I'd like to see a solid '96 show. I know we've heard all those songs and it's a less diverse list of songs, but No Code fresh on it's promo tour would be awesome. My favorite Hail, Hail is still the Late Show appearance from that year.
I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata
Time for vault 8 preorder.....no need to wait til June.
It is definitely time to do two things... Open up the vault from 1991 through 1998 in a more robust way. Do a quarterly CD release and an annual Vinyl.
I've had enough of the 90s shows for now. Too many of the same songs on vinyl - I want shows from a time when their catalogue is bigger. What I really want is Santa Barbara 2003!
Don't care about catalog, care about great shows, there are great shows from the Dave A and Jack Irons era that need to be put out. The later catalog is done with the CDs, though possibly doing something like Santa Barbara would be good.
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
I've said it before, and I'll say it again: I'd like to see the BSE get the vault vinyl treatment.
Sure, three are tons of bootleg import CDs, radio promo CDs, and incomplete bootleg vinyl releases out there. And I suppose that one could cobble together a nearly complete show from the various official "Dissident" releases.
Still, the BSE deserves a vinyl release worthy of its greatness.
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
There's a DVD?
Fan made, sourced from a webcast.
But.. What the hell BSE means? I suppose you talking about Atlanta 94?
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
There's a DVD?
Fan made, sourced from a webcast.
But.. What the hell BSE means? I suppose you talking about Atlanta 94?
Best
Show
Ever
I SAW PEARL JAM
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WhatYouTaughtMe
I have no idea what's going on right now! Posts: 4,957
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
There's a DVD?
Fan made, sourced from a webcast.
But.. What the hell BSE means? I suppose you talking about Atlanta 94?
Best
Show
Ever
Tough to argue with that. The energy, the performance, and no duds in the set.
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
There's a DVD?
Fan made, sourced from a webcast.
But.. What the hell BSE means? I suppose you talking about Atlanta 94?
I got mine on a Maxell XL Cassette tape... taped right off of 107.9 Pirate radio in Panama City, FLA. includes post show DJ set until the station faded out.
2000- Atlanta, GA: New Orleans, LA: Memphis, TN: Nashville, TN
2003- Raleigh, NC: Charlotte, NC: Atlanta, GA
2004- Asheville, NC (hometown show)
2006- Cincinnati, OH
2008- Columbia, SC
2009- Chicago, IL x 2 / Ed Vedder- Atlanta, GA x 2
2010- Bristow, VA
2011- Alpine Valley, WI (PJ20) x 2 / Ed Vedder- Chicago, IL
2012- Atlanta, GA
2013- Charlotte, NC
2014- Cincinnati, OH
2015- New York, NY
2016- Greenville, SC: Hampton, VA:: Columbia, SC: Raleigh, NC : Lexington, KY: Philly, PA 2: (Wrigley) Chicago, IL x 2 (holy shit): Temple of the Dog- Philly, PA
I think the problem they run into with newer shows is the length. The further back in time you go the shorter the shows were. Thus the older shows are easier to try and fit on a reasonable amount of records.
I agree about Santa Barbara. That would be an epic one to put on vinyl. I'd gladly pay a little more for the set if it needed to be on 4 or 5 records to have nothing cut
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
There's a DVD?
Yes. As someone pointed out, fan made. Honestly as I've already said, I have not watched it in years.
I always liked that show, have not actually listened or watched the dvd in years, but I just don't see them releasing that, but certainly it would be a logical 2003 choice.
There's a DVD?
Fan made, sourced from a webcast.
But.. What the hell BSE means? I suppose you talking about Atlanta 94?
Best
Show
Ever
Definitely one of the greatest encores if that or any era of PJ.
I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.
Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.
Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.
Post edited by PJ_Soul on
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata
We’re talking PJ’s management and their current frame of mind.
Record companies usually have some say over their signed artists appearing on another act’s album and people will want their cut of the profits. A few covers for a bootleg is one thing, but they’d be paying royalties on nearly half of the song list and that will be a big chunk of the profit.
We’re talking PJ’s management and their current frame of mind.
Record companies usually have some say over their signed artists appearing on another act’s album and people will want their cut of the profits. A few covers for a bootleg is one thing, but they’d be paying royalties on nearly half of the song list and that will be a big chunk of the profit.
Meh. Yeah, okay, if PJ management is feeling lazy and like nothing is worth putting in a little extra effort, then sure, we'll never see anything really cool again I guess? I hope that isn't the case though! I don't think just putting the whole Santa Barbara show on vinyl is an overwhelming, monumental task that is so difficult it's not perfectly doable - all they have to do is give a shit enough to get it done. There are live albums where many different artists have performed on them out there, and many, many more where the entire album is covers, let alone half of it. It's not like it's impossible or too great a financial issue to get done and make money with.
Post edited by PJ_Soul on
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata
I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.
Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.
I don't think any of that is really an issue. I think those are all logistical problems that are covered and sorted out by way of existing contracts etc. The bigger issue is likely, do they think this show warrants being released. If anything at this stage, it is also a bit of a challenge to do the complete show with Cornell's passing.
I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.
Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.
I don't think any of that is really an issue. I think those are all logistical problems that are covered and sorted out by way of existing contracts etc. The bigger issue is likely, do they think this show warrants being released. If anything at this stage, it is also a bit of a challenge to do the complete show with Cornell's passing.
Yeah, I agree. I don't think those other issues are that big a deal. Sure, they have to think this show warrants release... I don't see why they wouldn't think so though. I've heard a shitty audience boot of it, and it's pretty cool. I don't see why it would really be a bigger challenge because Chris died.
With all its sham, drudgery, and broken dreams, it is still a beautiful world. Be careful. Strive to be happy. ~ Desiderata
I’d love Santa Barbera, but it would probably be highly edited with all the guest spots.
Yeah, I'd only want it if they can do the whole thing... Surely they could work that out. I.e. just ask the guests if they can do it. Surely nobody would refuse? It's not like any corporation has rights over those performances - I don't see why copyright or anything would be an issue in this case.
Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
So? I don't see why it couldn't be done fairly easily, in relative terms. I mean, this is one of those things that band management gets paid for, right?? I hope we're not thinking that they shouldn't do anything unless it's super easy. Also, I'm not sure how much say a record company has over a live performance recording at someone else's show. And dealing with covers is par for the course.
I don't think any of that is really an issue. I think those are all logistical problems that are covered and sorted out by way of existing contracts etc. The bigger issue is likely, do they think this show warrants being released. If anything at this stage, it is also a bit of a challenge to do the complete show with Cornell's passing.
Eddie was still rocking his David Soul look at this show, too.
I don't see why it would really be a bigger challenge because Chris died.
For better or worse, things are in his estate's hands in the best case scenario if he had a will in order. If he did not have things in order it is increasingly challenging because unfortunately there will be lawyers.
Comments
http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
http://www.livefootsteps.org/user/?usr=3652
Did anyone outside the USA receive a shipping confirmation on their Vault 7 vinyl?
http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
http://www.livefootsteps.org/user/?usr=3652
Sure, three are tons of bootleg import CDs, radio promo CDs, and incomplete bootleg vinyl releases out there. And I suppose that one could cobble together a nearly complete show from the various official "Dissident" releases.
Still, the BSE deserves a vinyl release worthy of its greatness.
But.. What the hell BSE means? I suppose you talking about Atlanta 94?
Show
Ever
I got mine on a Maxell XL Cassette tape... taped right off of 107.9 Pirate radio in Panama City, FLA. includes post show DJ set until the station faded out.
livefootsteps.org/user/?usr=446
1995- New Orleans, LA : New Orleans, LA
1996- Charleston, SC
1998- Atlanta, GA: Birmingham, AL: Greenville, SC: Knoxville, TN
2000- Atlanta, GA: New Orleans, LA: Memphis, TN: Nashville, TN
2003- Raleigh, NC: Charlotte, NC: Atlanta, GA
2004- Asheville, NC (hometown show)
2006- Cincinnati, OH
2008- Columbia, SC
2009- Chicago, IL x 2 / Ed Vedder- Atlanta, GA x 2
2010- Bristow, VA
2011- Alpine Valley, WI (PJ20) x 2 / Ed Vedder- Chicago, IL
2012- Atlanta, GA
2013- Charlotte, NC
2014- Cincinnati, OH
2015- New York, NY
2016- Greenville, SC: Hampton, VA:: Columbia, SC: Raleigh, NC : Lexington, KY: Philly, PA 2: (Wrigley) Chicago, IL x 2 (holy shit): Temple of the Dog- Philly, PA
2017- ED VED- Louisville, KY
2018- Chicago, IL x2, Boston, MA x2
2020- Nashville, TN
2022- Smashville
2023- Austin, TX x2
I agree about Santa Barbara. That would be an epic one to put on vinyl. I'd gladly pay a little more for the set if it needed to be on 4 or 5 records to have nothing cut
http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
http://www.livefootsteps.org/user/?usr=3652
http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
http://www.livefootsteps.org/user/?usr=3652
Youve got Jack Johnson, Cornell, John Frusciante and Lyle Workman. That’s probably at least 3 different record companies and 4 sets of management to go through to get clearance. Also, almost half the set is made up of covers.
Record companies usually have some say over their signed artists appearing on another act’s album and people will want their cut of the profits. A few covers for a bootleg is one thing, but they’d be paying royalties on nearly half of the song list and that will be a big chunk of the profit.
http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
http://www.livefootsteps.org/user/?usr=3652
http://www.hi5sports.org/ (Sports Program for Kids with Disabilities)
http://www.livefootsteps.org/user/?usr=3652