I still can listen to the file. I've downloaded it onto my computer, unzipped it and it says its an mp3 file in the Properties, but i've added it to my itunes library folders, but when I try to add it to my library it doesn't show up. I've tried playing it in itunes but it won't play. I even tried emailing the file to my android phone but none of the apps will play it. I'm running out of ideas! any help would be greatly appreciated thanks
Edit: sorted it by downloading again.
I kinda like it first listen and I think it will be a grower.
Post edited by Chazz on
Dublin, Reading 06 London, Copenhagen 07 MSG 08 SBE, Manchester, London 09 Dublin, Belfast, London 10
If they go political on the next album i selfishly hope its a certain style.
I like political tunes if they’re vague —-only because it doesnt timestamp them. Infallible to me is perfect in its message and applies to any decade. Thats personal preference tho. As long as they’re still writing tunes im fine with whatever they want
As long as it's not as topical as Neil Young latest songs...
"Mostly I think that people react sensitively because they know you’ve got a point"
If they go political on the next album i selfishly hope its a certain style.
I like political tunes if they’re vague —-only because it doesnt timestamp them. Infallible to me is perfect in its message and applies to any decade. Thats personal preference tho. As long as they’re still writing tunes im fine with whatever they want
I certainly think Ed has tried hard of late to leave lyrics open to interpretation and not to have them ‘time stamped’ which dates a song of course. I agree that Infallible is that sort of song. I hope that if a new album is politically charged it doesn’t get known as a Trump album.
im pretty sure will be played tomorrow in santiago
"...Dimitri...He talks to me...'.."The Ghost of Greece..".
"..That's One Happy Fuckin Ghost.."
“..That came up on the Pillow Case...This is for the Greek, With Our Apologies.....”
Definitely will save my bootleg code for one of these early shows that gets released. Hopefully they get clean recordings in South America this time around.
"...Dimitri...He talks to me...'.."The Ghost of Greece..".
"..That's One Happy Fuckin Ghost.."
“..That came up on the Pillow Case...This is for the Greek, With Our Apologies.....”
"...Dimitri...He talks to me...'.."The Ghost of Greece..".
"..That's One Happy Fuckin Ghost.."
“..That came up on the Pillow Case...This is for the Greek, With Our Apologies.....”
It's political, anti-Trump and has fucking cowbell. I'm in! Loving it.
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On my to do list today is getting around to listening to this new track. Seems like the kind of PJ track i would be into.
Pine Knob, MI Lollapalooza 1992 / Soldier Field, Chicago 1995 / Savage Hall, Toledo 1996 / Palace, Detroit 1998 / Palace, Detroit 2000 / Pine Knob, MI 2003 / Showbox, Seattle 2004 / MSG, NYC 2008 / Key Arena I & II, Seattle 2009 / Eddie Vedder Beacon, NYC 2011 / Eddie Vedder Benaroya, Hall Seattle 2011 / Barclays, Brooklyn I &II 2013 / Wells Fargo, Philadelphia II 2013 / Wuhlheide, Berlin, Germany 2014 / Wells Fargo, Philadelphia 1 2016 / Madison Square Garden, NYC 2 2016 / Wrigley 2, Chicago 2016/ Fenway 1, Boston 2018/
Please stop saying this sounds like Cornell. I would think if you have ears you'd realize it's offensive to his memory...
What's offensive about it? He DOES sound like Cornell, especially the first couple lines. Perhaps it was intentional on Ed's part as a nod to his old friend.
I get the impression that even if someone is credited as a sole writer on the music for something, they all have a hand in it one way or another.
I'm inclined to agree with this. I've never written a song or know how writing credits actually work, but I would assume if a sole band member is credited as the songwriter, he probably came up with the main rhythm and/or melody then the intricacies were worked out amongst the others.
I get the impression that even if someone is credited as a sole writer on the music for something, they all have a hand in it one way or another.
I'm inclined to agree with this. I've never written a song or know how writing credits actually work, but I would assume if a sole band member is credited as the songwriter, he probably came up with the main rhythm and/or melody then the intricacies were worked out amongst the others.
depends on the dynamics of the band, but also if the rest of the band feels as if the song was brought in complete or not.
or, in PJ's case, if BoB thinks it's a radio hit or not.
They could have done tons with this song and related it to human struggle with real imagery. Instead its just another staged attractive face and edgy graphic design
Really? I guess everyone has an opinion. But are you really complaining about the artwork? Really?
Pearl Jam could put on a free show in a open field in every region of America and people would still complain
They better be giving out free posters at that free concert!
I love that it feels rough and unpolished. BS and LB feel over produced on the albums. I think this song will be great live bc you know it will get a little kick in the tempo
5/3/92 Omaha, NE
6/19/95 Red Rocks
9/11/98 MSG
11/19/12 EV solo Tulsa
7/19/13 Wrigley 10/19/13 Brooklyn 2 10/21/13 Philly 1 10/22/13 Philly 2 10/25/13 Hartford
10/08/14 Tulsa 10/09/14 Lincoln
9/26/15 New York City
4/16/16 Greenville 4/28/16 Philly 1 4/29/16 Philly 2 5/1/16 MSG 1 5/2/16 MSG 2 8/7/16 Fenway 2 8/20/16 Wrigley 1 4/7/17 RRHOF New York City 9/02/18 Fenway 1 9/04/2018 Fenway 2 9/18/21 Asbury Park 9/11/22 New York City 9/14/22 Camden
The lyrics to Lukin will be easier to understand than this one live.
Really? These are way easier upon initial listens.
No, I mean ed will lose his voice trying to sing this live. It will sound like a horrible mess.
I'm hoping they tune it down like they've tuned down Habit or Comatose to accommodate Ed's voice. If they tune it down I bet it'll rock live.
Getaway is tuned down too i think
Ugh, I hate it when the tune down songs. I no longer enjoy Comatose live. Theres another one they do it with to and it kills the song. Maybe STBC?
+1
I would rather have Ed only fill in 25% vocals and keep the standard tuning so the spirit of the song isn't lost. Tuning everything down just seems to compromise the entire song for me.
Comments
Edit: sorted it by downloading again.
I kinda like it first listen and I think it will be a grower.
London, Copenhagen 07
MSG 08
SBE, Manchester, London 09
Dublin, Belfast, London 10
Melbourne #2 '03
Melbourne #3 '03
Melbourne #1 '06
Melbourne #3 '06
Melbourne '09
Melbourne '14
Seems unfinished , mike is no where near the song and the lyrics arent good at all and dont get me started on the chorus
"..That's One Happy Fuckin Ghost.."
“..That came up on the Pillow Case...This is for the Greek, With Our Apologies.....”
Be interesting to see how it sounds live
"..That's One Happy Fuckin Ghost.."
“..That came up on the Pillow Case...This is for the Greek, With Our Apologies.....”
i "heard" is all stone the song
"..That's One Happy Fuckin Ghost.."
“..That came up on the Pillow Case...This is for the Greek, With Our Apologies.....”
Hope they everyone enjoys it .
Very good...he wrote Even Flow my Favourite song
Dublin 2010
Madrid 2018
Werchter 2022
London 1 2022
London 2 2022
Krakow 2022
Dublin 2010
Madrid 2018
Werchter 2022
London 1 2022
London 2 2022
Krakow 2022
"...I changed by not changing at all..."
Dublin 2010
Madrid 2018
Werchter 2022
London 1 2022
London 2 2022
Krakow 2022
Cheers,
HFD
Cheers,
HFD
Dublin 2010
Madrid 2018
Werchter 2022
London 1 2022
London 2 2022
Krakow 2022
or, in PJ's case, if BoB thinks it's a radio hit or not.
Cheers,
HFD
6/19/95 Red Rocks
9/11/98 MSG
11/19/12 EV solo Tulsa
7/19/13 Wrigley 10/19/13 Brooklyn 2 10/21/13 Philly 1 10/22/13 Philly 2 10/25/13 Hartford
10/08/14 Tulsa 10/09/14 Lincoln
9/26/15 New York City
4/16/16 Greenville 4/28/16 Philly 1 4/29/16 Philly 2 5/1/16 MSG 1 5/2/16 MSG 2 8/7/16 Fenway 2 8/20/16 Wrigley 1
4/7/17 RRHOF New York City
9/02/18 Fenway 1 9/04/2018 Fenway 2
9/18/21 Asbury Park
9/11/22 New York City
9/14/22 Camden
+1
I would rather have Ed only fill in 25% vocals and keep the standard tuning so the spirit of the song isn't lost. Tuning everything down just seems to compromise the entire song for me.