, and I thought, "Hmm, those look like Ed's guitars." And then I thought, well, I'm here in Portland, he's up there in Seattle, maybe he'll come. So as Arnove was introducing the speakers, at the end he said ".... and a very special guest, Mr. Eddie Vedder." So awesome. So, Ed just took a seat and listened to the speakers, and at the end he got up to play a couple songs. He played "No More War," which was fantastic. And then he said a few things about Howard Zinn, and that Roslyn Zinn (Howard's wife) had passed away that very day. He got a bit choked up, and then played "Long Road" dedicated to her. It was a great night and his being there was a real bonus. Unfortunately the speakers and Ed went backstage and I didn't get a chance to meet them or anything, but I did get Arnove's autograph in my copy of "Voices of a People's History," which was cool. Anyway, still waiting for pics or videos to show up online, cause I didn't get any. By the way, this is my first post on the forums (I've been a 10C member for 3 years, just never posted).
Post edited by Unknown User on

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    josevolutionjosevolution Posts: 28,310
    whoa that is so cool sad about mrs zinn though ....
    jesus greets me looks just like me ....
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    NYbenbenNYbenben Posts: 1,020
    fan-fuckin-tastic!! what a treat!
    4/12/92, 8/11/92, 9/28/96, 9/11/98, 8/23/00, 8/24/00, 7/9/03, 4/30/03, 10/1/04, 10/3/05, 12/9/05, 5/12/06, 5/17/06, 5/28/06, 6/3/06, 12/9/06, EV LA 4/12-4/13/08, 6/12/08, 6,19,08, 6,20,08, 6/24/08, 6/25/08, 7/1/08

    and still jonesing for another show....
    "the waiting drove me mad..."
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    NY PJ1NY PJ1 Posts: 9,533
    yea that was a sweet surprise for those there
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    jordn6971jordn6971 Posts: 675
    Long Road would have been nice in LA.
    "There was a band playing in my head, and I felt like getting high"
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    VeddernarianVeddernarian Posts: 1,917
    Arts & Entertainment
    Voices: Mortensen had prior links to Zinn's work
    KRISTI TURNQUIST
    KRISTI TURNQUIST; The Oregonian

    19 May 2008
    The Oregonian
    Sunrise

    SUMMARY: Pearl Jam's Eddie Vedder is a surprise addition to performers, including

    Viggo Mortensen, who breathe life into the testaments of ordinary people

    Voices of the people

    Mortensen

    had prior links

    to Zinn's work

    "I want to point out that people who seem to have no power, whether working people, people of color, or women --once they organize and protest and create movements --have a voice no government can suppress."

    Howard Zinn from the introduction of "A People's History of the United States"

    KRISTI TURNQUIST

    Friday night, the line outside First Baptist Church in downtown Portland stretched around the block. The still-blazing sun, on a day of record heat, blasted early birds as they waited for the doors to open at 7:15 p.m. In the crowd were children, teens, teachers, students, silver hairs and babes in arms. Many wore tank tops, sleeveless shifts or shorts, revealing tender flesh abruptly liberated from winter layers, now reddened and sweating.

    Despite the rivers of perspiration sliding down backs and foreheads, the mood in line stayed remarkably jolly. And the crowd's spirits were as high as the temperature. It's not every Friday night in Portland, after all, that mashes together, in one form or another, Viggo Mortensen, Eddie Vedder, Bob Dylan, John Reed, Cindy Sheehan, Billie Holiday, John Brown, Leonard Peltier and Malcolm X.

    This Friday night event, "Voices of a People's History," featured famous actors, East Coast performers and selected Portlanders reading excerpts from "Voices of a People's History of the United States." Edited by Howard Zinn and Anthony Arnove, the book is a companion volume to Zinn's bestseller, "A People's History of the United States." As the title indicates, "Voices" collects speeches, poems, letters, songs and other testimony from figures both obscure and renowned.

    As Zinn, a professor emeritus of political science at Boston University, writes in the book's introduction: "I want to point out that people who seem to have no power, whether working people, people of color, or women --once they organize and protest and create movements --have a voice no government can suppress."

    The event, presented by Portland's Illahee Lecture Series, was a hot ticket --no pun intended --because of the participation of Mortensen. The actor (best known as Aragorn in the "The Lord of the Rings" trilogy), in Oregon to film "The Road," adapted from Cormac McCarthy's novel, has appeared in a "Voices" reading in Los Angeles. His connection with Zinn includes Mortensen's narration of "What the Classroom Didn't Teach Me About American Empire," a video available on YouTube.

    Taking advantage of Mortensen's local presence, Illahee added the "Voices" reading to its lecture series.

    "Our season is about why we believe what we believe," says Peter Schoonmaker, Illahee's president. "We thought this fit it, asking the question, 'Can you believe history? Do you believe these dissenters and activists, or do you believe the standard story?' "

    And it's timely, Schoonmaker adds, in this political season, when voters are asking, "Do you believe in Barack or Hillary or John McCain, or none of the above?"

    No doubt many in the sell-out crowd were on hand to hear the provocative, eloquent, sometimes inflammatory words of American dissidents. But there were also the starstruck women in flirty sundresses and strappy sandals, hair combed and shiny, talking and laughing among themselves, and it was impossible not to overhear the conversations.

    "This was all over the fan club sites."

    "I'm sure at least some of these people have read the book."

    "Viggo is just such a hottie."

    Once inside, the Viggo-gazers calmed down and paid attention to an evening of words from some of America's most incendiary advocates of revolution. Zinn's co-editor, Arnove, dedicated the evening to the memory of Zinn's wife, Roslyn, who died earlier in the week. Then he surprised the crowd by bringing out "a friend to us all, Eddie Vedder." The singer-songwriter and frontman for Pearl Jam came out to thunderous applause, waved and took a seat in the front pew.

    The readers, seated on a long pew at the front of the church, rose, one by one, for their selections. The words that rang through the church offered a view of America as a land "discovered" with brutal exploitation by Christopher Columbus, its history woven with oppression of the working class, minorities and the poor.

    Portland poet and musician Trevino L. Brings Plenty quoted Tecumseh, a Shawnee leader: "White people came among us feeble and now we have made them strong. . . . The white men are not friends to the Indians."

    Lincoln High School student Sarah Levy animatedly read from Helen Keller's protest against U.S. entry into World War I: "Every modern war has its roots in exploitation."

    Mortensen, bearded, wearing jeans and T-shirt that said "Make Art, Not War," read similar thoughts from Portland native John Reed, the journalist and Communist activist. In 1917, Reed wrote an article for The Masses magazine entitled "Whose War?" that opposed World War I.

    "I know what war means," Mortensen read in a low, steady voice. "I have seen men die, and go mad, and lie in hospitals suffering hell; but there is a worse thing than that. War means an ugly mob- madness, crucifying the truth-tellers, choking the artists, side- tracking reforms, revolutions, and the working of social forces."

    As his voice rose, parallels with current debates over war seemed to resonate among the audience. "Whose war is this?" Mortensen read. "Not mine."

    "Not mine," echoed a voice in the crowd.

    Sustained applause greeted Portland actor and teacher Eric Levine as he read from the 1918 speech that led to Socialist and union leader Eugene Debs' arrest: "Every solitary one of these aristocratic conspirators and would-be murderers claims to be an arch-patriot; every one of them insists that the war is being waged to make the world safe for democracy. What humbug!"

    New York-based Shontina Vernon sang a blood-chilling version of "Strange Fruit," the condemnation of the lynching of African Americans that became one of Billie Holiday's most wrenching songs.

    The evening reached an emotional climax with Michael Ealy, of the Showtime miniseries "Sleeper Cell," reading from Malcolm X's revolutionary "A Message to the Grass Roots"; Mortensen singing, a cappella, Bob Dylan's "Masters of War"; and New York performance poet Staceyann Chin reading, with explosive emotion, from Cindy Sheehan's "It's Time the Antiwar Choir Started Singing."

    Then, Vedder went to the front of the church, sat on a chair, picked up a guitar and, after stopping twice to collect his emotions, devoted his song, "The Long Road" to Roslyn Zinn. "Without you," Vedder sang, "something's missing. . . . Now I wish for you again/ And the wind keeps blowin'/ And the sky keeps turning gray/ And the sun is set."

    When Vedder finished, the crowd --some in tears --applauded vigorously and went back into the hot Portland night.
    Up here so high I start to shake, Up here so high the sky I scrape, I've no fear but for falling down, So look out below I am falling now, Falling down,...not staying down, Could’ve held me up, rather tear me down, Drown in the river
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