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Who owns piece of Seattle grunge history? Temple of the Dog master tapes. *Update! Deluxe Reissue?
http://www.seattletimes.com/seattle-news/who-owns-piece-of-seattle-grunge-history-fight-is-on/
Originally published April 10, 2015 at 7:59 pm
Updated April 11, 2015 at 9:59 am
Musicians from Soundgarden combined with future Pearl Jam members to form Temple of the Dog in 1990. (Moskowitz)
A&M Records has sued the brother of a famed studio owner, alleging he is in possession of the master tapes to one of grunge’s defining albums, Temple of the Dog.
By Mike Carter
Seattle Times staff reporter
A legal fight is brewing over possession of the master recording tapes to one of the defining albums of grunge, Temple of the Dog, the sole endeavor by the supergroup of the same name whose lineup included members of Soundgarden and Pearl Jam.
Temple of the Dog was recorded in 1990 at London Bridge Studios in Seattle and became a platinum seller that brought together members of two of the city’s defining bands. The story behind the making of the album, recorded in just 15 days, has become a thing of grunge legend.
In a lawsuit filed in U.S. District Court in Seattle earlier this week, A&M Records, which claims it bought the album from the band in 1991, alleges a Seattle man, Rajan Parashar — co-founder of London Bridge Studios — has the master tapes and won’t turn them over.
Parashar’s attorney, Warren Rheaume of the Seattle firm Davis Wright Tremaine, acknowledged on Friday his client has the master tapes.
“He’s had them all along,” Rheaume said, “They’re his.”
The band Temple of the Dog was founded by Soundgarden frontman Chris Cornell, who was joined by guitarists Mike McCready and Stone Gossard, bassist Jeff Ament, Soundgarden drummer Matt Cameron and a second vocalist who had just arrived in Seattle named Eddie Vedder.
Cornell had been the roommate of Andrew Wood, the singer for the band Mother Love Bone, whose members included Gossard and Ament. After Wood died of a heroin overdose, Cornell wrote several songs about him and then recruited McCready and Gossard to join him in recording them.
Later that year, Vedder, Gossard, Ament and McCready would form Pearl Jam, which has since been joined by Cameron.
The self-titled album “Temple of the Dog” was released by A&M Records in 1991 to critical acclaim, but it did not chart, according to the history and music-industry news. That changed the following year, when A&M realized it was sitting on a collaboration of two of its most popular acts. The album was reissued in 1992 with a video of the single “Hunger Strike.” The album peaked at No. 5 on the U.S. Billboard 200.
According to the lawsuit, London Bridge Studio owner Rick Parashar, Rajan Parashar’s brother, initially produced Temple of the Dog on a verbal agreement with the band. After the album’s success, the lawsuit said, they memorialized the deal in a contract signed in 1993, in which A&M alleges Rick Parashar agreed to turn over the master tapes and all rights to them for $35,000.
The Parashar brothers built the studio in 1985. Helmed by Rick’s Parashar’s production and recording services, London Bridge became the vortex for the Seattle grunge recording scene. Rick Parashar’s credits include multiplatinum releases for Temple of the Dog, Alice in Chains, Pearl Jam, Blind Melon and Dinosaur Jr.
Rheaume said that Rajan Parashar was not part of any agreement between his brother and A&M.
Temple of the Dog recorded that one album and played only a single full concert set before its members went their own directions, although Cornell has joined Vedder and Pearl Jam several times to perform some Temple of the Dog songs.
According to the lawsuit, A&M “believed the artists to be in possession of the master recordings” until May 2013, when “a representative of the artists contacted A&M and informed A&M that [Rajan Parashar] and Rick Parashar” had them.
The lawsuit claims that Rick Parashar failed to respond to several requests by A&M’s attorneys at the Seattle law firm of K&L Gates to turn over the tapes. Rick Parashar died in August. Eventually, the lawsuit claims, Rick Parashar’s manager said the tapes were in the possession of Rajan Parashar.
The lawsuit demands he turn the tapes over immediately, and asks the court for damages and attorneys’ fees.
Telephone and email messages sent Friday to A&M’s attorneys were not returned.
Mike Carter
Originally published April 10, 2015 at 7:59 pm
Updated April 11, 2015 at 9:59 am
Musicians from Soundgarden combined with future Pearl Jam members to form Temple of the Dog in 1990. (Moskowitz)
A&M Records has sued the brother of a famed studio owner, alleging he is in possession of the master tapes to one of grunge’s defining albums, Temple of the Dog.
By Mike Carter
Seattle Times staff reporter
A legal fight is brewing over possession of the master recording tapes to one of the defining albums of grunge, Temple of the Dog, the sole endeavor by the supergroup of the same name whose lineup included members of Soundgarden and Pearl Jam.
Temple of the Dog was recorded in 1990 at London Bridge Studios in Seattle and became a platinum seller that brought together members of two of the city’s defining bands. The story behind the making of the album, recorded in just 15 days, has become a thing of grunge legend.
In a lawsuit filed in U.S. District Court in Seattle earlier this week, A&M Records, which claims it bought the album from the band in 1991, alleges a Seattle man, Rajan Parashar — co-founder of London Bridge Studios — has the master tapes and won’t turn them over.
Parashar’s attorney, Warren Rheaume of the Seattle firm Davis Wright Tremaine, acknowledged on Friday his client has the master tapes.
“He’s had them all along,” Rheaume said, “They’re his.”
The band Temple of the Dog was founded by Soundgarden frontman Chris Cornell, who was joined by guitarists Mike McCready and Stone Gossard, bassist Jeff Ament, Soundgarden drummer Matt Cameron and a second vocalist who had just arrived in Seattle named Eddie Vedder.
Cornell had been the roommate of Andrew Wood, the singer for the band Mother Love Bone, whose members included Gossard and Ament. After Wood died of a heroin overdose, Cornell wrote several songs about him and then recruited McCready and Gossard to join him in recording them.
Later that year, Vedder, Gossard, Ament and McCready would form Pearl Jam, which has since been joined by Cameron.
The self-titled album “Temple of the Dog” was released by A&M Records in 1991 to critical acclaim, but it did not chart, according to the history and music-industry news. That changed the following year, when A&M realized it was sitting on a collaboration of two of its most popular acts. The album was reissued in 1992 with a video of the single “Hunger Strike.” The album peaked at No. 5 on the U.S. Billboard 200.
According to the lawsuit, London Bridge Studio owner Rick Parashar, Rajan Parashar’s brother, initially produced Temple of the Dog on a verbal agreement with the band. After the album’s success, the lawsuit said, they memorialized the deal in a contract signed in 1993, in which A&M alleges Rick Parashar agreed to turn over the master tapes and all rights to them for $35,000.
The Parashar brothers built the studio in 1985. Helmed by Rick’s Parashar’s production and recording services, London Bridge became the vortex for the Seattle grunge recording scene. Rick Parashar’s credits include multiplatinum releases for Temple of the Dog, Alice in Chains, Pearl Jam, Blind Melon and Dinosaur Jr.
Rheaume said that Rajan Parashar was not part of any agreement between his brother and A&M.
Temple of the Dog recorded that one album and played only a single full concert set before its members went their own directions, although Cornell has joined Vedder and Pearl Jam several times to perform some Temple of the Dog songs.
According to the lawsuit, A&M “believed the artists to be in possession of the master recordings” until May 2013, when “a representative of the artists contacted A&M and informed A&M that [Rajan Parashar] and Rick Parashar” had them.
The lawsuit claims that Rick Parashar failed to respond to several requests by A&M’s attorneys at the Seattle law firm of K&L Gates to turn over the tapes. Rick Parashar died in August. Eventually, the lawsuit claims, Rick Parashar’s manager said the tapes were in the possession of Rajan Parashar.
The lawsuit demands he turn the tapes over immediately, and asks the court for damages and attorneys’ fees.
Telephone and email messages sent Friday to A&M’s attorneys were not returned.
Mike Carter
Post edited by demetrios on
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Comments
anyone know what the sourcing was for the MOV LP reissue?
PJ * 10/21/00 - Phx * 6/7/03 - Phx * 6/29/06 - Milwaukee * 6/30/06 - Milwaukee * 11/19/13 - Phx *
EV * 11/4/12 - Phx, AZ *
Hi John,
Thanks for your mail.
We received and used high res audio files (96 KHZ / 24 BIT) of the original master of Temple Of The Dog.
Attached is an article with Ton Vermeulen, owner of Record Industry and co-owner of Music On Vinyl, about analogue vs digital.
Best regards,
Mark
- Christopher McCandless
What did the attached article say?
Hand over the tapes. My guess is bonus tracks will include the Bridgeschool Benefit.
So hand over the tapes!!!!
Money grab or not, if the label owns the tapes, they should get the tapes.
03 - Tampa
08 - Tampa
12 - DeLuna Fest, EV Orlando 1 & 2, EV Ft Lauderdale 1 & 2
13 - Wrigley!!! ,Brooklyn 1 & 2, Hartford, OKC, Seattle
14 - Leeds, Milton Keynes, St Louis
16 - Ft Lauderdale, Miami, Tampa, Jacksonville, Wrigley 1 & 2
Disc two was the 1990 off ramp show and 2011 Alpine Valley performance.
Who needs a reissue when you have rare tracks in your library?
-Christopher Walken
you're=you are
your=showing ownership
The truth has a well known liberal bias.
-Stephen Colbert
What real value do these have, unless it's the only copy fit for remixing/remastering? Which is incredibly hard to imagine in this day and age.
I don't think $35k seems too low. I don't think the owner of the master tapes gets in on any cash flow, outside of a separate deal allowing them that.
But yeah it should be pretty easy to determine who legally owns these tapes so that they can get them to the right people. But it's not like I'd trust the label to not screw this guy over so let's let the court decide.
We recently learned about the lawsuit between previous London Bridge Studio owner Raj Parashar and A&M Records and wish to clarify we are in no way associated with the situation or with the former ownership of the studio.
As the current owners of London Bridge we pride ourselves upon tirelessly working to preserve the deep history rooted at London Bridge, while simultaneously updating and upgrading our world class facility to make this historic studio available to our diverse and talented community of artists and musicians for generations to come.
We are also enormous fans of The Temple of the Dog album recorded here, and we hope with all sincerity that both parties can reach an amicable and swift conclusion to this dispute.
Eric Lilavois, Jonathan Plum, and Geoff Ott
1) What was the source of the pressing?
2) Is it a good idea to "remaster" it? 90's mastering was much better than 21st century mastering.
St. Paul 2014 • Mexico City 2015 • Philadelphia II 2016 • Ottawa 2016 • Amsterdam I & II 2018 • Wrigley Field II 2018 • Phoenix 2022
Apollo Theater 2022 • Chicago I 2023
St. Paul 2014 • Mexico City 2015 • Philadelphia II 2016 • Ottawa 2016 • Amsterdam I & II 2018 • Wrigley Field II 2018 • Phoenix 2022
Apollo Theater 2022 • Chicago I 2023