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Is this BullMoose pre-order of Live broadcasts 94-96 vinyl legit?

Weston1283Weston1283 Fredericksburg, VA Posts: 4,626
edited December 2016 in The Porch
BullMoose is a pretty legitimate and reliable seller. Has anyone heard of this before?

image
2010: Cleveland
2012: Atlanta
2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
2015: New York City
2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
2017: Ohana Fest (EV)
2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
2023: St. Paul II
Post edited by Weston1283 on
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    jervin007jervin007 Posts: 3,181
    Just showed up on my twitter feed. I assume its a bootleg. Might still pick it up though
    PJ:
    2003 Mansfield: July 2
    2004 Boston: Sept 28 & 29
    2005 Montreal: Sept 15
    2006 Boston: May 24 & 25
    2008 Hartford: June 27, Mansfield: June 28,
    2010 Boston: May 17
    2013 Worcester: Oct 15, Hartford: Oct 25,
    2016 Hampton: April 18, Raleigh: April 20 (cancelled), Columbia: April 21. Quebec: May 5. Boston (Fenway): August 7

    EV Solo: Boston 8/2/08, Boston 6/16/11
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    Dr. DelightDr. Delight Posts: 11,210
    Bootleg
    And so you see, I have come to doubt
    All that I once held as true
    I stand alone without beliefs
    The only truth I know is you.
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    epieepie Posts: 290
    I've seen this advertised awhile back and appears it will now have availability from several outlets starting at $79.99 in addition to Bull Moose in 2017. Would love to get some feedback on the sound quality and a little more info. on the back story to these if anyone has it before pulling the trigger.
    1996 - Columbia, MD & Augusta, ME
    2013 - Worcester, MA (Lightning Bolt Release)
    2016 - Fenway Park I and II
    2017 - HSCM (EV) Boston, MA
    2018 - Seattle I, Fenway Park I and II
    2021 - Ohana Festival (EV/EV/PJ)
    2022 - EV (Beacon Theater II & Newark)
    2023 - Austin, TX I & II
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    Tim SimmonsTim Simmons Posts: 6,908
    They have all been released individually. They sound fine, but the sourcing is unknown (Outside of it being a radio broadcast recording). Not worth $80.

    Pretty sure its the PJ tunes from the first self pollution broadcast, a discs worth of Atlanta 94 tracks and that Chicago 92 show.

    You can buy them individually not on clear and with different cover art. Personally I'm waiting to see if PJ will press the whole Atlanta Broadcast someday.


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    epieepie Posts: 290

    They have all been released individually. They sound fine, but the sourcing is unknown (Outside of it being a radio broadcast recording). Not worth $80.

    Pretty sure its the PJ tunes from the first self pollution broadcast, a discs worth of Atlanta 94 tracks and that Chicago 92 show.

    You can buy them individually not on clear and with different cover art. Personally I'm waiting to see if PJ will press the whole Atlanta Broadcast someday.


    Thanks for the explanation.
    1996 - Columbia, MD & Augusta, ME
    2013 - Worcester, MA (Lightning Bolt Release)
    2016 - Fenway Park I and II
    2017 - HSCM (EV) Boston, MA
    2018 - Seattle I, Fenway Park I and II
    2021 - Ohana Festival (EV/EV/PJ)
    2022 - EV (Beacon Theater II & Newark)
    2023 - Austin, TX I & II
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    mcgruff10mcgruff10 New Jersey Posts: 27,840

    They have all been released individually. They sound fine, but the sourcing is unknown (Outside of it being a radio broadcast recording). Not worth $80.

    Pretty sure its the PJ tunes from the first self pollution broadcast, a discs worth of Atlanta 94 tracks and that Chicago 92 show.

    You can buy them individually not on clear and with different cover art. Personally I'm waiting to see if PJ will press the whole Atlanta Broadcast someday.


    Hopefully they release any other 94 show besides Atlanta 2 which happens to be the most well known/owned pj bootleg of all time.
    I'll ride the wave where it takes me......
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    Shouldn't this be shut down?
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    SaravaSarava Naperville, IL Posts: 1,998
    That's pricey for 3 LPs
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    ZodZod Posts: 10,103

    Shouldn't this be shut down?

    No. Things like this are legally produced in Europe. I don't quite understand it, but apparently they don't have as harsh a view on copyright as the United States does.

    It reminds me of CD's here in Canada in the 90's. It was illegal to make and sell bootlegs in Canada, but it wasn't illegal to import them. Thus as long as they were made somewhere else they were free to be sold here. I think it's the same for these recordings. They're legal where they're being made and it's not illegal to import them.
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    on2legson2legs Standing in the Jersey rain… Posts: 14,419
    Zod said:

    Shouldn't this be shut down?

    No. Things like this are legally produced in Europe. I don't quite understand it, but apparently they don't have as harsh a view on copyright as the United States does.

    It reminds me of CD's here in Canada in the 90's. It was illegal to make and sell bootlegs in Canada, but it wasn't illegal to import them. Thus as long as they were made somewhere else they were free to be sold here. I think it's the same for these recordings. They're legal where they're being made and it's not illegal to import them.
    Not to go all law and order because I couldn't care less but they're not legal to import or sell in the US if they violate a copyright. No different than bogus Rolex watches or fake handbags. I think they get away with it because it's not a big enough market for them to be worth a concerted effort to stop it.
    1996: Randall's Island 2  1998: East Rutherford | MSG 1 & 2  2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel  2005: Atlantic City 1  2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV)  2009: Philadelphia 1, 2 & 4  2010: Newark | MSG 1 & 2  2011: Toronto 1  2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore  2015: Central Park  2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD)  2017: Brooklyn (RnR HOF)  2020: MSG | Asbury Park  2021: Asbury Park  2022: MSG | Camden | Nashville  2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore


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    TravelarTravelar Kalamazoo, USA Posts: 3,358
    What pisses me off about these types of releases are that they are labeled as "import" in most music stores (at least the ones I go to). The import label adds about 20-30% cost increase just because it's an import, which I guess is considered exotic. I'd rather they clearly mark these as bootleg or unofficial. But then I guess they would have to admit to selling crap.
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    Weston1283Weston1283 Fredericksburg, VA Posts: 4,626
    I know most of these are bootlegs, I just didn't think a place like BullMoose would advertise a bootleg though. That's why I had questions about this particular one.
    2010: Cleveland
    2012: Atlanta
    2013: London ONT / Wrigley Field / Pittsburgh / Buffalo / San Diego / Los Angeles I / Los Angeles II
    2014: Cincinnati / St. Louis / Tulsa / Lincoln / Detroit / Denver
    2015: New York City
    2016: Ft. Lauderdale / Miami / Jacksonville / Greenville / Hampton / Columbia / Lexington / Philly II / New York City II / Toronto II / Bonnaroo / Telluride / Fenway I / Wrigley I / Wrigley - II / TOTD - Philadelphia, San Francisco
    2017: Ohana Fest (EV)
    2018: Amsterdam I / Amsterdam II / Seattle I / Seattle II / Boston I / Boston II
    2021: Asbury Park / Ohana Encore 1 / Ohana Encore 2
    2022: Phoenix / LA I / LA II / Quebec City / Ottawa / New York City / Camden / Nashville / St. Louis / Denver
    2023: St. Paul II
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    ZodZod Posts: 10,103
    edited December 2016
    on2legs said:

    Zod said:

    Shouldn't this be shut down?

    No. Things like this are legally produced in Europe. I don't quite understand it, but apparently they don't have as harsh a view on copyright as the United States does.

    It reminds me of CD's here in Canada in the 90's. It was illegal to make and sell bootlegs in Canada, but it wasn't illegal to import them. Thus as long as they were made somewhere else they were free to be sold here. I think it's the same for these recordings. They're legal where they're being made and it's not illegal to import them.
    Not to go all law and order because I couldn't care less but they're not legal to import or sell in the US if they violate a copyright. No different than bogus Rolex watches or fake handbags. I think they get away with it because it's not a big enough market for them to be worth a concerted effort to stop it.
    It is different. The live recordings aren't illegal. They are legal in europe. It's a loophole in the copyright law where recordings (once they're something like 20 to 25 years old) can fall in the public domain. It means these little record companies can legally put them on vinyl as long as they pay the applicable royalties. They are unauthorized but they aren't illegal. They can't use official band records/soundboards but they can use fan sources, radio sources, tv sources etc... Stuff the band doesn't own directly. I think it's more of a grey area if importing a completely legal record made in europe is illegal to import into the US. You are right in that it's such a small nice market it probably won't result lawsuits to find out. I wanted to point out that most of these records (at least the live ones) are actually be made legally, because other countries don't have as strict copyright laws as the US.

    This is a pretty good article which has some good info on how it works and why it's legal (mostly):

    https://www.google.ca/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&cad=rja&uact=8&ved=0ahUKEwig5NGV54DRAhUhJ8AKHS2BAmMQFggsMAM&url=http://pitchfork.com/thepitch/932-the-new-explosion-of-bootleg-vinyl/&usg=AFQjCNEX59AmboOIGgsjeuU4P3JOIk3ylQ&sig2=CrlsRSJ7RlFOqCKNmnyKeQ

    edit: I should note that bootlegs of the official records are absolutely illegal bootlegs. It's the ones that come from stuff like FM recordings that are unauthorized but not made illegally.
    Post edited by Zod on
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    RoleModelsinBlood31RoleModelsinBlood31 Austin TX Posts: 6,140
    Travelar said:

    What pisses me off about these types of releases are that they are labeled as "import" in most music stores (at least the ones I go to). The import label adds about 20-30% cost increase just because it's an import, which I guess is considered exotic. I'd rather they clearly mark these as bootleg or unofficial. But then I guess they would have to admit to selling crap.

    I was at a giant vinyl convention about 6 months ago and a table was selling tons of bootlegs. I couldn't care less that he was selling them, (I mean I sell/buy weed and that's not legit where I am either so who am I to judge) but he was caking them all "imports." He was saying that they're the same album and there's no difference, they're just made in Europe. I didn't feel like getting into it at the time so I just smiled and said no thanks to the $50 orange binaural he was slinging. But I swear every single thing he was selling was a bootleg.
    I'm like an opening band for your mom.
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    on2legson2legs Standing in the Jersey rain… Posts: 14,419
    Zod said:

    on2legs said:

    Zod said:

    Shouldn't this be shut down?

    No. Things like this are legally produced in Europe. I don't quite understand it, but apparently they don't have as harsh a view on copyright as the United States does.

    It reminds me of CD's here in Canada in the 90's. It was illegal to make and sell bootlegs in Canada, but it wasn't illegal to import them. Thus as long as they were made somewhere else they were free to be sold here. I think it's the same for these recordings. They're legal where they're being made and it's not illegal to import them.
    Not to go all law and order because I couldn't care less but they're not legal to import or sell in the US if they violate a copyright. No different than bogus Rolex watches or fake handbags. I think they get away with it because it's not a big enough market for them to be worth a concerted effort to stop it.
    It is different. The live recordings aren't illegal. They are legal in europe. It's a loophole in the copyright law where recordings (once they're something like 20 to 25 years old) can fall in the public domain. It means these little record companies can legally put them on vinyl as long as they pay the applicable royalties. They are unauthorized but they aren't illegal. They can't use official band records/soundboards but they can use fan sources, radio sources, tv sources etc... Stuff the band doesn't own directly. I think it's more of a grey area if importing a completely legal record made in europe is illegal to import into the US. You are right in that it's such a small nice market it probably won't result lawsuits to find out. I wanted to point out that most of these records (at least the live ones) are actually be made legally, because other countries don't have as strict copyright laws as the US.

    This is a pretty good article which has some good info on how it works and why it's legal (mostly):

    https://www.google.ca/url?sa=t&rct=j&q=&esrc=s&source=web&cd=4&cad=rja&uact=8&ved=0ahUKEwig5NGV54DRAhUhJ8AKHS2BAmMQFggsMAM&url=http://pitchfork.com/thepitch/932-the-new-explosion-of-bootleg-vinyl/&usg=AFQjCNEX59AmboOIGgsjeuU4P3JOIk3ylQ&sig2=CrlsRSJ7RlFOqCKNmnyKeQ

    edit: I should note that bootlegs of the official records are absolutely illegal bootlegs. It's the ones that come from stuff like FM recordings that are unauthorized but not made illegally.
    I'm sure you're correct. I'm only talking about Bullmoose selling them here in the US. It's illegal and if anyone in customs cared about bootleg recordings they would get seized upon entering the country.
    1996: Randall's Island 2  1998: East Rutherford | MSG 1 & 2  2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel  2005: Atlantic City 1  2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV)  2009: Philadelphia 1, 2 & 4  2010: Newark | MSG 1 & 2  2011: Toronto 1  2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore  2015: Central Park  2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD)  2017: Brooklyn (RnR HOF)  2020: MSG | Asbury Park  2021: Asbury Park  2022: MSG | Camden | Nashville  2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore


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    ZodZod Posts: 10,103
    edited December 2016
    on2legs said:

    I'm sure you're correct. I'm only talking about Bullmoose selling them here in the US. It's illegal and if anyone in customs cared about bootleg recordings they would get seized upon entering the country.

    Except they're not technically bootlegs. They're legal unauthorized recordings. A bootleg is something created that's completely against the law and infringes on copyright. These new "Live" recordings aren't really bootlegs because they're made legally. Royalties are paid (or are supposed to be paid). So unlike the problem in the 90's where cd's were pressed illegally, and the bootleg industry got cracked down on. What you've got here is a product made in complete compliance with the copyright law in Europe and then exported to the US. Like the article say's it's a grey area. Not a big enough market to drag lawsuits through courts to get rulings on the legality of it. Definitely more of a grey area than a black/white area than what we were seeing with cd's in the 90s.

    edit: It's all kind of moot though because it seems many record stores have no problems bringing in bootlegs of studio albums, and those are 100% illegal in either place.
    Post edited by Zod on
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    cp3iversoncp3iverson Posts: 8,640
    I consider the 3-5-98 melbourne boot as my unofficial Vault 7. Its a fun set to own.
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    MedozKMedozK Tennessee Posts: 9,209
    Zod said:

    I should note that bootlegs of the official records are absolutely illegal bootlegs. It's the ones that come from stuff like FM recordings that are unauthorized but not made illegally.

    This is it in a nutshell.

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    TravelarTravelar Kalamazoo, USA Posts: 3,358


    I was at a giant vinyl convention about 6 months ago and a table was selling tons of bootlegs. I couldn't care less that he was selling them, (I mean I sell/buy weed and that's not legit where I am either so who am I to judge) but he was caking them all "imports." He was saying that they're the same album and there's no difference, they're just made in Europe. I didn't feel like getting into it at the time so I just smiled and said no thanks to the $50 orange binaural he was slinging. But I swear every single thing he was selling was a bootleg.

    This is the kind of guy that knows what he's selling is a bootleg. I'll give some consideration to my mom & pops shops. They might know, they might not. I assume someone doing the ordering knows what they are buying, but meh... If it's something cool and live, I might pick it up, but probably not. Especially if it's overpriced. Bootlegs of actual studio stuff though... ugh.
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    on2legson2legs Standing in the Jersey rain… Posts: 14,419
    Zod said:

    on2legs said:

    I'm sure you're correct. I'm only talking about Bullmoose selling them here in the US. It's illegal and if anyone in customs cared about bootleg recordings they would get seized upon entering the country.

    Except they're not technically bootlegs. They're legal unauthorized recordings. A bootleg is something created that's completely against the law and infringes on copyright. These new "Live" recordings aren't really bootlegs because they're made legally. Royalties are paid (or are supposed to be paid). So unlike the problem in the 90's where cd's were pressed illegally, and the bootleg industry got cracked down on. What you've got here is a product made in complete compliance with the copyright law in Europe and then exported to the US. Like the article say's it's a grey area. Not a big enough market to drag lawsuits through courts to get rulings on the legality of it. Definitely more of a grey area than a black/white area than what we were seeing with cd's in the 90s.

    edit: It's all kind of moot though because it seems many record stores have no problems bringing in bootlegs of studio albums, and those are 100% illegal in either place.
    Zod said:

    on2legs said:

    I'm sure you're correct. I'm only talking about Bullmoose selling them here in the US. It's illegal and if anyone in customs cared about bootleg recordings they would get seized upon entering the country.

    Except they're not technically bootlegs. They're legal unauthorized recordings. A bootleg is something created that's completely against the law and infringes on copyright. These new "Live" recordings aren't really bootlegs because they're made legally. Royalties are paid (or are supposed to be paid). So unlike the problem in the 90's where cd's were pressed illegally, and the bootleg industry got cracked down on. What you've got here is a product made in complete compliance with the copyright law in Europe and then exported to the US. Like the article say's it's a grey area. Not a big enough market to drag lawsuits through courts to get rulings on the legality of it. Definitely more of a grey area than a black/white area than what we were seeing with cd's in the 90s.

    edit: It's all kind of moot though because it seems many record stores have no problems bringing in bootlegs of studio albums, and those are 100% illegal in either place.
    Key word is supposed to pay royalties. I doubt they're doing that. Which would make them bootlegs.
    1996: Randall's Island 2  1998: East Rutherford | MSG 1 & 2  2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel  2005: Atlantic City 1  2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV)  2009: Philadelphia 1, 2 & 4  2010: Newark | MSG 1 & 2  2011: Toronto 1  2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore  2015: Central Park  2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD)  2017: Brooklyn (RnR HOF)  2020: MSG | Asbury Park  2021: Asbury Park  2022: MSG | Camden | Nashville  2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore


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    ZodZod Posts: 10,103
    edited December 2016
    on2legs said:

    Key word is supposed to pay royalties. I doubt they're doing that. Which would make them bootlegs.

    Seeing as they are pressed in Europe and they aren't a 3rd world country, wouldn't they get bombarded with cease and desist orders if they weren't releasing them illegally? Unless we know other wise, the recent wave of public live recordings aren't really bootlegs, because they aren't really illegal. I could see how they could be considered illegal, but it does appear that the small labels specializing in this stuff are adhering to the law.

    To me bootleg means something both illegal and made without the bands permission. These European things only meet half that. They're legal but unauthorized recordings. I know the word bootleg gets used liberally (like PJ calls all their live albums bootlegs, but they aren't bootlegs). To me a bootleg is something illegal and against the law. Something made that is prohibited. These aren't.

    I do think it's interesting how different countries have different takes on copyright (and different rules).
    Post edited by Zod on
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    Horse2345Horse2345 Posts: 3,227
    Pretty obvious they aren't illegal bootlegs. Do you really think businesses would freely advertise they were selling them if there was a chance they could get fined or shut down.
    UBC 92, Vancouver 93, Vancouver 98, Seattle 02, Vancouver 03, Vancouver 05, Gorge 06, Gorge 06,Seattle 09,Seattle 09, Vancouver09, Montreal 11, Toronto 11,Toronto 11, Vancouver 11,Vancouver 13, Seattle 13
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    on2legson2legs Standing in the Jersey rain… Posts: 14,419
    edited December 2016
    Zod said:

    on2legs said:

    Key word is supposed to pay royalties. I doubt they're doing that. Which would make them bootlegs.

    Seeing as they are pressed in Europe and they aren't a 3rd world country, wouldn't they get bombarded with cease and desist orders if they weren't releasing them illegally? Unless we know other wise, the recent wave of public live recordings aren't really bootlegs, because they aren't really illegal. I could see how they could be considered illegal, but it does appear that the small labels specializing in this stuff are adhering to the law.

    To me bootleg means something both illegal and made without the bands permission. These European things only meet half that. They're legal but unauthorized recordings. I know the word bootleg gets used liberally (like PJ calls all their live albums bootlegs, but they aren't bootlegs). To me a bootleg is something illegal and against the law. Something made that is prohibited. These aren't.

    I do think it's interesting how different countries have different takes on copyright (and different rules).
    The article makes it pretty clear that while they might be legal to produce in Europe, they are still illegal here in the US. As previously stated, no one seems to bother to try and shut it down so businesses continue to import and sell them.

    Read the part at the end about Sonic Youth's attorney sending cease and desist letters.
    1996: Randall's Island 2  1998: East Rutherford | MSG 1 & 2  2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel  2005: Atlantic City 1  2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV)  2009: Philadelphia 1, 2 & 4  2010: Newark | MSG 1 & 2  2011: Toronto 1  2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore  2015: Central Park  2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD)  2017: Brooklyn (RnR HOF)  2020: MSG | Asbury Park  2021: Asbury Park  2022: MSG | Camden | Nashville  2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore


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    ZodZod Posts: 10,103
    on2legs said:

    The article makes it pretty clear that while they might be legal to produce in Europe, they are still illegal here in the US. As previously stated, no one seems to bother to try and shut it down so businesses continue to import and sell them.

    Read the part at the end about Sonic Youth's attorney sending cease and desist letters.

    Yah it's kind of a throwaway line... but I'm guessing you can't cease and desist the companies themselves as they aren't breaking laws. The article also doesn't really address the legality of importing the records into other countries. Royalties are paid (or at least no one has proof otherwise). It mentioned that even iTunes makes digital copies available outside the region in which they are made. I'm not sure how cut and dry the import/export is. Otherwise you could start walking that dangerous line of anything made outside your country, that's never been authorized for release in your country is an illegal bootleg (geographical copyright of analog items). That would be pretty messy and unfortunate. It's too bad I couldn't find a better article. This one touched on some things, but was also kind of a vague and only moderately helpful as to how the whole thing works.
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    Tim SimmonsTim Simmons Posts: 6,908
    The only reasonable solution is for Pearl Jam to flood the market with HQ vinyl bootlegs.

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    on2legson2legs Standing in the Jersey rain… Posts: 14,419
    Zod said:

    on2legs said:

    The article makes it pretty clear that while they might be legal to produce in Europe, they are still illegal here in the US. As previously stated, no one seems to bother to try and shut it down so businesses continue to import and sell them.

    Read the part at the end about Sonic Youth's attorney sending cease and desist letters.

    Yah it's kind of a throwaway line... but I'm guessing you can't cease and desist the companies themselves as they aren't breaking laws. The article also doesn't really address the legality of importing the records into other countries. Royalties are paid (or at least no one has proof otherwise). It mentioned that even iTunes makes digital copies available outside the region in which they are made. I'm not sure how cut and dry the import/export is. Otherwise you could start walking that dangerous line of anything made outside your country, that's never been authorized for release in your country is an illegal bootleg (geographical copyright of analog items). That would be pretty messy and unfortunate. It's too bad I couldn't find a better article. This one touched on some things, but was also kind of a vague and only moderately helpful as to how the whole thing works.
    I think it actually says that technically the iTunes recordings should be restricted to Europe.

    See here for more info on bootlegs on streaming sites:

    community.pearljam.com/discussion/262286/tidal-has-live-pj-shows-92-95
    1996: Randall's Island 2  1998: East Rutherford | MSG 1 & 2  2000: Cincinnati | Columbus | Jones Beach 1, 2, & 3 | Boston 1 | Camden 1 & 2 2003: Philadelphia | Uniondale | MSG 1 & 2 | Holmdel  2005: Atlantic City 1  2006: Camden 1 | East Rutherford 1 & 2 2008: Camden 1 & 2 | MSG 1 & 2 | Newark (EV)  2009: Philadelphia 1, 2 & 4  2010: Newark | MSG 1 & 2  2011: Toronto 1  2013: Wrigley Field | Brooklyn 2 | Philadelphia 1 & 2 | Baltimore  2015: Central Park  2016: Philadelphia 1 & 2 | MSG 1 & 2 | Fenway Park 2 | MSG (TOTD)  2017: Brooklyn (RnR HOF)  2020: MSG | Asbury Park  2021: Asbury Park  2022: MSG | Camden | Nashville  2024: MSG 1 & 2 (#50) | Philadelphia 1 & 2 | Baltimore


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    Tim SimmonsTim Simmons Posts: 6,908
    I say slightly tongue in cheek (I'll always advocate for more vinyl shows), but them doing their own boots in 2000 and 2003 (I guess coupled with the start of the switch to digital music) really killed alot of the import market for their boots.
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    ZodZod Posts: 10,103

    The only reasonable solution is for Pearl Jam to flood the market with HQ vinyl bootlegs.

    They did do that once. Someone put out that really nice looking set of the Vegas show, and then in very short order, PJ announced it was the next vault. I thought that was pertty funny. Obviously we'd like to have Vault's of stuff where there aren't existing soundboard sources, but it is amusing to watch the band do something like that to combat it :)
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    mcgruff10mcgruff10 New Jersey Posts: 27,840
    Zod said:

    The only reasonable solution is for Pearl Jam to flood the market with HQ vinyl bootlegs.

    They did do that once. Someone put out that really nice looking set of the Vegas show, and then in very short order, PJ announced it was the next vault. I thought that was pertty funny. Obviously we'd like to have Vault's of stuff where there aren't existing soundboard sources, but it is amusing to watch the band do something like that to combat it :)
    with this thinking can someone put out a bootleg vinyl of randall's island night 2?
    I'll ride the wave where it takes me......
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    EchoesOnMarsEchoesOnMars Reading, Pennsylvania Posts: 422
    Im at the point where I only want complete shows
    Philadelphia 2013 (Night 1)
    Philadelphia 2016 (Night 2)
    Upper Darby 2016 (Night 2) (Temple of the Dog)

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